Responsibilities include rolling calls, managing multiple schedules, setting meetings, covering scripts, interfacing with agents, lawyers, studio executives and producers.
Basic duties include high volume scheduling/rolling calls, submitting materials for development/staffing considerations, managing clients’ and managers’ calendars.
Daily responsibilities include rolling calls, sending appointments, pitching clients, reviewing & submitting self-tapes, and scheduling & coordinating client travel.
Work closely with the producer and Director, attend and take notes at various project meeting sessions. Responsible for tracking the key milestones of the custom Animation schedule and monitoring the progress of the project.
Phone management – answer and transfer calls, schedule & coordinate conference calls. Calendar management – daily calendar management; update, cancel and confirm meetings.
Responsibilities include calendar management, helping clients out with day-to-day needs, sending submissions, etc.
Typical duties: rolling calls, scheduling, helping make grids and other administrative jobs. Script coverage and research is also a high priority.
Responsibilities include rolling calls, managing multiple schedules, setting meetings, covering scripts, interfacing with agents, lawyers, studio executives and producers.
Responsibilities include scheduling meetings for managers and clients, rolling calls, coordinating travel and housing for acting clients, sending auditions, editing tapes and demo reels and more.
Responsibilities include rolling calls, scheduling, calendar management, supporting Emmy-winning clients and submitting materials, and identifying new properties.
Daily responsibilities include managing calls, managing schedules, facilitating auditions, compiling submissions, and tracking client bookings.
Read and evaluate scripts, find new talent and emerging voices. Create lists of directors, writers, and actors for projects in development.
Prepare and proof client presentations and related material. Schedule and maintain Executive’s calendar of appointments, meetings and travel itineraries, and coordinate related arrangements.
Interface with high-profile clients, prospective clients, managers and network executives with utmost professionalism. Research ratings, information on unscripted shows, podcasts, showrunners and directors.
Duties include scheduling, phones, expenses, travel, receiving clients in professional/friendly manner, office management, and script coverage.
Write concise coverage of scripts, help assess a wide range of material, and provide constructive feedback to Manager for representation consideration and development of producing projects in Film and Television.
Client scheduling, coverage, database creation for tracking purposes, and leveraging relationships for networking information.
Read and evaluate scripts, find new talent and emerging voices. Create lists of directors, writers, and actors for projects in development.
Should be voracious Readers, and constant consumers of Film and Television with a comprehensive understanding of the industry and its participants.
Must be a multi-tasking team player with great communication skills and the ability to pitch clients.
Daily responsibilities include rolling calls, sending appointments, pitching clients, reviewing and submitting self-tapes, scheduling, and coordinating client travel.
Duties include rolling calls, scheduling and dialoguing with clients, reading scripts and maintaining databases.
Maintain tracking grid and send out submissions of Writer and Director materials.
Create a slate of Films across genres while growing MVE’s buyer relationship both in the US and abroad. Bring and build connections with the creative community to further grow MVE’s slate of Film and expand its roster of writers and directors.
The ideal candidate is a self-starter with a desire to be promoted internally to Literary Manager, and is skilled at giving notes, industry networking, and interacting with writers.
Assistant will manage extremely busy desk where duties range from office tasks to interacting with A-list clients.
Tasks include scheduling, coordinating submissions to Production Companies & distributors, and assisting or covering other team tasks as needed.
Responsibilities include scheduling calls, rolling calls, expense reports, reading scripts, submissions, travel coordination for manager and clients, etc.
Responsibilities include answering phones, calling clients with auditions, contract management, and corresponding with casting directors.
Responsibilities include but are not limited to general office duties, answering phones, submissions, client appointments, overseeing project grid entries, scheduling auditions, booking travel, script coverage, etc.
