

Organization/attention to detail, ability to multitask, strong communication skills and thoughtful Creative/critical analysis are essential.
Organization/attention to detail, ability to multitask, strong communication skills and thoughtful Creative/critical analysis are essential.
Duties include scheduling, rolling calls, submissions, tracking, working with high-level talent, script reading and research, etc.
Responsibilities include rolling calls, managing calendars, interfacing and scheduling for clients, managing submissions, reading scripts, etc.
The role is meant for someone with a knack for anticipating a Manager’s needs and asking for work from busy managers.
Responsibilities include rolling calls, managing multiple schedules, setting meetings, covering scripts, interfacing with agents, lawyers, studio executives and producers.
Write concise coverage of scripts, help assess a wide range of material, and provide constructive feedback to Manager for representation consideration and development of producing projects in Film and Television.
Managing and rolling a high volume of phone calls. Scheduling and calendar management. Read, summarize, and analyze books and scripts and provide coverage.
Duties that include phones, script coverage, heavy scheduling and more.
Basic duties include high volume scheduling/rolling calls, submitting materials for development/staffing considerations, managing clients’ and managers’ calendars.
Daily responsibilities include rolling calls, sending appointments, pitching clients, reviewing & submitting self-tapes, and scheduling & coordinating client travel.
Motivated, full-time Assistant, able to work under pressure in a fast-paced environment with strong attention to detail in Los Angeles office.
The job includes administrative duties (rolling calls, scheduling, booking travel, expenses, etc. for a high-volume desk) as well as reading and interfacing with A-list talent.
Responsibilities include outreach to casting offices, updating tracking grids, providing project updates, and additional department support as needed.
Responsibilities include rolling calls, managing multiple schedules, setting meetings, covering scripts, interfacing with agents, lawyers, studio executives and producers.
Read and evaluate scripts, find new talent and emerging voices. Create lists of directors, writers, and actors for projects in development.
Full-time Assistant to work under pressure in a fast-paced environment with strong attention to detail in Los Angeles office.
Write concise coverage of scripts, help assess a wide range of material, and provide constructive feedback to Manager for representation consideration and development of producing projects in Film and Television.
Client scheduling, coverage, database creation for tracking purposes, and leveraging relationships for networking information.
Duties include: rolling calls, scheduling, client interaction, reading scripts/books, coverage, booking flights, making coffee, as well as some personal things.
Daily responsibilities include rolling calls, sending appointments, pitching clients, reviewing and submitting self-tapes, scheduling, and coordinating client travel.
Administrative duties such as: answering phones, rolling calls, scheduling, and scanning/mailing documents.
Have an interest in becoming a talent or Literary Manager.
Responsibilities include client interaction, heavy phone calls and emails, extensive scheduling, booking travel, project management, and script coverage.
Responsibilities include heavy phones and client interaction, scheduling, filing, etc.
Responsibilities include scheduling calls, rolling calls, expense reports, reading scripts, submissions, travel coordination for manager and clients, etc.
This position requires an elevated degree of multi-tasking, a sharp focus for details and the ability to work in a dynamic, fast-paced environment.
Will be working with high end clients across literary, talent, and fashion in a small team.
Office duties include but are not limited to: rolling calls, scheduling, submissions, money tracking and coverage.
Must be extremely organized, a detail-oriented person, know standard industry phone and scheduling etiquette, have extensive knowledge of the Film/TV industry power-players including writers, directors, talent and agents.
Manage and track the status of all live-action and Animation projects through all stages of production and Post Production, triggering action from production, Business Affairs, Finance and Post Production as necessary.