Category Archives: Neil Turitz
We are less than a week away from the Writers’ Guild of America potentially going on strike if they cannot reach a deal with the studios by the time the clock strikes midnight on May 2. Neil Turitz looks back at the last strike to make a prediction about how he thinks the next few days will play out.
Neil Turitz is taking a look at the long shots and outsides for the Emmys this year. He examines the shows that have no real chance to be nominated, even though they are doing things that no one else on TV is doing, and doing them exceedingly well.
With Warner Bros. spending most of its time focusing on its larger films, its subsidiary New Line Cinema has fallen by the wayside. Neil Turitz takes the opportunity to figure out what should be done with this company that is consistently producing underwelming content.
Since the inception of the Cinematic Universe, Marvel has been hiring character-driven directors to ensure that its films are lead by its characters and not its plot. This trend was continued as Anna Boden and Ryan Fleck signed on to co-direct Captain Marvel. Neil Turitz evaluates Marvel’s decision in contrast with previous ones along with comparing this hire to many of DC’s hires.
The summer is when fortunes are made and lost, careers are built and destroyed, and audiences escape from the heat in a movie theater for a couple hours. With that in mind, here are five movies this summer that have especially large question marks beside them.
It goes without saying that Stephen King is the godfather of horror, but why is the celebrated author suddenly going through something of a Hollywood renaissance? Neil Turitz previews the upcoming adaptations of his works and ponders why it’s happening now.
Why do studios insist on remaking films that were successful the first time? They most likely will not be as good as the original, which just leaves a bad taste in everyone’s mouth. Neil Turitz proposes that studios should try remaking films that that were great ideas but suffered from poor executions and give them the artisitc realization they deserved.
Even with only having seen one film of The Fast and the Furious franchise, Neil Turitz has observed the power and legacy of these films and examines, from an outsider’s perspective, how and why they’ve done so well and what’s in their future.
The Academy of Motion Picture Arts and Sciences changed the rules to two major categories. Neil Turitz explains how these rule changes could greatly impact who gets nominated in the categories in the coming years.
With both YouTube and Hulu launching their own TV subscriptions, what are the pros and cons of various TV networks working with the subscriptions and are these streaming options really a good thing for viewers?
In recent years, we’ve seen more and more miniseries and anthologies on TV and many of them have been incredibly successful. Neil Turitz takes a look at the efficacy of these eight or six-hour stories and all their exploits that give them a leg up on the traditional 22 episode, season-to-season model.
With Aaron Sorkin entering talks with both Marvel and DC despite having admittedly never read a comic book, Neil Turitz gives his take on how he envisions a Sorkin-written superhero movie to look and whether he thinks the Oscar-winning writer could enhance the quality of these films.
Over the past five years FX has asserted itself as the network with the best programming lineup. In both comedy and drama, FX is consistently putting out the most successful shows that are enjoyed by fans and critics. Neil Turitz examines the network’s rise to prominence and how long he thinks they’ll stay at the top.
As the his series on the state of the comic industry comes to a close, Neil Turitz takes a positive look towards the future of comics to remind us that the industry is on the upswing and has no intentions of coming down anytiem soon.
If you were given the opportunity to pay 30 dollars to be able to watch movies at home from when they hit theaters, would you? With CinemaCon starting today, Neil Turitz examines this potential new development in film watching and how it would impact theaters in the future.
It seems like every film today is one piece in the web of a massive franchise with expectations to turn into a full cinematic universe. Many it times it even seems like the films franchises are being greenlit before the first film is released. Neil Turitz takes a look at this phenomenon and asks why film is going in this direction.
Valiant Entertainment is, in fact, not just surviving in the marketplace, it’s actually thriving. Thanks to a specific strategy to publish a limited amount of books each month, thereby focusing on quality storytelling over quantity of market share, a company that only began its latest run of publications five years ago now averages higher sales per book than any other publisher outside of the Big Two.
Netflix has changed its star rating system to simply a thumbs up or thumbs down. Neil Turitz explains why this unfortunate change is the newest development in the suppression of the movie reviewer.
Women enjoy going to the movies as much as anyone male does. And yet, studios refuse to acknowledge this, as well as the fact that movies targeted towards women tend to do very well at the box office. It would be nice if the concept of making cheaper, more inclusive films for a wider audience hungry for them wasn’t so alien, Neil Turitz argues, but this seems to be the sad current reality.
It used to be that the automatic response a non-comic book reader had to the genre was the connection to Superman and Batman and Spider-Man and all the rest. Now things have changed quite a bit and there is no denying that the medium has evolved, allowing for more daring and interesting forms of storytelling.
The American film industry has been relying more on foreign money than ever before, which has been beneficial in some ways but could become harmful in the future. Neil Turitz has evaluated why these companies should be cautious in putting so much faith in international investors.
Does it seem like Ryan Murphy is coming out with a new show all the time? Well he is and Neil Turitz thinks that his interest in creating an increased number of shorter series is the brilliance behind his success.
Has the lack on continuity with characters in comic books ever bothered you? Neil Turitz discusses the importances of reviving characters and having multiple universes with a staffer at DC Comics.
Logan was released in theaters on Friday thus ending the Hugh Jackman’s tenure as Wolverine. Neil Turitz evaluates Jackman’s legacy in the pantheon of great super hero characters and why Logan was the perfect ending to a great run.
In recent years there have been an increasing number of women playing the leads in action roles. Neil Turitz examines this upswing and say why we should expect to see even more of this in the future.
In the second part of Neil Turitz’s examination of the comic industry, he focuses on the juggernaut that is Marvel Comics. While it’s easily the number one company in the industry, that doesn’t mean its immune to some of the most basic problems that plagues an industry like this.
Horror has been a genre on the decline but with two very successful horror films already out in 2017, Neil Turitz takes a look at horror’s future prospects and whether or not the success streak can continue.
The Oscars might be the apex of hosting gigs for personalities, because it’s the biggest audience and the most publicity and the greatest prestige, and so everyone wants to do it, but almost every time, they are doomed to fail, because that’s how all this works. Neil Turitz examines past hosts to address his predictions for Jimmy Kimmel this Sunday.
What has become of the comic book industry? Neil Turitz analyzes the state of comic books in 2017 and how it has gotten to where it is in the first part of his six-part series. First, an overview of the industry — its rise, fall, and renaissance.
The Writers Guild of America’s contract is ending soon and another strike is a distinct possibility. The writers have clear demands and are not afraid to shut down if an agreement they like cannot be reached.