Other

Developing insightful presentations that summarize key data, identify underlying trends, and ultimately result in actionable strategic recommendations.

Responsible for ensuring the feature film productions run smoothly and that internal and external participants are receiving the information and support they need.

Manage and oversee planning, categorizing, developing and programing trending and timely content and strategy across SpringHill.

Conduct in-depth research within the News UK archives to unearth material with significant potential for development into series or films.

Schedule and organize crews in relation to needs of creative, under the direction of the Coordinating Producer and Logistics Manager as assigned.

Work closely with your discipline supervisors in crewing, casting and scheduling your discipline’s body of work, keeping in mind the overall show schedule, client reviews, bids, and other discipline needs.

Collaborate closely with producers, directors, and department heads to plan and execute all physical production elements.

Manage the production process, from brief, development, and to final delivery.

A unique opportunity to work alongside the teams that come together to produce TV shows for Sony Pictures Television in the Physical Production department.

Generate clear and cogent verbal and written feedback on story materials related to various series and features through all phases of development and production.

Conceptualize and write funny, creative, culturally relevant original copy for talent and filmmakers for creative content group’s projects, which include, but are not limited to media promos, vignettes, digital content, marketing reels, and award materials.

Administrative tasks, including phones and scheduling, and the creative development of new projects.

Ensure that all pre and post production scripts are published and distributed in an accurate, efficient and timely manner using office technology to members of production and cast, including coordinating the script requirements for guest artists who are often cast at very short notice.

Prepare and send estimates and/or invoices for new memberships, existing memberships, AFCI University enrollments, and event registrations.

Extensive knowledge of working writers is a must.

Highly motivated, resourceful, and organized.

Excellent interpersonal skills, possess advanced written and verbal communication skills and be well organized and analytical with an ability to work well under pressure.

Maintain calendar and scheduling for Acquisitions department. Schedule meetings with potential business partners e.g., agents, film reps, distributors etc.

Responsible for updating and maintaining all key department, development, production and finance databases and tracking documents. Updating daily and weekly.

A variety of administrative duties in support of daily operations in the Development department and VP of Development with Pilgrim Productions.

Create budget and schedule productivity assumptions that are in line with the production’s creative goals.

Manage submissions, coordinate responses, and delegate reads internally.

The writer should be ready to tackle film and film industry news with a passion for the film business.

Schedule and organize crews in relation to needs of creative, under the direction of the Coordinating Producer and Logistics Manager as assigned.

To assist the Producer and Director in all editorial aspects of the “live” golf programming, both in the office and on location.

Direct the film capture of weekly artist performances in our Los Angeles Studio.

Able to speak knowledgeably about all aspects of production from development and prep to on set protocols and post production. Knowledge of union and guild guidelines from talent (SAG) to  crew (IATSE, DGA).

Oversee current series – watching cuts and providing several rounds of notes to get episodes prepared to go on the air.

Support the VP, Animation Production by managing their calendar, scheduling meetings, screening and prioritizing all incoming phone calls, meeting requests, mail and any formal communication, creating presentations and coordinating other key events.

Involves heavy physical production: budgeting, scheduling, staffing, cost reporting, and some creative development.