Browsing: Patrick Aison

Emily Jermusyk
2012’s Hit-Makers: A Look Back At The Hit List Alums
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This Friday, we’re releasing the 2015 Hit List, our compilation of the best year’s best spec scripts as voted on by industry professionals. In preparation for its release, we’re taking a look back at the 2012 Hit List writers–where they’ve been, and where they are today.

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WUNDERKIND (SALES)
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Logline: A CIA agent must team up with his estranged father, who works for Mossad, to track down a fugitive Nazi scientist in 1970s Brazil.

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WUNDERKIND (SPEC)
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Logline: Pitched in the vein of the “Bourne” franchise and “The French Connection.” A CIA agent must team up with his estranged father, who works for Mossad, to track down a fugitive Nazi scientist in 1970s Brazil.

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ECHO STATION (SALES)
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Logline: Pitched as “Memento” meets “Alien,” story follows a pilot who is sent to resupply a space station and finds himself trapped in a time-loop with the crew. Strangely, he maintains his memory thru the replays, and finds he must win over the unaware and hostile crew in order to escape an eternal Promethean death cycle.

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AMARANTH (SPEC)
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Logline: Pitched as “Memento” meets “Alien,” story follows a pilot who is sent to resupply a space station and finds himself trapped in a time-loop with the crew. Strangely, he maintains his memory thru the replays, and finds he must win over the unaware and hostile crew in order to escape an eternal Promethean death cycle.