Writ Large is out with SUBVERSION by Andrew Ferguson.

Story Driven is out with NICE RESTAURANT by Doro Nguyen. When Liu Fang is smuggled into the US, she finds out that she's put in charge of a restaurant front and she needs to....

Verve is out with THE HEAP by Jessica Chou. In a dystopic society built on garbage, two female indentured assassins must fight for their....

WME is out with OIL & MARBLE by Chinaka Hodge. When Michelangelo Buonarroti steals Leonardo DaVinci's commission to sculpt a Hercules for the city of Florence, he sparks a rivalry that challenge....

Curate is out with MOXIE by Heather Quinn. To combat crime in near-future Los Angeles, the FBI creates supercops based on specific genetic sequences. To their shock, their best candidate....

Story Driven is out with DEADME by Asabi Lee & Paul Hart-Wilden. Aimless and down-on-her-luck Ash, inadvertently finds herself caught in the world's most secretive and deadly game, where absolutely anyone....

Mania Entertainment is out with CURVEBALL by Ted Lazaris. A middle-aged actor enters a witness protection program and starts a new life. Sometimes life can throw you a....

Bright Leicht Content is out with DEEPFAKE by Rob Rex. A grief-stricken woman seeks solace in an AI-powered service that emulates the digital persona of a deceased loved one, but the more emotionally invested she becomes....

StudioCanal & The Picture Company picked up HONEY TRAPPED by April Wolfe. A cabal of assassins arrive in Las Vegas and fight their way up every floor of a busy....

Writing coverage for Film and Television scripts, books, and plays. Researching IP of potential interest for Adaptation (books, articles, podcasts).

Work with Directors of Physical Production in handling the physical pre-production, production and wrap of major theatrical feature films (both domestic and foreign).

The Production Coordinator works within and among production departments to lead projects by facilitating discussions, communicating the strategy, coordinating deadlines and tracking project progress.

Duties include answering phones and maintaining daily schedules; filing; processing expense reports; scheduling meetings and appointments; updating information on producers; tracking all submissions and pitches; entering due dates for cuts; and maintaining production paperwork.

Scheduling and maintaining a complex executive calendar, arranging executive + talent travel, scheduling calls + meetings, processing expense reports and screening and logging phone calls and emails. Other administrative and clerical duties and projects as assigned.

Responsibilities include script coverage, tracking writers/directors, sitting in on pitches, as well as other tasks as they arise.

The ideal candidate will be a quick reader, strong writer, have an innate ability to prioritize, and have a good sense of the industry and its main players.

Serve as lead problem solver with TV studio and outside producers on all production issues from prep through production and post. Liaise with each network/cable/Streaming partner on all notes for scripts, outlines, and written materials.

Duties include script reading and research, scheduling, etc. Should also be eager to read and provide feedback on material varying from project drafts to incoming submissions.