Browsing: David Boxerbaum

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BLEEDING KANSAS (SPEC)
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Logline: With the United States on the brink of Emancipation, a Governor’s daughter is kidnapped by a Missouri plantation owner. A fugitive slave is given the chance to earn his freedom and get revenge on his former master by joining forces with a racist sheriff to rescue the girl.

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THROTTLE (SPEC)
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Logline: Pitched as “Red Eye” meets “Taken.” A mysterious man tells a Formula One racer that he must win the Monaco Grand Prix or his family will be murdered.

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HIDE & SEEK (SPEC)
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Logline: A group of teens vacationing with their families in a remote mountain resort are suddenly tasked with saving their kidnapped parents from a band of criminals.

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COLLISION (GUSACK) (SPEC)
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Logline: Pitched as an edgy Hitchcock-ian female thriller in the vein of CAPE FEAR. A retired FBI agent terrorizes a housewife after she kills his son in a hit-and-run accident.

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THE SELLOUT (SPEC)
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Logline: When his childhood friend shows up to honor a teenage pact to “off” each other if either became a sellout, a young father has a week to prove he’s not the loser everyone thinks he is.

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NARCO SUB (SPEC)
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Logline: When his son is kidnapped by a powerful drug lord, a washed out naval officer must smuggle a shipment of cocaine to America in an old Soviet submarine in order to save his son’s life.

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CATEGORY 6 (SPEC)
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Logline: The film takes a first-person POV through video cameras and cell phones to tell the story of high school students who try to survive the worst tornado in U.S. history.

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HYPERDRIVE (SPEC)
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Logline: Pitched as “Men In Black” meets “Midnight Run” and “48 Hours,” when a tough cop recruits a geeky sci-fi author to help him track down a mysterious murder witness, they find themselves in the middle of a space opera playing out here on Earth.

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MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN (FILM RIGHTS)
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Logline: Pitched as being in the vein of “Harry Potter” : A horrific family tragedy sets sixteen-year-old Jacob journeying to a remote island off the coast of Wales, where he discovers the crumbling ruins of Miss Peregrine’s Home for Peculiar Children. As Jacob explores its abandoned bedrooms and hallways, it becomes clear that the children were more than just peculiar. They may have been dangerous. They may have been quarantined on a deserted island for good reason. And somehow–impossible though it seems–they may still be alive.

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THE NANA IN ME (SPEC)
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Logline: After a teenage boy is possessed by his dead grandmother, the two team up to make him a cool kid in school and to rectify her estranged relationship with her daughter.

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BLACKLIGHT (FILM RIGHTS)
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Logline: Story follows Buck Carlsbad, a ghost-hunting private eye who is hired to take the inaugural ride on the new bullet train that goes directly from Los Angeles to Las Vegas, after it is reported that it is haunted.

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THE NEVER LAND (SPEC)
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Logline: Pitched as “Wicked” meets “Twilight,” the story is a contemporary re-imagining of “Peter Pan.” A post-adolescent Peter Pan encourages a young human woman on a her quest to save Neverland from an evil fairy who wants to make Neverland never more.

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DISAPPEARANCE (SPEC)
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Logline: Pitched as “Enemy o the State” meets “The Forgotten,” story follows a woman whogets pulled into a dangerous government conspiracy after her brother mysteriously vanishes in front of her eyes, and embarks on a journey with a lone scientist to unravel the unimaginable truth.

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THE FRONTIERSMAN (SPEC)
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Logline: Pitched as “CITY SLICKERS” meets “WITHOUT A PADDLE”, centers on three best buds who unwittingly end up on a brutal wilderness survival trek through Alaska in the hunt to find their mojo, having been deflated by life in their 30’s.

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RED SKIES (SPEC)
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Logline: Pitched as EAGLE EYE meets X-MEN, story centers on Sean Briggs, who has spent years silencing childhood visions of an alien world. Now, those visions have resurfaced and he finds himself falling into a nightmare. Pursued by rival forces and uncertain who to trust, Sean is forced to confront a terrifying truth – he’s a human/alien hybrid whose allegiance to either side will determine the ultimate fate for both species.

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EVIDENCE (SPEC)
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Logline: When the police arrive at an abandoned desert gas station after a brutal massacre, they find no evidence at the crime scene except for some of the victim’s personal electronics, which include a video camera, a Flip-cam, and two cellphones. With nothing else to go on, a troubled detective must analyze and piece together the footage from the personal electronics in order to figure out what the hell happened and who the killer is.

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BY CHANCE (SPEC)
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Logline: When litigation attorney Alex Campbell’s husband leaves her because she’s always putting her career ahead of their life together, she tries to figure out what exactly it is she wants in life. With her sister, Charley, and her gay brother, Ashley, she heads to a wedding where she sees the teenage love that got away which forces Alex to re-evaluate the choices that she’s made.

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LIVING FUNERAL (SPEC)
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Logline: Pitched as being WEDDING CRASHERS meets THE BIG CHILL. A young stuck-in-a-rut 30-something is convinced by his slick-talking best friend to pretend he’s dying so they can throw a “last hurrah” living funeral in the hopes of reconnecting with the girl who got away.

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THE LEGENDS (SPEC)
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Logline: Two guys who were the most popular guys in high school… twenty years ago. They’re hired by a former classmate in a misguided attempt to teach his nerdy 17 year-old son how to attain high school popularity/Legend status before he graduates.

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SAFE HOUSE (SPEC)
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Logline: In the vein of TRAINING DAY meets COLLATERAL. After a CIA safe house is attacked, the only surviving agent must find a way to transport a dangerous prisoner to a second safe house, outmaneuvering various forces that want them both dead.

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