Assisting Talent Managers at our Los Angeles and New York offices. Coordinating talents’ schedules and appointments
The ideal candidate will already have a few years of experience in the industry, ideally at a production company or studio, and is incredibly organized, is used to a very fast pace and high volume.
Requires managing a very high volume of day-to-day materials, appointments, incoming emails and requests.
The ideal candidate has 8 – 10+ years as a literary scout, has management experience in a multi-person scouting or literary affairs department, book fair experience, and deep relationships with editors/publishers, publishing agents, and Film/TV agents.
Basic duties include high volume scheduling/rolling calls, submitting materials for development/staffing considerations, managing clients’ and manager’s calendars.
This position provides general administrative support to the agent by managing the agent’s calendar, phones, sending submissions and handling a variety of client oriented business.
Standard administrative duties apply along with others unique to the role.
Responsible for booking travel arrangements and keeping track of expenditures.
It is an administrative and creative position that supports the Creative & Production teams with distributing media assets as well as collaborating with the team to suggest and internally produce content for marketing campaigns.
Participating in special projects and providing substantial script coverage. Demonstrating flexibility and strong organizational skills.
We are looking for motivated, organized interns with great communication skills to work alongside our team.
Candidates will get exposure to market research for media & entertainment, content-led and platform-led Fortune 100 companies.
Duties include heavy research and telephone reporting, pre-interviews, and coordinating logistics for field production.
Responsibilities will change as the company continues to grow, but in addition to executive assistant functions, this person will be tasked with development duties such as idea generation, research and deck building.
Oversee and manage budgets from initial estimates to post-production. Responsible for production and delivery calendars, timelines, and budgets.
Rolling and connecting calls, maintaining phone sheet, scheduling, expense reports, travel, creative tasks such as reading and coverage, and assisting with personal tasks.
Ideal candidate would have three to five years of experience in coordination of scheduling meetings/pitches, with a background in creating pitch decks and sizzles for TV projects.
All majors are welcome, but a strong interest in feature film and TV development is required.
Ideal candidate works well in a fast-paced environment and is able to handle heavy phones, scheduling and emails.
Seeking a personable and focused individual with the ability to work in a fast-paced office, prioritize effectively, meet deadlines and keep organized.
We are looking for someone who shares our passion for telling compelling stories and building big narrative worlds.
On a daily basis, you will provide assistance to the creative assistants while learning about development in a startup entertainment environment.
You will be responsible for expanding their content network by identifying, approaching, pitching to and signing content partners.
The EP Assistant role supports the Showrunner in all matters of studio, remote, and operational daily needs.
The PA role supports productions in all matters of studio, remote, and operational daily needs.
Global market research company seeks full-time executive.
Logline: Jasmine and Lenny parted ways in Beijing when they were kids, but now having been reunited in New York, the two pursue their dreams and a love for each other.