Interns will be asked to evaluate material, research various projects, and learn how to pitch.
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Interns will be asked to evaluate material, research various projects, and learn how to pitch.
We have several projects in all stages of development, so an interest for TV & Film development is definitely encouraged.
Candidates must have experience with highly complex travel, preparing detailed itineraries, rolling calls, as well as scheduling/calendaring meetings and personal commitments.
Read scripts, review dailies, summarize notes from development meetings/calls. Coordinate travel, visas, schedules and other travel logistics.
Knowledge of key production documents and show progress (i.e. call sheets, production reports, one line schedules). File management and organization.
Responsibilities include maintaining calendar, scheduling, answering and rolling calls, coordinating travel arrangements, completing expense reports, and other administrative duties as assigned. This position will also be involved in many production duties.
Coordinate any/all of the following meetings: Storyboard Handouts, Design Reviews, pitches, Leica Screenings, Art Approvals, Animatic Reviews and any additional production specific requests.
Responsibilities include scouting for new material, industry tracking, and eventually managing your own book of business.
Office duties include but are not limited to: rolling calls, scheduling, submissions, money tracking and coverage.
Responsibilities include heavy reading and script coverage in addition to research projects.
A range of hands-on contribution, including but are not limited to: script coverage, screener reviews, development notes, website updates, creating & distributing marketing campaigns, and Film market preparation.
Must be extremely organized, a detail-oriented person, know standard industry phone and scheduling etiquette, have extensive knowledge of the Film/TV industry power-players including writers, directors, talent and agents.
This is an on-desk, administrative position with creative responsibilities.
Organization/attention to detail, ability to multi-task, strong communication skills and thoughtful Creative/critical analysis are essential.
Heavy scheduling for managers’ and clients’ meetings, logging submissions, rolling calls, reading and coverage, and scouting potential clients and projects.
Ample opportunity for growth within the company on the representation side.
Phones, emails and submissions, set meetings, deal memos, update calendars, resumes, invoicing, and tracking.
An ideal candidate should be interested in DIY production, marketing and Distribution of Films, especially documentaries.
Responsibilities include but are not limited to: running the facilities day to day operations, ordering office supplies and stocking snacks/beverages, etc.
The producer will be responsible for pitching story ideas, booking guests, writing scripts, and editing.
Role will work with Development Executives to generate concepts for Original Series.
Learn the skills necessary for a career in development, including script coverage/analysis, giving notes, pitching projects, etc.
Track and identify highly entertaining unscripted sports stories. Organize notes and creative feedback for producers and directors on outlines and cuts.
Manage and track the status of all live-action and Animation projects through all stages of production and Post Production, triggering action from production, Business Affairs, Finance and Post Production as necessary.
Administrative support for SVP including handling phones, calendar, filing, drafting correspondence, meeting coordination, travel arrangements, scheduling, and expenses.
Administrative support for EVP including handling phones, calendar, filing, drafting correspondence, meeting coordination, travel arrangements, and scheduling.
Assist with scheduling, filing, photocopying, scanning, running errands, taking notes, answering phone calls, detailing messages, ordering office supplies, etc.
You will help develop and produce across a wide range of IP and content formats (e.g. Animation, live-action, puppets, audio content), for YouTube as well as all other major platforms such as Netflix, Amazon, Nickelodeon, Disney, WarnerMedia, PBS, Spotify, Sky, etc.
Oversee a Programming & Delivery calendar for all titles connected to Scripted Originals Series for P+ US, while working with the Programming team leaders to align on target premiere dates.
Candidate should be a driven, resourceful, detail-oriented multitasker with strong, professional communication skills and a familiarity with digital platforms.
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