APA is out with HOMECOMING by Murder Ink. One of New York’s most eligible bachelors and his eccentric wingman try to pull their recently divorced friend out of his rut.

Gersh is out with FIRST CLASS by Drew Tobia. Two best friends are recruited to a new rival airline.

CAA is out with THE MOTOR CITY GIRLS by Matthew K. Firpo & Ryan Firpo. Five half-sisters must hone the unique power bestowed to each of them.

Bright One Management is out with CIRCLE OF CONFUSION by Debbie Kennard & Lindsay Foster. Censorship is a reality to coddle the masses.

Bright One Management is out with COPPERHEAD CONNECTION by Greg Beck. A local marijuana grower finds himself battling his past in a small rural town.

CAA is out with HI/LO by Eric Martin. Edie is the most influential casino host in Las Vegas and wields power with an iron fist.

Anonymous Content is out with THE PRODIGY by Andrew Waller & Michael Gagerman. A young violinist infiltrates a Nazi Officer's club as a musician and engages in daring acts of espionage.

Rain Management is out with STILL OF NIGHT by Matt Morgan. A teenage girl discovers the monstrous secret locked in her basement.

Code Entertainment picked up THE VAMPIRE ASSET by Jonathan Stokes. A reluctant vampire is recruited by the CIA to find his former lover.

Duties such as scheduling, rolling calls, taking notes, booking travel, etc. Assistant will also be integral part of development team.

The Development Coordinator will work to review incoming scripts and track projects in development and production.

Maintains calendar, schedules appointments, meetings and notes call, etc. Writes script coverage and tracks all submissions.

Arrange and take notes during production meetings and distribute meeting minutes as applicable. Schedule talent for time in the studio as well as any follow-up time for corrections or adjustments.

Conduct phone duties, which include but not limited to: fielding incoming calls, transferring calls, taking messages, scheduling conference calls, arranging meetings etc.

Oversee and manage budgets from initial estimates to post-production. Responsible for production and delivery calendars, timelines, and budgets.

Responsibilities include rolling calls, managing multiple schedules, setting meetings, covering scripts, interfacing with agents, lawyers, studio executives and producers.

On a daily basis, you will provide research and administrative assistance to the creative team. You must learn fast, be independent, flexible, open-minded, and solution-oriented.