Provide support to Creative team on various Creative Development projects including: writing coverage on prospective ideas; taking and compiling notes during meetings; tracking and summarizing market trends/broadcaster line-ups.
Responsibilities include rolling calls, scheduling, evaluating submissions, providing project notes, evaluating cuts, project tracking, and assisting on set as needed.
This position works on the development of original holiday movies overseeing projects from start to finish. Takes pitches and seeks out programming that is appropriate for Hallmark Channel and Hallmark Movie and Mysteries scripted needs for both movies.
Assisting Talent Managers. Talent Submissions. Coordinating talents’ schedules and appointments.
Responsibilities include scheduling calls/meetings for sales team, drafting and negotiating contracts, assisting with festival submissions, and coordinating delivery of assets to distributors.
Daily responsibilities include rolling calls, facilitating auditions, compiling submissions, updating grids, scheduling, coordinating client travel, and day-to-day interaction with clients.
Responsibilities include organizing an ever-changing calendar and complex schedule including travel; managing house; personal shopping and running errands.
Ideal candidates should have one to two years experience and be interested in a career within representation and willing to make the commitment with room for growth within the company.
Attend writer’s meetings and prepare follow-up notes. Transcribe notes into correct format for submission to network. Proofread, revise and re-work premises, outlines and scripts.
Should be great at multitasking, very computer literate, flexible, resourceful and efficient, with strong attention to detail and great follow through.
Manage all tracking as production iterates; includes keeping detailed notes as we update and organize scripts, audio, and design documents.
Work with Topic Studios executives and producers to develop and/or vet budgets and production plans for Fiction and Nonfiction TV shows, Films, podcasts, and Documentary features that are in development, pre-production, and under consideration as potential investment.
The ideal candidates will be motivated by the power of storytelling with an activist lens and will be passionate about SEP’s mission.
Responsibilities include script coverage, virtual film festival coverage, and tracking writers/directors, among other duties.
Manage the Agent’s calendar, email, phones, sending submissions, evaluative queries and manuscripts, and handling a variety of client oriented business.
Maintain and distribute weekly production schedule with accurate information to upper management and production staff.
This is a hands-on role requiring calendaring, light content creation, repackaging, strategic thinking, and relationship building.
You will hear a series of two-minute pitches as authors rotate through the room.
Job responsibilities include scheduling, assistance with brand partnerships, organizational help, and shoot prep.
The Associate Producer will track the status of ongoing projects and deliverables for both Development and production, assist executives with all aspects of creative from casting, creating decks, research, and work with freelance production teams on active shows and manage show deliverables for shows aired.
Provides detailed notes on concepts, outlines and scripts, and delivers clear creative, direction on all Film cuts and post elements, including VFX and scoring.
Responsibilities include heavy phones, travel coordination for managers and clients, handling client needs and sending appointments.
The ideal person is a self-starter, detail-oriented, creative, and a collaborative problem solver with excellent communication and project management skills.
Candidates should be able to multi-task, coordinate scheduling, and organize affairs.
Duties will include coordinating business operations with the Head of Operations, organizing business entities, applying for copyrights, tax-credit related work, and managing Post Production materials.
This role will play an integral part of the day-to-day operations in a fast paced environment. This role is supporting the two founders and maintaining organization for all company projects.
Candidates must have at least one-year agency, management company or publishing house experience – ideally someone that wants to ultimately work in publishing or author representation.
Organize, coordinate and assist with all aspects of a busy producer’s workload.
Responsibilities include heavy phones (scheduling calls, rolling calls, maintaining call sheets), and travel coordination.
This position will direct, oversee and manage marketing initiatives in order to grow the listening audience for our expanding slate of GZM shows.