Negotiations were extended about an hour past the early Tuesday morning deadline when word came down that the two sides had reached an agreement. Though details remain sparse, the problems surrounding the WGA’s ailing health plan appear to have been solved.
New ABC Network president Channing Dungey had an important decision last year: greenlight more family comedies or add other types of comedy to their strong lineup. She went with a bit of both and now they are bursting at the seams with half-hours.
The Los Angeles Asian Pacific Film Festival took note of the social climate of whitewashing (see: Scarlett Johansson in Ghost in the Shell) and decided to set the 2002 drama Better Luck Tomorrow as the festival opener. The move not only sparked nostalgia for independent filmmaking but put a spotlight on the groundbreaking film that still resonates when it comes to diversity and inclusion in Hollywood.
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Ophelia, the reimagining of Shakespeare’s famed tragedy starring Daisy Ridley and Naomi Watts, has added a quartet of actors including Clive Owen, Tom Felton, Devon Terrell, and Captain Fantastic‘s George MacKay stepping into the role of Hamlet. (Deadline)
Husband/wife filmmakers Kate Bosworth and Michael Polish have set their next feature project: Nona, which will put a face to Central America’s sex trafficking industry. (Deadline)
Paris Jackson, the daughter of the late great Prince of Pop, is making her feature film debut in Amazon Studios’ Untitled Nash Edgerton Project. She will star alongside David Oyelowo in the dark comedy about a mild-mannered American businessman. (Deadline)
Boardwalk Empire alum and up and coming actor Charlie Plummer has landed the coveted role of J. Paul Getty’s kidnapped grandson in Ridley Scott and Imperative’s All the Money in the World. (Variety)
Bruce Greenwood, Justin Bartha, and Bravo’s Imposters star Inbar Lavi join indie comedy Sorry For Your Loss from first-time director Collin Friesen, who also penned the script. (Deadline)