Category Archives: TV Features
Catch all the first look for ABC’s new series ahead of their upfront presentation in New York.
Fox is ready to overload you with all-new programming! Check out trailers from their upfront presentation here!
You may have been distracted by the news coming out of Cannes, or all the fun concert feeds and late night comedy stars who’ve been making headlines all day, but some great TV trailers dropped today. Here are the ones from NBCUniversal!
The highly anticipated 24 reboot, 24: Legacy, just landed itself the best premiere slot on television: right after the Super Bowl. Find out what else Fox announced at the 2016 Upfront here!
Premium cable networks like HBO, Showtime, and Starz have taken the battle for subscribers to another level this year as each channel has fully implemented an a la carte system in order to win over the cord-cutters.
Cable channels may not have the same level of presence as the major networks at upfronts, but that doesn’t mean we’re not curious about what they’re ordering throughout the year. See a breakdown of everything in the pipeline here!
While CBS is developing projects exclusively for CBS All Access, and ABC fights to retain stacking rights, NBCU is trying to prove that the cord-cutting generation hasn’t given up on traditional television as much as you would think.
It’s Upfronts time! This week, TV executives, creators, and stars head to the east coast to present their lineup after the spring cleaning and new orders that occurred last week and we’ve got your guide to all the presentations and parties.
We’ve broken down all of the network pilots for you, tracked casting, and followed their updates all season long. Now we’ve collected all that information and have put it together for you in one handy guide!
NBC is adding a new addition to the DC TV universe with a series order for Powerless, the superhero insurance comedy starring Vanessa Hudgens and Dani Pudi.
Bull starring Michael Weatherly has received a series order along with Pure Genius, MacGyver, and Training Day, and comedies Man With A Plan and The Great Indoors.
Bordertown, Cooper Barrett’s Guide To Surviving Life, Grandfathered, and The Grinder have all been cut from Fox’s series ranks.
Say goodbye to cult favorite Agent Carter and long-standing hour-long Castle, as ABC has decided to cancel both shows in addition to The Muppets, Galavant, Nashville, and The Family.
Supergirl is making a big move to CW and Vancouver for season two and CW picks up three pilots to series: Riverdale, Frequency, and No Tomorrow.
Who knew that National Geographic was a social media juggernaut? Well, the 50 million people who follow them did and now the channel is launching new programming for their ever expanding young audience.
YouTube and Machinima focused on Preferred Advertisers while Vice is seriously proud of their new TV channel in today’s NewFronts recap.
Hearst, Time Inc., and CNN make their presentations at NewFronts with more unscripted, talk series, and VR content.
Hulu announces a new “skinny bundle” in the works, but not to be outdone, YouTube makes a similar announcement ahead of their NewFronts tomorrow.
Where Upfronts used to be comprised of the big five television networks and a few cable channels, the events now span months with dozens of channels and platforms presenting their wares. Here’s a rundown of the biggest news to come out of this year’s Newfronts.
It used to be simple: Drama or Comedy. Hour or half-hour. But time, technology, and tastes have changed everything. So when you’re preparing for this year’s fellowships and building your portfolio, how do you choose the spec that best pairs with your original pilot? We’re here to help.
Drama trends have been pretty consistent across the development and pilot seasons: remakes, soaps, and vertical integration. Underlying these, is the most consistent trend of them all: safety. Let’s get into our recap of the 2016 network drama pilots.
The end of pilot season is always a little bittersweet. On the one hand, we’ll get to see the visions of the writers come to life, with a select few making it to series. On the other hand, we have to wait another nine months for a new crop of pilot scripts to be released to the world. It’s time to recap this year’s 2016 network pilot season.
Lucifer packs it’s last episode with gun fights, fights between brothers, new alliances, a princess rescue, and a trip to hell and back. A season finale could not have been presented better.
Fox has boosted development to cover American Idol’s exit and fill nearly 40 hours or programming. So this year’s order of 11 pilots is up from last year’s 6. That said, Fox isn’t really looking to take risks. Let’s take a look at what’s in the works in our preview of Fox’s Drama Pilots.
After approximately 148 years on air, the fat lady has finally sung for American Idol, leaving a giant gaping 2-hour hole in Fox’s weekly schedule. This could be a boon for comedy showrunners, drama showrunners, or both. Let’s find out what’s in the pipeline with our preview of Fox’s 2016 Comedy Pilots.
Kimmy Schmidt and Orphan Black are back while Sleepy Hollow and Blacklist say goodbye to major characters in some of this week’s best episodes of television!
Arrow and The Flash are the CW’s biggest ratings successes, with the latter being the most-watched show in the CW’s history. Jane the Virgin and Crazy Ex-Girlfriend have won the network some well-deserved critical attention. See what’s next for the CW in our preview of their 2016 Drama pilots.
The CW is simply not a network that hosts “comedies” in the traditional, half-hour sense, which is why we’re not providing a breakdown of their 2016 pilots in the same way we’ve been doing for the rest of the networks. That said, a lack of sitcoms doesn’t mean that The CW is without comedy.
This week in Live + 5, we’re bringing you a special Seeso edition, reviewing NBC’s recently launched comedy app and some of its flagship programming, including Bajillion Dollar Properties, Comedy Show Show, and a fantastic library of classic sitcoms.
I’m not saying cliffhangers don’t have their uses. When employed properly, they can be quite effective. But what they shouldn’t do, and what The Walking Dead has done to betray its audience, is to hold off on finishing a story for artificial reasons.