Responsibilities include heavy scheduling, client and administrative support, reading scripts, rolling calls and more.
Generates ideas for new show concepts and characters. Hear and respond to pitches; evaluate new project submissions to assess their value as it relates to the creative direction
Work with writers to develop ideas and concepts that are viable for the slate and to sell concepts and materials to various linear network and streaming partners.
Serve as first point of contact with clients, agents and executives. Provide significant script coverage for client pitches.
Maintains scripts, phone logs, various files, records. Coordinates information for Writer/Director lists.
We are seeking a candidate with a strong passion and knowledge of Film, a clear focus on creative development, and the right “team-oriented” approach.
Provides detailed notes on concepts, outlines and scripts, and delivers clear creative, direction on all Film cuts and post elements, including VFX and scoring.
Candidate should understand the development-to-series pipeline in non-scripted Television, have experience putting together pitch materials and generating new ideas.
Write presentation outlines, sizzle scripts, create decks and beat out creative for pre/pro and presentation. Assist with developing new Series concepts from ideation to production.
Duties include both administrative and creative responsibilities supporting the executive and his particular projects, as well as contributing to the department, and the Film slate as a whole.
Field pitches, identify trends, and help establish the strategic development goals for the Drama department.
Assist in answering and rolling calls and keeping meticulous notes of calls. Track a variety of projects and deals and updating executive with required action items.
The ideal candidate will have a passion for Scripted Television and artist representation in the entertainment business.
Must have great relationships with buyers, agents, streamers, networks and knowhow to pitch clients.
You must have an existing client list that you want to expand to be considered for this position.
Update and manage talent’s master schedule inclusive of all items professional and personal.
We are seeking a smart, motivated, quick-thinking, and resourceful person to serve as the right hand.
Pull press breaks daily for corporate, project specific and industry related topics – draft and circulate internal news reports.
Work closely with a passionate team of seasoned executives to execute and build on a robust growing NA feature slate, based on Wattpad and WEBTOON’s most valuable IP.
Candidates are voracious Readers, constant consumers of Film and Television with a comprehensive understanding of the industry and its participants.
Daily responsibilities include managing calls, managing schedules for agents and clients, facilitating auditions, and compiling submissions.
Read and evaluate scripts, find new talent and emerging voices. Create lists of directors, writers, and actors for projects in development.
Work closely with leaders in overseeing all facets of Current Series and scripted development.
The Coordinator will participate in the development of all scripted Programming from concept to series.
The ideal candidate is interested in learning about the below-the-line business and has the ability to juggle changing administrative priorities while providing executive support in a timely manner.
Field pitches, identify trends, and help establish the strategic development goals for the Drama Department.
Assist in TV development, pre-production, production & post-production administration. Outsourcing, reviewing, & contributing to development materials, concepts, outlines, scripts, rough cuts, etc.
The coordinator will participate in the development of all scripted programming from concept to series.
Field pitches, identify trends, and help establish the strategic development goals for the Drama department.
The team will develop projects from inception of idea to series by hearing pitches, reading spec scripts, identifying available IP, crafting and delivering notes to executive producers, and communicating creative direction between network and studios and production companies.