Build processes and systems that will assist the Chief Creative Officer and First Assistant in running the creative slate of the company across multiple projects and initiatives that the team will be spearheading.
Manage projects on the Four-quadrant and YA Film and TV slate to shepherd a robust development and production pipeline across the Four-quadrant Family and YA/Young Adult categories.
Compile, distribute, and store daily production documents (e.g., contracts, call sheets, calendars, DOOD, and schedules) on the studio network.
Field pitches, identify trends, and help establish the strategic development goals.
The ideal candidate must have the ability to manage multiple tasks simultaneously in a fast-paced environment and effectively balance changing demands, a dynamic schedule, and function well under pressure.
Strong creative and communication skills with regard to evaluating and giving notes on scripts, storyboards, rough cuts, casting, music and mixes. Proven knowledge of story and script structure.
Coordinating, scheduling, note-taking, rolling calls, deal/payment tracking, etc. Read scripts, evaluate talent, find material.
This person will liaise between production, corporate finance, development and business affairs.
Responsibilities include processing non-union & WGA payroll, AP processing, record funding, journal entry, Tax ID verification, vendor set-up, generate purchase orders, banking system setup & management.
The ideal candidate should be a self-starter, highly organized with excellent communication skills, be able to anticipate needs and have/show discretion.
You will use your excellent organizational skills to track each movie from setup through production and wrap deliverables.
Phones, scheduling, Business Affairs, Finance and production reports.
Jackson Agency is out with SEED MONEY by Tracy Grant. A newcomer is desperate to prove himself.
Responsibilities include supporting executives, liaising with producers and creatives, organizing internal tracking systems, and crafting script/screener coverage.
Candidates must be able to balance administrative duties, such as rolling calls and scheduling, with heavy creative work – reading incoming submissions, books, drafts, etc.
This position is responsible for the day to day over-sight of Production Finance activities as they relate to feature films produced at Paramount Pictures.