“The first Annabelle was a cheap knock-off of The Conjuring, built around fake tension and lame, slow-burn non-scares. This time, there’s plenty of payoff, and once the film hits its third act, it’s fairly relentless in terms of pace and tone,” writes Drew McWeeny.
This time around, Annabelle targets her maker, his wife, a nun, and several girls from a shuttered orphanage. As you might imagine, trouble ensues.
Hollywood’s premier source for spec tracking, industry jobs, Film & TV literary deals, and analysis of the Spec Market. We are home to the most robust spec script tracking and development & literary deals news.
The Tracking Board: Tracking Hollywood so you don’t have to.
Don’t get left behind. Stay plugged in to the industry with our free newsletter.