Verve & Romark are shopping VIRAGO by Liz Storm. Described as in the vein of ROMANCING THE STONE meets INDIANA JONES.

MXN & CAA is out with RABBIT SEASON by Shanrah Wakefield. Described as a supernatural horror project.

Buchwald is out with EVE by Scott Collette. A massive asteroid hurtles towards Earth.

Screen Gems bought DELILAH by Harrison Query & Tommy Wallach. A young woman assumes the identity of a family’s long-lost daughter

Searchlight Pictures has picked up THE HOUND by Lisa Duva. A timid dog groomer wrestles with dark desires.

Netflix and 6th & Idaho picked up UNTITLED CONRADT-KROEHLER THRILLER PROJECT (aka DEAD OF WINTER) by Sarah Conradt-Kroehler. A family’s weekend in the mountains turns into a fight for survival.

Verve & CAA is out with UNTITLED GUGGENHEIM / KINBERG ACTION SPEC by David Guggenheim. Described as a massive female-led franchise.

MXN Entertainment is out with AS YOU WISH by Suhashini Krishnan. Two Indian women from wildly different upbringings switch bodies.

TriStar Pictures picked up TIN ROOF RUSTED by Michelle Harper. Two life-long best friends discover that they’re both pregnant.

Luber Roklin is out with MONSTERS' ROW by Banipal Ablakhad & Benhur Ablakhad. A teenage thief finds herself imprisoned in Castle Frankenstein.

Zero Gravity Management is out with THE TRESPASSERS by Troy Blake. A young wife becomes increasingly frustrated with her mild-mannered husband.

Fictional Entity is out with THE GOOD GO FIRST by Jerome Velinsky. A rideshare driver takes a young woman to a party in a remote location.

Authentic Talent and Literary Management is out with T.A.T.U. by Antonio Macia. A mountain guide and an electrical engineer struggle to band together and survive.

UTA is out with MINUS NINE by Jordan Harrison. People are placed in suspended animation and plugged into a virtual reality.

Rascality Entertainment is out with INTO THE WIND by Mike Pitts. A congregation of old friends reunites at a luxurious mountain villa.

Ideal candidates should have superior organizational and communication skills, be detail-oriented, resourceful, have the ability to multi-task and shift priorities.

The assistant will manage office schedule, coordinate development of projects, handle heavy email correspondence with talent and key partners, maintain submissions/project grids and related computer filing.

Maintains and establishes new relationships with the creative community (writers, producers, and performers), agents and managers with the end goal of identifying outside material and talent.

Review creative submissions and make recommendations for programming development.

Solicit and evaluate source material from producers and agents for original programming development.

Acts as liaison with filmmakers, writers, etc.

You will lead a growing team of 20+ designers, editors, and managers, working with partners internally and externally to deliver a wide range of marketing assets and campaigns.

The position will report to the Co-Head of Television and will support various functions of the team. They will also be working closely with the studio’s Development, Casting, and Production teams.

Day-to-day running of the development department, including calendar, expenses, travel and general administrative support.

Maintain all internal information grids and stay up to date on the entertainment landscape & entertainment/media business news.

Looking for self-starters, entrepreneurial spirits, team players and creative thinkers.

Ideal candidates are organized, resourceful, articulate, and professional multi-taskers.

The ideal candidate has a strong interest in comedy, development, and management.