Tag Archives: Dana Leigh Brand
Season 4, Episode 19 – Agents of SHIELD reveals motivation and takes a step toward escape in “All the Madame’s Men.” One group of our friends moves closer to freedom while another searches for the reason why they’re all trapped in a virtual prison. The episode moves the story forward just enough to set up some kind of conclusion.
Season 1, Episode 8 – Even in its finale, Feud can’t manage to muster enough conflict to make Joan Crawford and Bette Davis’ fictional feud compelling. “You Mean All This Time We Could Have Been Friends?” offers little in the way of growth, resolution, or narrative while it stumbles through shallow emotions to its long-awaited termination.
Season 2, Episode 13 – The Expanse puts all of the usual suspects in personally dangerous situations rather than system-level ones in “Caliban’s War.” Utilizing everything from science to diplomacy, the second season finale delivers an excellent, suspenseful, tightly-plotted adventure that offers closure on many plot points while opening up vistas of possibility for the future like a good season finale should.
Season 4, Episode 18 – “No Regrets” continues this astonishing run of Agents of SHIELD, mining every aspect of the show and current affairs for its alternate universe. Our friends remain trapped in a VR nightmare while the series knows just which wounds to press and which character traits to tweak for maximum devastation.
Season 1, Episode 7 – Feud finally hits the right level of vindictive manipulation in “Abandoned!” allowing both Crawford and Davis to own their personal problems while underscoring the true basis of their hatred. The episode emphasizes the issues of the characters themselves, rather than trying to make a misguided point about misogyny, and the story stands up better with that more personal conflict at the core.
Season 2, Episode 12 – The Expanse provides monsters, moral quandaries, and political intrigue in spades with “The Monster and the Rocket,” turning the tables on established power structures and examining the dilemmas of life in space. The episode takes three storylines that are connected but aiming to achieve separate goals and intertwines them seamlessly.
Season 4, Episode 17 – Agents of SHIELD continues to rewrite itself in “Identity and Change” by taking the best ideas from the whole series, reworking them, and forcing the characters to confront their demons. The episode knows exactly which spots to poke and which wounds to rip open for maximum effect, both painful and delightful.
Season 1, Episode 6 – Feud continues to bumble its way through 1960s Hollywood, hitting sporadically upon events and issues without ever pausing to examine them. “Hagsploitation” is another example of the series’ aimlessness, presenting the characters as victims of circumstance without achieving a narrative goal or even providing cheap thrills.
Season 2, Episode 11 – The Expanse finally shows off some of its monsters in “Here There Be Dragons,” paying off one of its big mysteries in a satisfying way that leaves plenty of room for future plot development. Every character has a chance to test their integrity and to choose their own battles.
Season 4, Episode 16 – Agents of SHIELD rewrites the entire Marvel Cinematic Universe in “What If…” mixing together painstaking attention to MCU detail with a little real-world politics. The differences between SHIELD regular world and the alternate reality provide tension while nothing is changed so much that you divest from the story entirely.
Season 1, Episode 5 – Feud wastes the story of the 1963 Oscars—which began the real-life hatred between Bette and Joan—by ignoring motivation in favor of sequential melodrama. Yet even that can’t manage to generate tension or emotion in this patronizing and reductive rendition of a story that has so much factual dramatic potential.
Season 2, Episode 10 – The Expanse‘s “Cascade” doesn’t just balance all the Belter, Earther, and Martian plots against each other but it manages to leave enough time and space for the characters to process all of the world-changing events that are happening to them even as those events march on around them.
Season 1, Episode 8 – “Chapter 8” confirms that Legion is a mess but its a pretty mess so at least it has that going for it. Overall, the series has muddled plot arcs and inconsistent characterization spending the majority of its energy on artistic visuals that ultimately feel hollow without any narrative substance behind them.
Season 1, Episode 4 – Feud finally manages to strike the perfect balance between sexism, feminism, actual history, and campy trash in “More, or Less.” With defined narrative arcs for every character, the episode explores the challenges of mixing art and business in the entertainment industry while still incorporating the over-the-top melodramatic moments that the series was created to serve up.
Season 1, Episodes 9-13 – Just like its main character, Iron Fist ultimately fails to find its purpose. The series props itself up with pieces from previous Marvel Netflix shows and never tells a coherent story of its own. A few characters are enough to save the show from complete disaster by providing interesting growth as a counterpoint to Danny’s aimlessness.
