Category Archives: Independent

THEY LOOK LIKE PEOPLE (SALES)

Logline: A troubled young man suspects that people around him are in fact malevolent shape-shifters, and wonders if he should protect his only friend from an approaching war, or from himself.

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OASIS (SALES)

Logline: A man falls in love with a woman with cerebral palsy.

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MEMORY WALL (SALES)

Logline: Kept under wraps.

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PHANTOM (ALEXANDRIA) (SALES)

Logline: A modern-day retelling of “The Phantom of the Opera.”

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CONTRACTED: PHASE II (SALES)

Logline: A man searches for the origin of the contagious zombie virus that infected his girlfriend, and now himself.

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THE PEOPLE GARDEN (SALES)

Logline: Centers on a woman in Japan searching for her missing rockstar boyfriend.

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THE RETURNED (NOEL) (SALES)

Logline: The return of three disappeared children create violent ripples in their small town.

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CALIFORNIA (SALES)

Logline: Set in Sao Paulo, in the early ’80s, when AIDS suddenly seemed a potential epidemic and was still without an effective treatment, centers on a teenage girl who gets through the troubled phase of adolescence, discovering sex, love and friendship.

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LOS PERROS (SALES)

Logline: Centers on Mariana, 40, married to a workaholic economist, who is part of a sexist and violent society where Chilean bourgeois women are reduced to raising children and tolerating their husbands. She then discovers that her own family may have been far closer to the Chilean dictatorship than she imagined.

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THE WITCH (SALES)

Logline: A devoted Christian family in New England in the 1630s is terrorized by a vile and evil witch.

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WHITE CHRISTMAS (SALES)

Logline: Kept under wraps.

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THE NINE LIVES OF LOUIS WAIN (SALES)

Logline: The true life story of Louis Wain, the Victorian painter of cats.

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THE INVERNESIAN (SALES)

Logline: Two estranged brothers set off on a road trip around Scotland in search of youth hostels, brotherly redemption, and somewhere they can bury a body.

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SONIA (SALES)

Logline: A dangerous woman with nothing left to lose decides to settle some scores.

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ALICE IN LA LA LAND (SALES)

Logline: A girl from Geordie discovers that her father is a Hollywood movie star.

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GHOSTGIRL (SALES)

Logline: A teenage girl who feels invisible becomes so in reality when she ties and becomes a ghost.

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MARINADE (SALES)

Logline: Kept under wraps, but pitched as “Bridget Jones’ Diary” meets “Ghost.

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RATTER (SALES)

Logline: A stalker has hacked into all of Emma’s personal technology, but when the virtual world is no longer enough, he moves into the physical.

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HIGH PERFORMANCE (SALES)

Logline: Follows two adult brothers who still know how to kurt each other. Rudi wears a suit, Daniel rides a bike, and they are both interested in a girl named Nora for very different reasons.

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SHE WHO BRINGS GIFTS (SALES)

Logline: A genius 10-year-old girl, locked away with other children liked her, may be the end of the human race — or a new beginning.

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THE GEE GEES (SALES)

Logline: A perpetually losing father-son horse racing team has one last chance to win big.

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TRANSMISSION (SALES)

Logline: Follows the relationship between two brothers in the early London Garage music scene.

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KILLER CV (SALES)

Logline: A wannabe journalist and CV writer discovers a potentially explosive story while interviewing an executive at a chemical firm.

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OVER THE BAR (SALES)

Logline: An American football coach who falls from grace is forced to hide in Ireland, where he begins training a Gaelic football team.

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VIVLING (SALES)

Logline: Follows the struggles of iconic actress Vivien Lee with mental illness.

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SLAMMER (SALES)

Logline: Follows a man who is appointed as an officer in a violent Scottish prison.

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DIAMOND TONGUES (SALES)

Logline: Edith Welland is an actress. Things haven’t been going very well. When her ex-boyfriend becomes an actor on a whim and almost immediately books a leading role, Edith decides if she’s going to get ahead, she’ll need to get ruthless.

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DARKNESS ON THE EDGE OF TOWN (SALES)

Logline: A troubled teenage sharpshooter decides to avenge the death of her estranged sister after she is found murdered in a public bathroom.

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MR. CHARTWELL (SALES)

Logline: Winston Churchill’s “black dog” (his depression, anthropomorphized) taunts the former Prime Minister as it stalks a lonely young parliamentary librarian.

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SEEKERS (SALES)

Logline: A cab driver puts his life on the line to help a mother and her teenage son.

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