Tobias Literary Management is out with PRODIGAL by Gerald Hanks & Oscar Salazar. In an Atlanta African American Community, a trouble young white teenager, adopted by a black family, goes on a heart-wrenching search for his birth parents when….
Kaplan/Perrone Entertainment is out with HOMING by Jeremy Roth. When a fatherless homing pigeon born with no sense of direction gets lost in 1960s New York City, he not only learns the truth behind ….
Provide professional and confidential Executive support. Screen incoming requests to determine priority level, including phone calls, visitors and incoming mail.
The ideal candidate loves to solve problems, creates a friendly and inclusive atmosphere, is self-motivated and able to anticipate and manage shifting priorities with ease.
Preparing decks for internal and external Creative presentations, including editing clips and mocking up Creative materials. Reviewing pitches, books and scripts and providing coverage, as requested.
Take notes in meetings with high-level showrunners, help with Keynote and/or Photoshop design projects, and update & organize submissions and development grids.
Identifying and sourcing key talent for various development projects including writers, Studios, artists, and directors.
Art/Work Entertainment is out with MELTDOWN by Bonnie Johnston & Sean Platt. Two neurodivergent boys must outsmart their parents, the government, and mysterious alien forces when a strange probe crash lands….
Support our SVP, feature film production on all aspects of Creative development across Family, Fantasy/Sci-Fi and Animation genres.
Here is a list of some of the feature-length film mandates for 2022.
This is a list of many of the TV mandates for 2022 for streamers and networks.
We have several projects in all stages of development, so an interest for TV & Film development is definitely encouraged.
The primary focus of the job is heavy administration and scheduling in a vibrate, Creative, talent friendly environment.
Lionsgate is primary focused on projects that they can put in to 4,000 theaters.
The creation of development materials including concepts, treatments, scripts, designs, Animation tests, series bibles, pitch decks, and budget etc.
Oversee an active slate of development projects and maintain a pipeline of compelling, engaging and producible content for the Kids & Family audience.
Housefire Management is out with YOUR UNCLE BUSTER by Brandon Feldman. After spending a decade using a fake screw-up named “Uncle Buster” to set examples for their problematic twins, a desperate couple take the lie…
Manage projects on the Four-quadrant and YA Film and TV slate to shepherd a robust development and production pipeline across the Four-quadrant Family and YA/Young Adult categories.
Work with show creators to build worlds, flesh out characters, develop story engine, and establish design.
Between May 2022 and May 2021, there has been a 15.8% decrease in the material hitting the market. This gap has only continued to grow in past years. Dating at its peak, 2019 saw 33 specs out in a single month. Comparing that to now, that is nearly a 51.5% drop-off. While materials have decreased, the success rates have seen a bit more of a u-shape in the last few years.
Bellevue Productions is out with CRAIGSHAVEN by Nicole Ramberg. A troubled teen must confront a local legend when the reappearance of a missing classmate and a fabled ghost ship…
Bright One Management is out with THE STORY OF MY FAMILY by Steve Race. With her quinceañera approaching, Maria finds herself chronicling her journey while coming to terms with family issues.
AMC is doing about 25-30% more development since the launch of AMC+.
Responsibilities include scheduling, calls, expenses, coordinating the company’s internship program.
We have several projects in all stages of development, so an interest in TV and Film development is definitely encouraged.
The ideal candidate for this position possesses a deep understanding of how a successful Television show is crafted and strong creative instincts for identifying compelling creative opportunities.
This role will work closely with production teams and on each series as well marketing, and Publicity.
Duties include scheduling, rolling calls, phone sheet maintenance, invoicing and tracking payments, reading scripts, etc.
Peacock still exists within the cable department and wants to be writer focused.
