Track current and prospective clients. Assist with special projects, research, and compiling information as needed.
Susan Mears Literary is out with ARE YOU READY TO BE A SUPERSTAR? by Ruth Tunnicliffe. When a message arrives that promises her fame and fortune, it changes everything.
Zero Gravity Management is out with AN ALIEN STOLE MY PROM DATE by Casie Tabanou & Ali Spuck. A geek teen obsessed with a Star-Wars-esque movie franchise gets abducted by aliens.
HBOMax picked up BLACK CHOKE by Doug Simon. Described as a neo-noir bank robbery gone wrong.
Reading scripts, writing script coverage, reviewing dailies and draft comparisons across incoming submissions, development and current series.
Review, source images, draft synopsis and research information for BRON documents and project pitch decks.
Production works hand in hand with producers on managing calendars, budgets, crew and logistics.
Serves as a conduit between the HBO Max Non-Fiction & Family and other departments by acting as a resource for information and maintains the flow of information between various departments both internally and externally as requested by executives.
Seeding, building, and maintaining grids, extracting relevant trends and sales data as related to Television writing and directing opportunities.
Draft, review and track distributor contracts. Create invoices for international film distributors and assist with legal delivery.
Responsibilities will change as the company continues to grow, but in addition to executive assistant functions, this person will be tasked with development duties such as idea generation, research and deck building.
Co-ordinate with Management, Publicists, Marketing Team, Record Label, TV and Film agents, and Social Impact partners to come up with creative content ideas.
Responsibilities include phones and email, scheduling, light office management, file management, expenses, reading, and coverage.
Strong research, pitching, and relationship-building skills are required. Candidates should have a strong knowledge of the documentary space.
Responsibilities include client interaction, heavy phone calls and emails, extensive scheduling, travel, project management, and script coverage.
Requires a strong degree of client contact, heavy phones, scheduling, and ability to multi task under pressure.
Duties include booking extensive travel and handling logistical details with contacts globally, and traveling to live shows & TV/Film shooting locations.
Candidates need to have editing experience and must be organized, ambitious, detail-oriented and computer savvy.
In addition to light general office duties, interns read and evaluate scripts and write coverage.
We are looking for a hungry person who is ready to prove themselves.
APA is out with HOMECOMING by Murder Ink. One of New York’s most eligible bachelors and his eccentric wingman try to pull their recently divorced friend out of his rut.
Gersh is out with FIRST CLASS by Drew Tobia. Two best friends are recruited to a new rival airline.
CAA is out with THE MOTOR CITY GIRLS by Matthew K. Firpo & Ryan Firpo. Five half-sisters must hone the unique power bestowed to each of them.
Duties such as scheduling, rolling calls, taking notes, booking travel, etc. Assistant will also be integral part of development team.
The Development Coordinator will work to review incoming scripts and track projects in development and production.
Maintains calendar, schedules appointments, meetings and notes call, etc. Writes script coverage and tracks all submissions.
Arrange and take notes during production meetings and distribute meeting minutes as applicable. Schedule talent for time in the studio as well as any follow-up time for corrections or adjustments.
Conduct phone duties, which include but not limited to: fielding incoming calls, transferring calls, taking messages, scheduling conference calls, arranging meetings etc.
Oversee and manage budgets from initial estimates to post-production. Responsible for production and delivery calendars, timelines, and budgets.
Responsibilities include rolling calls, managing multiple schedules, setting meetings, covering scripts, interfacing with agents, lawyers, studio executives and producers.