Responsibilities include reading/evaluating scripts, books and article submissions, and pitching material to executives.
Read incoming submissions, books, drafts, etc. and provide notes on all projects.
Candidates must be able to balance administrative duties, such as rolling calls and scheduling, with heavy creative work – reading incoming submissions, books, drafts, etc.
Generate memos on books of interest, write reader reports on specific books, and brainstorm pitches for clients.
Responsibilities include reading/evaluating scripts, books and article submissions, pitching material to executives, compiling film festival grids/look books, and researching.
Tracking and reading submissions and writing samples and offering written thoughts in a timely manner.
Responsibilities include reading and evaluating scripts, books, and various other submissions.
Administrative duties including handling heavy phones, calendar management, scheduling travel, booking reports, preparing expense reports, and general office management tasks.
Duties include basic administrative responsibilities, maintaining grids, and tracking material.
Candidates will also need to contribute creatively by reading scripts and books, watching cuts, and offering creative feedback.
Readers will be responsible for reading assigned books and/or scripts and providing detailed coverage.
Be a voracious reader and provide research, creative input and books for consideration for development.
Launch an IP group targeting both domestic and international sources for USG (i.e., books, articles, life rights, podcasts, formats, etc.) as well as identifying IP that aligns with talents creative requests.
This will entail putting together simple timelines for a variety of historical periods; finding unique characters, inspiration and “fun facts” to feed storylines.
Reviews and prioritizes pitch requests and materials for review. Follow up with creators and artists to coordinate meetings, pitches, review notes, etc.
Ideal candidates will have a basic knowledge of running an office, as well as an interest in and aptitude for evaluating material.
Responsibilities include reading and evaluating scripts, books, and various other submissions, pitching material to executives, and research.
Manage and track incoming writing and directing submissions. Send scripts and books to reader for coverage or provide coverage when necessary.
Generate ideas, develop projects and search for valuable IP (books, comics, graphic novels, podcasts, etc).
Assist the development team with coverage on incoming materials (reading scripts, books, show pitches, etc). Preparing decks for internal and external creative presentations, including editing clips and mocking up creative materials.
Working closely with creative and showrunners, identifying and assessing creative materials and partners as well as managing relationships with internal / external staff and crew, reviewing and vetting creative materials and ensuring premium quality content is produced.
When requested, reads written materials (scripts, books, etc.) and provides feedback to executives.