Duties include typical admin responsibilities with heavy creative input.
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Duties include typical admin responsibilities with heavy creative input.
Ideal candidates should have at least one year desk experience in the entertainment industry, and be able to balance literary and talent department duties.
Daily duties include heavy phones, rolling calls, tracking client appointments, making submissions, heavy scheduling, script coverage, money tracking & processing, etc.
This position requires an individual who is highly motivated to learn the scripted Television business.
Candidates will organize schedule, manage travel arrangements, handle phone duties, and serve as key point of contact for the company.
The job includes administrative duties as well as reading, project tracking, and interfacing with A-list talent.
Interacting with clients, gaining exposure to Film development & production. Only for team players with exceptional organizational, multi-tasking and communications skills.
Candidates must be personable, detail oriented, and be a positive contributor to the team with great communication skills.
Duties include scheduling, rolling calls, phone sheet maintenance, invoicing, reading/evaluating scripts, identifying new talent/content, etc.
International focus. Report to company partners.
Organize, coordinate and assist with all aspects of a busy producer’s workload.
Responsibilities include reading and submitting feedback on creative materials, developing presentations, providing script coverage and more.
Phones, scheduling, Business Affairs, Finance and production reports.
Responsibilities include client interaction, heavy phone calls and emails, extensive scheduling, booking travel, project management, and script coverage.
Position requires ability to interface with artists and executives directly, scheduling and coordinating, drafting and emailing submissions, and rolling calls.
Responsibilities include heavy phones (scheduling calls, rolling calls, maintaining call sheets), and travel coordination.
Candidate must be driven, detail-oriented, comfortable with influencers, and should want to be a manager.
Fast-paced desk where you’ll manage submissions, coordinate with casting offices, correspond with clients, roll calls, handle scheduling, and book travel.
An ideal candidate should be interested in DIY production, marketing and distribution of films, especially documentaries.
Candidates need to have editing experience and must be highly organized, ambitious, detail-oriented and computer savvy.
Knowledge of video/audio formats, MP3 convertors, frame rates, Pro Tools, Audacity, and Movavi preferred.
Duties include rolling calls, submissions, scheduling, managing records, script coverage, records, various research & development-related projects, and other general office duties.
The role is an integral part of the team, supporting the manager and their clients by rolling calls, coordinating schedules, covering scripts, managing lists, sending submissions, and other administrative tasks as needed.
Candidates must have precise, detailed-oriented organizational skills, as well as excellent verbal communication and writing abilities.
The right person for this role is a highly self-directed and enthusiastic problem solver, with an ability to inspire and effect change through influence and collaboration.
The Production Assistant assists the producer & Director to meet the various administrative needs of the production.
Work closely with leaders in overseeing all facets of Current Series and scripted development.
The role offers a unique opportunity to learn across a large slate of projects and work with a variety of domestic and international partners.
Handle daily administrative tasks including assisting with scheduling, filing, photocopying, scanning, running errands, taking notes, answering phone calls, detailing messages, ordering office supplies, etc.
Ability to deal with high profile studio/network executives, producers and managers while understanding the importance of confidentiality and professionalism. Reading scripts.
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