Season 2, Episode 9 – The Expanse is full of science, spies, and political briefings in “The Weeping Somnambulist.” The Rocinante crew takes a back seat to Bobbie and Chrisjen investigating the battle on Ganymede station. The episode deftly connects all the disparate plotlines while giving everyone equal time to move their stories forward.
Season 1, Episode 7 – Legion finally escapes its narrative loop in “Chapter 7” but still doesn’t follow through on the story it started telling. With just one episode left in the season, the series can’t seem to choose between cohesive plot and auteur stylistics.
Season 1, Episodes 5-8 – The second third of Iron Fist picks up a bit with the welcome inclusion of Claire Temple and the development of a few character arcs. Unfortunately, the series still lacks a coherent narrative even more than halfway through the season’s run. Iron Fist is watchable but too messy to be truly great.
Season 1, Episodes 1-4 – The first third of Iron Fist suffers from off-putting character introductions, a lack of motivation, and painfully slow pacing. While there are glimmers of what could be an interesting story, the first four episodes are largely devoid of plot and show no sign of narrative structure either within episodes or in the season overall.
Season 1, Episode 3 – Feud flails by trying to sanctify the nature of motherhood rather than delivering on the promise of titling an episode “Mommie Dearest.” The series wastes all the dramatic potential of Joan Crawford’s and Bette Davis’ notorious parenting in a half-hearted attempt to soften both women, ultimately further cementing itself as a sexist nightmare.
Season 2, Episode 8 – The Expanse continues to delight with another well-executed, tightly written episode that moves forward its solar-system wide political plots while leaving plenty of room for the characters to process events and grow. “Pyre” touches on refugees, revolutionaries, and resistance while simultaneously being a mystery story about aliens.
Season 1, Episode 6 – Legion spins its wheels in “Chapter 6” offering an interesting alternate universe without providing any new information, character growth, or anything else to move the story forward. While the unreliable nature of the narrative is intriguing and the aesthetics are always pleasing, the series needs to tighten up and actually tell a story.
Season 1, Episode 5 – “Chapter 5” of Legion tries to undermine reality and just undermines itself. Showing a lack of both character development and the series’ usual style, the plot ties itself in knots that ultimately unravel by story’s end. Though the episode itself does not gel, it lays groundwork for the rest of the season to build on.
Season 2, Episode 7 – The Expanse shows off its political and social strengths in “The Seventh Man,” tying together threads of revolution, mutually assured destruction, and exploitation in a rich, evocative package. The episode sets the stage for the season’s second half story arc by both revisiting old beats and introducing some new ones.
Season 1, Episode 4 – Legion opts for a more objective viewpoint than usual in “Chapter 4,” adhering more to linear time and less to trippy stylistic sequences. That objectivity plays to the episode’s benefit, utilizing a tight narrative structure and excelling at moving the story forward with the characters’ specific superpowers.
Season 2, Episode 6 – The Expanse delivers a somewhat messy but ultimately satisfying episode with “Paradigm Shift,” featuring technology, social strife, and interplanetary warmongering. The episode generates plenty of conflict within the character groups allowing everyone to demonstrate where they stand on moral issues and international politics.
Season 1, Episode 3 – “Chapter 3” of Legion spins its wheels a bit, opting more for atmosphere than plot. While we learn important information for the future, the lack of structure in the episode prevents any feeling of satisfaction or resolution.
Season 2, Episode 5 – “Home” weaves together three sides of the same story, keeping the tension high and stakes higher all the way throughout. The episode provides the healthy doses of politics, pathos, and action that The Expanse is so good at delivering.
Season 4, Episode 15 – After three and a half years, Agents of SHIELD finally fulfills all of its immense potential in “Self Control.” Betrayal, uncertainty, and personal agency are at the forefront of the troubles the team must contend while also deeply examining issues of artificial intelligence, consciousness, and personhood. This is SHIELD at its best.
Season 1, Episode 2 – “Chapter 2” of Legion continues all of the style, depth, and intrigue of the first episode but adds in more structured bits of plot and begins to anchor the series’ story arc. David has to deal with layers of trauma and mental illness while navigating his newfound superpowers and new situation in the mutant enclave.