Creative intern with a sense of humor to read and evaluate scripts and write coverage on a rolling basis.
Responsibilities include scheduling, phone logs, drafting/sending submissions, coverage, etc.
Duties include: phones, scheduling, submissions, research, coverage, project tracking, as well as discovering new talent.
Job entails day-to-day administrative work with the opportunity for more, including supervised client coverage, strategy, submissions and client relations.
Production Company with multiple films in both prep and production at major studios along with several projects at various stages of development.
Typical duties: rolling calls, scheduling, helping make grids and other administrative jobs. Script coverage and research is also a high priority.
Candidates should be able to write coverage and notes, compile Creative lists, track information around town, along with basic office administration such as scheduling.
Job entails day-to-day administrative work with the opportunity for more, including supervised client coverage, strategy, submissions and client relations.
Interns will learn basic administrative skills like scheduling, rolling calls, setting pitches, updating the company development slate, and tracking outgoing/incoming submissions.
The ideal candidate loves to solve problems, creates a friendly and inclusive atmosphere, is self-motivated and able to anticipate and manage shifting priorities with ease.
Responsibilities include heavy phone calls and emails, scheduling, client information tracking, and coverage.
Analyze scripts and submissions, prepare coverage, and track Intellectual Property.
Preparing decks for internal and external Creative presentations, including editing clips and mocking up Creative materials. Reviewing pitches, books and scripts and providing coverage, as requested.
Work with the development team to manage submission logs, read and distribute scripts, provide coverage, revise/update creative decks/reels to ensure accuracy, and conduct occasional research/list generation of talent and directors.
The position will require reading/coverage in addition to standard administrative duties, project tracking and expense reports.
Be involved in the development of potential and existing U.S. projects – read scripts, books, plays, and new drafts of existing projects, partake in discussions, write coverage or compile notes as needed.
Responsibilities include coverage, research, participation in meetings, and assisting with talent lists, pitch materials, and various opportunities to help on set.
Duties include reading scripts and providing thoughtful and timely coverage, running errands, and covering the desk as needed.
Duties may include providing script notes and coverage, various research projects, and miscellaneous administrative tasks.
Write concise coverage of scripts, help assess a wide range of material, and provide constructive feedback to Manager for representation consideration and development of producing projects in Film and Television.
Client scheduling, coverage, database creation for tracking purposes, and leveraging relationships for networking information.
Writing coverage for Film and Television scripts, books, and plays. Researching IP of potential interest for Adaptation (books, articles, podcasts).
Duties include: rolling calls, scheduling, client interaction, reading scripts/books, coverage, booking flights, making coffee, as well as some personal things.
This position would entail a heavy amount of reading and writing coverage for both production consideration as well as samples for consideration on current projects.
Work with the development team to manage submission logs, read and distribute scripts, provide coverage, revise/update Creative decks/reels to ensure accuracy, and conduct occasional research/list generation of talent and directors.
Duties include heavy administrative work: scheduling, calls, managing grids and project documents, note taking, assessing incoming material/coverage, etc.
Identifying and sourcing key talent for various development projects including writers, Studios, artists, and directors.
Responsibilities include but are not limited to scheduling, general office duties, booking travel, overseeing project grids, script and book coverage.
Coordinate with Creative Producers and Production Management to prepare daily and weekly to-do lists in accordance with production deadlines.
Day-to-day tasks involve rolling calls, scheduling, chasing money, coverage, submissions, etc.
