Track clients, potential clients projects and financiers. Assist with special projects, research, flagging trades, news and compiling information as needed.
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Track clients, potential clients projects and financiers. Assist with special projects, research, flagging trades, news and compiling information as needed.
Developing insightful presentations that summarize key data, identify underlying trends, and ultimately result in actionable strategic recommendations.
Prepare and send estimates and/or invoices for new memberships, existing memberships, AFCI University enrollments, and event registrations.
Here is a list of various studio and financier deals as of January 2024.
Partner with the SVP on the greenlighting of new series and evaluation of potential new deals/ventures. Track and manage financial ultimates of Television slate.
Support overall Goop’s Creative production team in daily/weekly tasks as needed and assigned by Sr. producer.
Read scripts and update correlating on-camera grids and one-liners to then share with Creative Manager. Manage, file, and track Music budgets and liaise with Music Finance to ensure cost reports are up-to-date.
Coordinate logistics, including but not limited to crew needs and bookings, securing locations, handling appearance and location releases, securing permits, and securing props.
Manage the President’s daily calendar, including scheduling meetings, confirming appointments, filing expense reports, writing itineraries, making reservations, and arranging travel and transportation.
You will work with a production team on all aspects of long-form Documentary-style production, from concept to completion. You will assist with Investigative research as you compile elements that create compelling stories.
Identifying & securing new projects/IP for said producers as well for our internal studio slate and acting as a Creative advocate for the same within the group, whilst developing new relationships across the UK.
Fielding phone calls in a professional manner, rolling calls and maintaining phone sheets for both executives. Providing Creative support such as reviewing submissions, taking notes and tracking competitive projects.
Monitor and improve daily function of WME’s Scripted Television Department to ensure business functions are in line with department and company-wide strategic goals.
Working with development team to decide which Game Show projects are best for the Game Show Network or third party buyers.
Track budgets and budget approvals. Coordinate collection of production / talent agreements and work with Business Affairs and Creative if changes are required to standard agreements.
Maintaining an up-to-date version of the development slate document for Europe, as well as PowerPoint presentations and other documents related to the development slate.
Fielding phone calls in a professional manner, rolling calls and maintaining phone sheets for both executives. Providing Creative support such as reviewing submissions, taking notes and tracking competitive projects.
Work closely with the Creative team, producers and other stakeholders to ensure our productions are executed smoothly and efficiently.
The candidate should be driven, can roll calls, and be detail oriented with strong communication skills.
Maintain a high volume, complex calendar, including scheduling meetings, internally and externally, with multiple parties across multiple time zones.
Provide support throughout the production processes to ensure success during pre-production, production, and Post Production phases of a project.
Work closely with Production SVP, VPs, directors, managers, and Show production staff to examine the needs of each production.
Manage the process and flow of content submission – log, track, and evaluate all incoming material (including pitches, scripts, books, etc.)
All administrative inbound and outbound aspects for the Chief Creative Officer that include: calendar management, setting and scheduling meetings, rolling calls, travel, managing and submitting expense reports, etc.
Heavy schedule and calendar management, including coordination of internal and external meetings/calls across multiple time zones.
Ideal candidate is business minded with a Creative interest in Film and well-versed in Executive support.
Responsibilities include: scheduling a high volume of meetings for two executives; interfacing and scheduling for clients; script coverage; tracking talent; managing submissions; IP tracking.
Responsibilities include, but are not limited to: scheduling a high volume of meetings and calls for two executives; interfacing and scheduling for clients; performing and organizing script coverage; tracking writers and directors; managing and tracking submissions of Finance/producing projects.
Ideal candidate has exemplary planning and time management skills, can organize/manage calendars, and keep scheduling operations running efficiently.
Liaise with Feature Animation at Netflix which will include executives from cross-functional teams such as Creative, production, Finance, Business Affairs, and Legal Affairs as well as the Film’s Creator, Executive Producers, and production crew to manage, guide, and problem-solve throughout all phases of production.
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