Responsibilities: administrative tasks, reading, and providing notes on materials with opportunities to create idea lists and give feedback on IP and projects.
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Responsibilities: administrative tasks, reading, and providing notes on materials with opportunities to create idea lists and give feedback on IP and projects.
Responsibilities include including phone management, communications, providing creative feedback, logistical planning, scheduling, and coordination of travel.
The ideal candidate has a passion for reading, is organized, communicative and self-driven. Typical scheduling/administrative work but more reading & development-focused.
Manage heavy calendar and travel, travel with executive, attend meetings/track projects, plan/manage events, and respond to press requests.
Responsibilities include answering phones, scheduling meetings, resupplying our office, greeting visitors, weekly preparation of check deposits, research, creative feedback, etc.
Applicants should have experience acquiring and developing IP, sourcing and supervising writers, developing first-class screenplays, as well as tracking and packaging valuable directors and actors.
Responsibilities include but are not limited to scheduling, general office duties, booking travel, overseeing project grids, script and book coverage.
Work closely with the President and VP to build and support a growing slate across Film and Television. Write coverage, outgoing submission letters, and notes on outlines, scripts, dailies, and cuts.
We are looking for someone who has entry level experience with public relations, marketing and social media.
Collaborate with key creatives (producers, directors, writers) on development projects, taking initiative to move projects forward.
Oversee planning and production, from pre-production through final delivery. Work closely with production executives and Finance to establish schedule and budget for each production.
Prepare and coordinate meeting logistics with a focus on productivity, agenda setting and set-up of necessary pre-read materials includes meeting set-up, pre-preparation, note taking, Distribution and follow-through on action items.
The day-to-day manager will be responsible for working with the client’s management team in order to execute the vision for her career.
Researching potential collaborations, liaising between external partners and internal issue experts (ie. education, health media, policy, etc.), and reviewing scripts for relevant sections to our work.
Manage creative content workflow for the Marvel Studios Franchise Creative Content Team.
The ideal candidate is a self-starter with a desire to be promoted internally to Literary Manager, and is skilled at giving notes, industry networking, and interacting with writers.
The ideal candidate is interested in the international producing/development space, organized, and detail-oriented.
Applicants must have experience as an assistant at a network, streamer, agency, or Production Company; and a passion for the Nonfiction space is highly recommended.
Responsibilities include client interaction, heavy phone calls and emails, extensive scheduling, booking travel, project management, and script coverage.
Front desk experience/rolling calls, pulling and editing clips, knowledge of Breakdown Express is a plus, willing to learn and help out wherever needed.
Assistant will manage extremely busy desk where duties range from office tasks to interacting with A-list clients.
We are looking for a candidate who is pursuing a career in representation.
Responsibilities include heavy phones and client interaction, scheduling, filing, etc.
Ideal candidate is professional, detail-oriented, prompt, positive, and hard-working.
Position comprised of scheduling, runs, part-time reception, script coverage, and planning travel.
Read a variety of manuscripts across all genres and give verbal feedback on their Film potential.
Coordinate with Creative Producers and Production Management to prepare daily and weekly to-do lists in accordance with production deadlines.
Develop, maintain, manage and capture all projects in development.
Tasks include scheduling, coordinating submissions to Production Companies & distributors, and assisting or covering other team tasks as needed.
Day-to-day tasks involve rolling calls, scheduling, chasing money, coverage, submissions, etc.
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