Year six is here, and the competition that has led to more signings, success stories and careers than any other writing competition in the world is now underway. With more than 400 signings, 140 projects set up, 61 writers staffed, 134 appearances on annual best of lists such as the Black List, Blood List, Hit List, and the Young & Hungry List, as well as 6 bidding wars, the Launch Pad Competition has become the premiere hub for Hollywood discovering new talent. Now it’s your turn to make your dreams become a reality!
Year Six is here, and the competition that has led to more signings, success stories and careers than any other writing competition in the world is now underway. With more than 403 signings, 134 projects set up, 61 writers staffed, 150 appearances on annual best of lists such as the Black List, Blood List, Hit List, and the Young & Hungry List, as well as 6 bidding wars, the Launch Pad Competition has become the premiere hub for Hollywood discovering new talent. We’re thrilled to see this new list of writers joining our Launch Pad community!
The ideal candidate is interested in being a producer and/or executive, is detail-oriented, proficient in multitasking, has a strong work ethic and communications skills, and has a genuine passion for movies, television, and books.
This position provides administrative and operational support and requires the employee to possess a level of maturity and be poised to handle a fast paced yet casual environment.
Will manage extremely busy desk where duties range from office tasks to interacting with A-list clients. Must have previous experience at mainstream management firm or agency.
The ideal candidate must have strong interpersonal skills and deep relationships within the industry. Key Responsibilities include: seeking new projects in both Television and Film; & assessing feature/series proposals/scripts/pitches; working with top talent (writers/directors/producers) to develop projects;
Responsibilities include heavy phones and scheduling, script evaluation, project tracking, intern hiring/supervision and general office management.
Assistant will manage extremely busy desk with heavy phones and scheduling. Must be extremely well organized and detail-oriented with excellent communication skills.
This desk works closely with actors, and serves as a liaison between clients, productions, networks, etc. Duties include heavy scheduling, rolling calls, and booking travel.
Must be able to multi-task, handle a heavy volume of calls and possess excellent interpersonal skills. This is not an entry level position. Knowledge of InEntertainment and Breakdown Express is preferred.
Responsibilities include but are not limited to: handling phones and call sheet; scheduling lunches, calls, and meetings; coordinating details of photo shoots and clients’ press schedules; putting together and updating clients’ bios, press kits, and various pitching materials.
Main responsibilities include scheduling, keeping track of his press/speaking engagements, managing his travel, etc.
The true story of how Lawrence Tureaud, a poor kid in Chicago with 12 brothers and sisters, fought and charmed his way into becoming the single lettered icon of saintly compassion and macho energy: Mr. T.
Reeling from the sudden death of her mother, a young woman inherits her letters that reveal a fateful, secret love affair. When a journalist turns up on her doorstep to corroborate this affair with a photograph, together they connect the dots of this beautiful tale of lost love.
The finale of True Detective played out in an unexpected, yet completely gratifying way, showing that Pizzolatto’s sophomore slump in season two was not the nail in True Detective’s coffin that critics exclaimed it to be.
The script, which earned excellent marks in every category of our professional readers’ reports, follows Tim, a recent divorcé who learns that his ex-wife Ashley is dating a new man. Still madly in love, and deeply in denial, Tim tracks her new boyfriend, Andy, to a masculinity-themed sleepaway camp, only to discover that Andy is the camp’s five-time champion and current holder of the coveted Manly Cup (a trophy awarded to the camper who best demonstrates his modern manliness by competing in a series of “woke” athletic events such as Vulneraball and the Emotional Obstacle Course). Desperate to prove that Ashley’s new flame can’t hold a candle to her old, a woefully unenlightened Tim enters the competition and begins scheming to take Andy down.
Candidate must be hard-working, detail-oriented, proactive, and have a passion for music in film.
Applicants must be very organized and have strong interpersonal skills, as they will interface with clients on a daily basis. The job involves the usual assistant duties (scheduling, calls, creative problem solving, reading etc.)
The BA team works with both film and television, including the production and creative. This is a demanding position at a fast-paced film and television studio.
This is a high-volume, client facing, position and candidate will be responsible for rolling calls, heavy email correspondence, highly detailed scheduling, and handling multiple duties at once.
This position requires an elevated degree of multi-tasking, a sharp focus for details and the ability to work in a dynamic, fast-paced, environment. Great opportunity to further ones career within the entertainment industry with an established manager.
You will act as the primary point of contact on Executive’s behalf with regard to various business relationships and opportunities, and will undertake a variety of tasks related to Executive’s career.
Responsibilities include typical assistant duties including but not limited to: scheduling, rolling calls, researching projects, reading scripts, writing coverage, booking travel, and some personal duties as assigned.
The ideal candidate is someone with a fun personality who can manage a busy office with 2-3 execs. Typical job duties: rolling calls, scheduling, reading scripts and providing coverage, general office administration etc.
A thief finds sanctuary in a retirement home after going on the run.
For this role, we are looking for creative assistants who are coming off of the desk with a minimum of 1-2 years of experience.
The goal of this position is to contribute to the development of people’s technical/IT skills, and to ensure a consistent, clear, an impactful flow of information to drive behavior change and ultimately user adoption.
Candidate must be a problem solver/self-starter and work well under pressure. Responsibilities include heavy scheduling, sending client memos and press breaks and light talent coverage.
The ideal candidate will have a passion for the entertainment business and is responsible for liaising between partners, agents, clients, peers, etc. Responsibilities include administrative duties includes managing large call volumes, rolling calls, calendar management, and scheduling travel.
Role responsibilities include but are not limited to: phone call and schedule management, meeting coordination, travel booking, and creative preparation.