grids

In addition to typical administrative duties, the Assistant will be expected to read incoming material, provide coverage, update grids, and take on a few company & office-related tasks.

A unique opportunity to work alongside the teams that come together to produce TV shows for Sony Pictures Television in the Physical Production department.

Highly organized, detail-oriented perfectionist with excellent communication skills. Creative work will include script/book reading and coverage, visual pitch deck design and copy-writing.

Responsibilities include rolling calls, creating/maintaining grids, scheduling, and coverage.

Department coordination including tracking and maintaining department grids and documents. Script coverage and material evaluation for current shows, development projects, and incoming submissions and specs.

Take notes in meetings with high-level showrunners, help with Keynote and/or Photoshop projects, and update and organize submissions & development grids.

Responsibilities include scheduling, rolling calls, maintaining grids, submissions, coverage, research, expenses, booking travel, etc.

Managing schedule of the EVP, including coordinating daily meetings and appointments. Arranging complex travel plans and itineraries, compiling documents for travel-related meetings, and accompanying supervisor when requested.

Take notes in meetings with high-level showrunners, help with Keynote and/or Photoshop projects, and update and organize submissions and development grids.

Answering and rolling calls, heavy scheduling, booking travel, and liaising with other internal departments and external contacts. Script coverage and material evaluation for current shows, development projects, and incoming submissions and specs.

Duties include administrative support, coverage, tracking filmmakers, maintaining grids, etc.

Responsible for research projects, information tracking, grid work, and script/Book coverage in addition to providing high level administrative support, including, but not limited to: day-to-day scheduling, processing, note-taking, and generating organization systems.

Responsibilities: phones, grids, scheduling, submissions, travel, scouting, client interaction.

Responsible for managing heavy phones, rolling calls, setting appointments and meetings, updating calendars, booking travel, as well as coordinating alongside the Creative team as needed.

Fielding phone calls in a professional manner, rolling calls and maintaining phone sheets for both executives. Providing Creative support such as reviewing submissions, taking notes and tracking competitive projects.

Duties include managing calendars on a high-volume desk, overseeing submissions and grids, reading/providing coverage for screenplays and books, and general office coordination.

Responsibilities include standard assistant duties: rolling calls, calendar coordination, expenses, maintaining grids, coordinating client needs, etc.

Responsibilities include standard assistant duties: rolling calls, calendar coordination, expenses, maintaining grids, coordinating client needs, etc.

Responsibilities include scheduling, rolling calls, maintaining grids, submissions, expenses, booking travel, research, and coverage, etc.

Log and track incoming pitch submissions and international formats to ensure timely response and accurate record keeping. Maintains weekly tracking grids for all shows in production and development.

Responsibilities include but are not limited to scheduling, general office duties, booking travel, managing project grids, assisting with gaming and metaverse activities, and overseeing intern programs.

Script coverage and material evaluation for current shows, development projects, and incoming submissions and specs.

Within the Creative scope, the Features Creative Intern will generate beat-sheets and change sheets on script drafts in a timely manner.

Track and evaluate all incoming IP and provide written recommendations for development in the live action scripted space (including series, theatrical and ancillary revenue streams). 

Duties include track/update development grids; field external pitches; evaluate submissions; meetings notes; create paper materials; logline wizard; copy writer and deck master, etc.

Duties include answering phones, rolling calls, tracking projects, updating grids, reading scripts, scheduling, dealing with Publicity & travel, and scheduling appointments (personal and business).

Administrative needs including scheduling, managing calendars, rolling calls, note-taking as needed— as well as contributing to the operations of the Film and Nonfiction departments.

Interns will learn basic administrative skills like scheduling, rolling calls, setting pitches, updating the company development slate, and tracking outgoing/incoming submissions.

The Coordinator will provide administrative support to the President & Director of Development, as well as contribute to reading, checking avails, updating grids, and other duties.

Should be voracious Readers, and constant consumers of Film and Television with a comprehensive understanding of the industry and its participants.