Oversee an active slate of development projects and maintain a pipeline of compelling, engaging and producible content for the Kids & Family audience.
Responsibilities include maintaining calendar, rolling calls, updating phone sheets, identifying material to develop and reading and providing notes on projects in development.
You will be able to do Creative work on projects and learn to write and design high-level pitch materials.
Attend writers’ meetings and prepare follow-up notes. Transcribe notes into correct format for submission to network. Proofread, revise and re-work premises, outlines and scripts.
David Stein Management is out with ESCAPE TO THE FUTURE by Scott Abrams & Josh Geller. An average American family from 1957 is tricked into taking part in a top secret government time travel experiment…
Duties include script reading and research, creating pitch docs, rolling calls, coordinating travel, scheduling, etc.
Assist with creative quality and help shape content through all stages of the production process to the model established during development.
Support the SVP in managing the Scripted Development slate and track day-to-day creative progress on projects.
Candidates should have experience budgeting and producing and knowledge of the marketplace.
Must have great relationships with buyers, agents, streamers, networks and knowhow to pitch clients.
The coordinator will participate in the development of all scripted programming from concept to series.
Responsibilities include coverage, research, participation in meetings, and assisting with talent lists, pitch materials, and more.
Interns will evaluate material, research various projects, and learn how to pitch.
Duties include but are not limited to: managing correspondences, scheduling meetings/maintaining admin schedules, managing the personal asset database, and transcribing creative notes.
Oversee creation of bibles, scripts, storyboards and all other aspects of written development. Work on the design, look and feel of visual development.
Works with SVP & General Manager, Head of Scripted Content, and Scripted team to support scripted content strategy with a focus on diverse, distinctive voices, talent, and IP.
Duties include coverage, reading, research, help with pitch decks and lists.
Ideal candidate would have three to five years of experience in coordination of scheduling meetings/pitches, with a background in creating pitch decks and sizzles for TV projects.
Aside from standard assistant duties, you will be able to do creative work on our projects and will learn to write and design high-level pitch materials.
A story about love against all odds, this tear-jerking romance follows two teens with life-threatening illnesses who meet in a hospital and fall in love, despite the fact that their fragile health makes them an imminent danger to each other.
While the debate continues over whether or not Deadpool will receive any Oscar love, The People’s Choice Awards is happy to show the actioner the love, as the film picked up wins for Favorite Action Movie and Favorite Movie Actor.
Season 1, Episode 10 – “Don’t Say It” was a decent attempt to make the sports part of this sports show relevant again but it didn’t entirely succeed.
Season 1, Episode 9 – Pitch rectifies a few of its earlier melodramatic mistakes with “Scratch,” but still fails to live up to its feminist potential. Dealing with trade clauses, romantic possibilities, and miscommunication, the episode recaptures a sliver of its original “uplifting sports story” style.
Season 1, Episode 8 – Pitch makes as much melodrama as possible in “Unstoppable Forces & Immovable Objects,” with sketchy relatives asking for money, pressuring people towards trades, and leanings towards a romance that does not need to be there.
As we head into a season of indie films and critical darlings fighting for a few awards season nominations, the 2017 People’s Choice Awards has released their list of nominees, celebrating the big hits that gained pop culture notoriety over the past year.
Season 1, Episode 7 – Pitch drops the ball on telling its first feminist story in weeks, but resolves the minimal conflict without controversy. In other news: baseball players get old and petty about the youngsters coming up behind them to replace them.
Season 1, Episode 6 – Pitch gets psychological this week in “Wear It” when Ginny folds under the pressure of living up to her public persona. Juxtaposing a public party with a night on the town with normal girls, this episode is a step in the right direction for the series.
Season 1, Episode 5 – Pitch uses the MLB trade deadline as an opportunity to give baseball players some human empathy and instead makes a big sloppy mess. Ginny comes away seeming spoiled and unsympathetic and the show in general mishandles its baseball details.
Season 1, Episode 4 – Pitch hits the baseball season’s halfway point and forces Ginny to prove she’s earned her spot on the All-Star team. Overall a bit disjointed, “The Break” feels more like filler than a triumph and provides little substance.
Season 1, Episode 3 – Pitch‘s “Beanball” mixes an unnecessarily compromising romance plot with a baseball feud, resulting in a patchy episode that teeters too close to sexist narrative tropes for comfort. Ultimately, the bones of the show are still good but the side plot feels like a judgmental detour.