Category Archives: Film Festivals
As the 2016 Austin Film Festival closes out, we’re recapping some of the highlights of the week. Each year, AFF furthers the art and craft of filmmaking by inspiring and championing the work of filmmakers who use the language of film and television to tell a story. Our on-the-ground reporter was there to cover it all, including the exclusive party sponsored by The Tracking Board hosted by writer-director Jeff Nichols.
During a special Ghostbusters panel at the Austin Film Festival, Paul Feig and Katie Dippold shared some bits of information that you may not know about the reboot of the horror comedy classic.
The journey of comic book adaptations has had its ups and downs but we are living in the Golden Age of the genre. There have been good ones and there have been bad ones. During the Austin Film Festival, Marvel movie writers John Turman, Cort Lane, Edward Ricourt, and Ashley Miller gave their two cents on the difference between the good and the bad.
The Austin Film Festival announced their winners for the 2016 Screenplay Competition as well as the winners for the Film Competition Jury Award. One of the big screenplay winners of the festival was Henry Jones’ Static. Described as a grounded, visionary sci-fi thriller, the script was acquired by Inkubate, the new banner for Godzilla’s Max Borenstein focused on character-driven genre material in film and television
Experienced screenwriters Malcolm Spellman, John Turman, and writing duo Cormac and Marianne Wibberly have their fair share of “failures” — but they weren’t really failures. They managed to see a silver lining and make the best lemonade they could out of the lemons the industry threw at them.
Paula Pell, Tim Herlihy, and Michael McCullers — Saturday Night Live writers from the present and the past — got together to share their stories and experiences from working on the iconic late-night sketch show.
Every year thousands of aspiring writers submit their TV and film scripts to dozens upon dozens of fellowships, workshops and contests (including our own). There is no secret formula to “win” any of these uber-competitive programs — but that doesn’t mean that you don’t have a chance. Lucky for you, we wrangled some advice from the VIP’s who run four highly sought-after screenwriting programs.
If you’re a working screenwriter, chances are you probably live in Hollywood or in the immediate vicinity of the hustle and bustle of the industry. If you’re an aspiring screenwriter, you probably think that you have to move to L.A. in order to have a lucrative career in the biz… and that’s kind of true. It’s doable, but with some caveats. For screenwriters Cindy McCreery, Anne Rapp, and Chris Sparling.
With the Austin Film Festival kicking off this week, we’ve got a guide to the biggest parties and events taking place throughout the fest, including a special event featuring filmmaker Jeff Nichols presented by The Tracking Board.
With the 2016 Austin Film Festival around the corner, the finalists for the fest’s annual screenplay competition have been announced. This year, 45 scripts were chosen for the Final Round with one winner to be determined in each of the 11 categories.
The 23rd annual Austin Film Festival and Screenwriters Conference has made two new additions to its impressive film slate. For the fest’s centerpiece film, they have selected STX’s coming-of-age dramedy The Edge of Seventeen starring Hailee Steinfeld and Woody Harrelson while the closing night film will be Open Road’s boxing biopic Bleed For This starring Miles Teller.
La La Land, Free Fire, and I Am Not Your Negro took home the People’s Choice Awards at this year’s Toronto International Film Festival.
The last time Eleanor Coppola sat in the director’s chair for a feature-length film was in 1991 for the documentary Hearts of Darkness: A Filmmaker’s Apocalypse. Fast forward 25 years later and she has finally made her narrative feature directorial debut with the comedy Paris Can Wait and Sony Pictures Classics has managed to land the North American rights to the pic.
Online network Netflix continued its shopping spree over the weekend as it picked up romantic-heist feature Tramps. The film from writer-director Adam Leon had several interested parties including A24, Sony Pictures Classics, and The Orchard.
As the Toronto International International Film Festival comes to a close and the last film gets screened for the exhausted festival goer, I have compiled a list of some of my favorite films. Out of the 296 films at the festival, I managed to see 22 of them – just a dent in the grand scheme of things, but impressive enough given the five days I was there.
With only a few days left of the Toronto International Film Festival, yet another deal is close to being sealed. The Leisure Seeker, an upcoming road trip film from Italian director Paolo Virzì, starring Donald Sutherland and Helen Mirren, is finalizing a deal for U.S. rights with Sony Pictures Classics. Brokered by CAA and Bac Films, the deal is in the mid-seven figure range.
U.S. rights to Ana Lily Amirpour’s The Bad Batch have landed at Screen Media Films. The film previously won the Special Jury Prize at the Venice Film Festival and starts Suki Waterhouse, Jason Momoa, Giovannie Ribisi, and Yolanda Ross.
The North American rights to the documentary I Am Not Your Negro have landed at Magnolia Pictures. The film follows James Baldwin’s unfinished novel Remember This House.
As the Toronto market starts to heat up in the festival’s final days, Fox Searchlight in closing a deal to buy the North American distribution rights to A United Kingdom, director Amma Asante’s romantic drama starring David Oyelowo and Rosamund Pike.
The sales are starting to pick up at the Toronto International Film Festival as Roadside Attraction acquires Lady Macbeth. The indie is an adaptation of the 1865 novella Lady Macbeth of the Mtsensk.
Showtime and IFC have partnered to acquire the rights to The Bleeder, a boxing drama starring Liev Schreiber. Philippe Falardeau directed from a script which comes from Michael Cristofer, Jerry Stahl, and Jeff Feuerzeig.
The Austin Film Festival has announced their slate of films and panels for the 23rd annual fest which takes place from October 13-20. The event includes screenings of festival favorites Lion, Nerdland, Trespass Against Us as well as the buzzworthy movie musical La La Land.
The mystery behind the Colossal buyer out of the Toronto International Film Festival has been solved. According to reports, Tom Quinn of Radius and Tim League, the owner of Alamo Drafthouse, have secured the distribution rights for the movie.
In one of the few deals to come out of what has been a cool market in Toronto so far, EuropaCorp has acquired the U.S. distribution rights to Their Finest, a World War II dramedy starring Sam Claflin, Bill Nighy, Richard E. Grant, and Gemma Arterton.
The Toronto International Film Festival kicked off on September 8 and our resident film reviewer Dino-Ray Ramos hit the ground running, catching over a dozen screenings of some of this year’s most talked aboot titles at TIFF.
The upcoming monster movie starring Anne Hathaway and Jason Sudeikis, Colossal, has been acquired for North American distribution by a mysterious Chinese buyer at the Toronto International Film Festival.
Sci-fi thriller What Happened to Monday? is in final negotiations to land at Netflix. The project, which will close in the mid-seven figures, stars Noomi Rapace, Willem Dafoe, and Glenn Close.