Manages supervisor’s calendar and schedules appointments and coordinating heavy travel schedules for staff and talent.
Rolling calls and managing the CEO’s calendars; scheduling / coordinating meetings and appointments. Builds and maintains database and spreadsheet files.
Manage submission log and prepare coverage. Lead all aspects of development and project grid for the office.
Handles executive’s work and personal calendar and schedules/coordinates meetings and appointments. Arranges meetings or conferences by arranging conference rooms, issuing meeting requests or invitations and coordinating handouts.
Reads scripts and other incoming material and provides coverage. Maintains current production document files throughout filming.
Reads scripts and other incoming material and provides coverage. Manages supervisor’s calendar and schedules appointments.
Manages supervisor’s calendar and schedules appointments. Screens and responds to incoming calls and correspondence. Is responsible for coordinating heavy travel schedules for staff and talent.
Responsible for coordinating heavy travel schedules for staff and talent. Creative duties include reading submissions, writing coverage, creating lists, etc.
Responsibilities include reading and providing feedback on submissions and projects in development, as well as scheduling, phones, and general admin.
Arranges programs, events, or conferences by arranging for facilities, issuing information or invitations, coordinating speakers, and controlling event budget.
Maintains and establishes new relationships with the creative community (writers, producers, and performers), agents and managers with the end goal of identifying outside material and talent.
Acts as liaison with filmmakers, writers, etc.
The Creative Executive for Paramount Pictures will be responsible for supporting senior executives across areas of development and production.
Primary responsibilities include script analysis and coverage, industry research, and participation in staff meetings.
Creative internships offer students the opportunity to take part in the world of storytelling. From script to screen and every step in between.
This position is responsible for the day to day over-sight of Production Finance activities as they relate to feature films produced at Paramount Pictures.
Paramount Pictures picked up BE MY EYES. A law student volunteers to receive anonymous video calls from blind people.
Linda Chester Literary Agency and Circle of Confusion are out with THE BLUE AFTERNOON THAT LASTED FOREVER. A NASA physicist discovers a black hole is going to collide with the Earth.
LBI is out with ALIENS ARE STEALING OUR WEED by Matthew K. Firpo & Ryan Firpo. Two hapless pot growers who, after their entire crop of weed inexplicably goes missing, uncover an alien conspiracy to steal the planet’s marijuana supply.
Paramount made a preemptive deal on MURDER IN THE WHITE HOUSE by Jonathan W. Stokes. The president is murdered in the White House, and a Secret Service agent has one night to find the killer.
Logline: Music pioneer Robert Johnson invents the Delta Blues style.
Logline: The crew of an American B-24 bomber steers their damaged plane through enemy territory to complete a critical mission behind enemy lines.
Logline: A man discovers that he can see and talk to people’s imaginary friends, befriending those that have been forgotten or discarded.
Story details are being kept under wraps but is said to revolve around a man with a classified line of work who must take his family on a perilous trip while protecting them from the horror he has in tow.
A desperate mother of a kidnapped daughter must kidnap a child herself to secure the safe release of her own child.
A thief finds sanctuary in a retirement home after going on the run.
Sixteen-year-old Bri wants to be one of the greatest rappers of all time. Or at least win her first battle.