The writer will have dramatic series experience able to rewrite and polish an existing 15 page outline.
Responsibilities include typical assistant duties such as rolling calls, light script coverage, scheduling, coordinating client needs, etc., as well as an ease working with Social Media.
Typical duties: reading, coverage, fielding and rolling calls, handling email, heavy scheduling, and travel arrangements.
Responsibilities include scheduling, rolling calls, managing submissions, heavy reading, coverage, and project notes.
This role scouts and supports top writers by introducing their work to entertainment industry professionals, supporting department executives on strategies and initiatives to help writers break into the industry.
Role requires administrative duties such as scheduling, script coverage, reminders, light personal work and travel in addition to creative involvement.
You will be responsible for packaging and putting projects into development, steering the creative direction of our projects, overseeing current shows on our air — from creative direction to more logistical details – and interfacing with all departments in the company as well as external entities.
The Vice President of Development is responsible for the day-to-day development and productions of the TV studio’s annual slate.
The ideal candidate will have an interest in popular culture and have knowledge of (or willing to learn) the book publishing industry.
Responsibilities include scheduling and logging meetings, tracking deals and updating grids, covering phones, and reading incoming material.
The ideal candidate will have strong organization skills and a passion for client representation, as there is room for advancement for people who want to become managers.
Candidates must be able to multi-task, handle heavy volume of calls, scheduling and possess excellent interpersonal skills.
Primary duties would include scheduling, reminders, light personal work, and accounting.
Duties include liaising with productions and publicity teams, working closely with brand partners to route content approval, attending and assisting on set days, travel coordination, and expense reports.
Candidate must be extremely detail oriented and organized, yet capable of seeing the big picture.
Experienced Executive Assistant to provide comprehensive administrative support to the SVP of Series Pipeline & Post and the VP of Series Production at our rapidly growing studio.
Partners with SVP, Development and VP, Series Production to lead and guide all aspects of TV series & Film development
This position is a great way to break into the industry for individuals who aspire to work in television or animation, particularly in a writing capacity.
Read, watch, and listen to incoming IP and provide thoughtful coverage, reviews, and feedback for the team.
You will be responsible for expanding their content network by identifying, approaching, pitching to and signing content partners.
The EP Assistant role supports the Showrunner in all matters of studio, remote, and operational daily needs.
The PA role supports productions in all matters of studio, remote, and operational daily needs.
This position will support the Irish creative screen sector and strengthen US-Ireland relationships between the Irish screen industry and the US entertainment industry.
Assistant to help oversee personal matters and household-related duties.
You will act as gatekeeper and right hand, and will handle tasks both on the personal and executive end.
Candidate should be driven, extremely tech oriented, and detail-oriented with strong communication skills.
Responsibilities include heavy reading and coverage, research, and participation in weekly development meetings.
Duties will include script reading, coverage, phones, job shadowing, research, and various other tasks.
Assistant to work directly under the comedic duo that cofounded, co-own, and star in the company’s content.
Duties can include reading scripts and providing coverage, monitoring the website and social media channels.