A place to find all of our film reviews.


A place to find all of our film reviews.
“The underlying issue with this franchise is that it’s hopelessly stuck in the past, unable to move on from Tobin Bell’s fair-minded killer John Kramer,” writes Jeff Sneider.
Director Marc Forster (“World War Z”) takes the audience on a ride that “won’t be for everyone,” writes Edward Douglas.
Drew McWeeny writes that George Clooney’s take on the Coen brothers’ story is an “ambitious attempt to marry dark comedy, film noir, and social commentary.”
“Jason Hall’s no-nonsense directorial debut has rewards to offer, even though it doesn’t offer its characters any easy answers,” writes Drew McWeeny.
Margaret Qualley plays a ‘60s teen who decides to become a nun, just as the Catholic Church is making dramatic changes itself.
“Confident and cleanly-told, “Happy Death Day” is exactly the “Groundhog Day” meets “Friday the 13th” mash-up that the trailers promise. There’s nothing more to it than that though,” writes Drew McWeeny.
Boyhood filmmaker Richard Linklater directs this quasi-sequel to Hal Ashby’s 1973 film The Last Detail and an “insanely funny” Bryan Cranston steals the show.
“This is how I like my movie sequels, determined not just to give us more of the same but keenly aware that ‘the same’ is exactly why people buy tickets to sequels. It’s a tricky balancing act, but it feels like Vaughn and his ongoing gang of collaborators enjoy that challenge,” writes Drew McWeeny.