Duties include scheduling, phones, expenses, travel, receiving clients in professional/friendly manner, office management, and script coverage.
Responsibilities include coverage, research, participation in meetings, and assisting with talent lists, pitch materials, and various opportunities to help on set.
Roll calls and maintain phone sheet. Maintaining organizational documents and monitoring status of incoming script submissions
Write concise coverage of scripts, help assess a wide range of material, and provide constructive feedback to Manager for representation consideration and development of producing projects in Film and Television.
Writing coverage for Film and Television scripts, books, and plays. Researching IP of potential interest for Adaptation (books, articles, podcasts).
The Production Coordinator works within and among production departments to lead projects by facilitating discussions, communicating the strategy, coordinating deadlines and tracking project progress.
Responsibilities include script coverage, tracking writers/directors, sitting in on pitches, as well as other tasks as they arise.
The ideal candidate will be a quick reader, strong writer, have an innate ability to prioritize, and have a good sense of the industry and its main players.
Duties include script reading and research, scheduling, etc. Should also be eager to read and provide feedback on material varying from project drafts to incoming submissions.
Typical studio Assistant responsibilities include scheduling, phones, reading & script coverage and organizing for two busy executives.
Duties include script coverage and analysis, research, as well as attending meetings with executives.
Coordinates/arranges domestic & international travel and hotel accommodations for executives, writers, directors, and producers. Requests and tracks script coverage for upcoming material.
Handle administrative and Executive Assistant responsibilities, such as making travel arrangements, scheduling meetings, email management, note taking, etc.
Daily tasks include scheduling, booking travel, covering scripts, research, and note taking.
Should be voracious Readers, and constant consumers of Film and Television with a comprehensive understanding of the industry and its participants.
Partner with the development team and studio leadership to oversee, guide and problem-solve all phases of development from reviewing prospective productions through network sales and pilot production.
Managing writers to develop treatments, scripts, and pitches. This includes developing existing and internal concepts into elevated Films and Series.
Responsibilities include generating all press materials, announcement releases, talking points, loglines, pitch letters and correspondence.
The ideal applicants have experience and relationships within the Animation industry, strong convictions about the future of Animation, and are scrappy, passionate, Creative, excited about trying things in new ways, and curious about a wide range of genres, mediums, and ways to build immersive new story worlds.
This position would entail a heavy amount of reading and writing coverage for both production consideration as well as samples for consideration on current projects.
Responsibilities include: scheduling, rolling calls, booking travel, managing calendars, script coverage, etc.
Work with the development team to manage submission logs, read and distribute scripts, provide coverage, revise/update Creative decks/reels to ensure accuracy, and conduct occasional research/list generation of talent and directors.
Working simultaneously on multiple projects, this position requires a flexible multitasker that will field both studio and filmmaker demands.
Responsibilities include project research and script coverage.
Ideal candidate is detail-oriented and familiar with the process of casting A-list talent.
Take notes in meetings with high-level showrunners, help with Keynote and/or Photoshop design projects, and update & organize submissions and development grids.
Oversee day to day management of various projects in development, prep, production, and post.
Applicants should have strong Physical Production experience including budgeting, scheduling, and cost reporting and should be familiar with multiple modes of Documentary production.
The first part of the career entails assistant duties including rolling calls, sending self-tape requests, scheduling meetings, uploading and cutting together tapes, coordinating client schedules, including various other tasks.
Structure, negotiate and execute mid to large-sized deals for inbound Film/TV rights needed for projects on the platform, as well as negotiate deals at Networks/Streamers/Buyers when we sell our Audio to 3rd party financiers.
