Responsibilities include administrative scheduling, maintaining calendars, arranging travel, errands, household tasks, and liaising with professional teams.
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Responsibilities include administrative scheduling, maintaining calendars, arranging travel, errands, household tasks, and liaising with professional teams.
Responsibilities include, but are not limited to, scheduling, phones, bookkeeping, digital filing, travel, office management, and more.
Duties include but are not limited to: scheduling, rolling calls, phone sheet maintenance, invoicing and tracking payments, reading scripts, etc.
Candidates must be personable, detail oriented, organized, and able to multitask.
Duties include scheduling, rolling calls, script coverage, office management, money tracking, and more.
Analyze scripts and submissions, prepare coverage, and track Intellectual Property.
Keep up-to-date on high level of correspondence with vendors, Creative Teams, freelancers and inter-departmentally. Organize and prepare for meetings, conference calls/video conferences.
Responsibilities include arranging travel, errands, household tasks, and leasing with professional teams.
Preparing decks for internal and external Creative presentations, including editing clips and mocking up Creative materials. Reviewing pitches, books and scripts and providing coverage, as requested.
The goal of the PUP Program is to reach those who are passionate about the intersection of art and technology and expose them to the technical Animation pipeline at Pixar.
Work with the development team to manage submission logs, read and distribute scripts, provide coverage, revise/update creative decks/reels to ensure accuracy, and conduct occasional research/list generation of talent and directors.
Interface with high-profile clients, prospective clients, managers and network executives with utmost professionalism. Research ratings, information on unscripted shows, podcasts, showrunners and directors.
The position will require reading/coverage in addition to standard administrative duties, project tracking and expense reports.
Schedule, hire and procure in advance the appropriate performers, influencers, vendors, and props for content shoots.
Be involved in the development of potential and existing U.S. projects – read scripts, books, plays, and new drafts of existing projects, partake in discussions, write coverage or compile notes as needed.
Duties include scheduling, phones, expenses, travel, receiving clients in professional/friendly manner, office management, and script coverage.
Responsibilities include domestic and international travel coordination, calendar and phone management, booking talent, and invoicing for payments.
Responsibilities include client interaction, heavy phone calls and emails, extensive scheduling, booking travel, project management, and script coverage.
Substantial travel required; at times on short notice. Must have a valid driver’s license.
Responsibilities include coverage, research, participation in meetings, and assisting with talent lists, pitch materials, and various opportunities to help on set.
Duties include reading scripts and providing thoughtful and timely coverage, running errands, and covering the desk as needed.
Interns will provide script coverage on competitive projects and complete research projects related to our development slate.
Interns can gain experience in casting, writing, voice-over production, and performance capture.
Duties may include providing script notes and coverage, various research projects, and miscellaneous administrative tasks.
Ideal candidates are resourceful, great at research and organized.
Roll calls and maintain phone sheet. Maintaining organizational documents and monitoring status of incoming script submissions
Maintain an awareness of the Agent’s obligations (internal and external) to anticipate needs. Take notes in meetings and calls.
Write concise coverage of scripts, help assess a wide range of material, and provide constructive feedback to Manager for representation consideration and development of producing projects in Film and Television.
Client scheduling, coverage, database creation for tracking purposes, and leveraging relationships for networking information.
Reading scripts/ script coverage. Review ongoing/current projects and provide notes/feedback.
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