Job duties will include reading scripts, reaching out to casting offices, submitting clients to executives and producers, and tracking grids.
Collaborate with show producers, line producers, production managers and creative executives and offer assessments on budgets, production plans, and schedules. Includes feedback on production risks and/or options that can impact staying on budget and schedule.
Evaluate and organize pitches received externally. Prepare/oversee the development of pitches and decks for business opportunities
Oversee existing development deals by providing creative feedback during the pitch/script development process, and seek out new talent (i.e. writers, animators, producers, agents, and creators) for development.
Assist executives in Current Programs with administrative tasks for all scripted non-network series.
The success of this position relies on strong communication skills, organizational skills, time management, relationship building and maintenance, and a proven track record of balancing multiple projects at once.
The ideal candidate must have a track record of building productive external relationships with writers, creators, agents and producers as well as representing series internally with key stakeholders to instigate efficient work flows and influential discussions.
Assisting Talent Managers at our LA and NY offices and coordinating talent schedules & appointments.
The Assistant will provide support to an Agent in CAA’s Motion Pictures Literary Department representing directors, producers and writers.
In this the role, the person will represent the Network and direct the development of new drama series and pilots. They will ensure that our shows are of the highest possible quality with the time and resources available.
Must be able to work independently with little or no supervision, as well as with others, and must be diplomatic, exceedingly well organized, and flexible and enjoy the challenges of supporting two busy leaders.
Lead the creation, development, and production of original series for Nickelodeon and 3rd party platforms.
Oversees writer/development deals by providing creative feedback during the pitch/script development process and during the ongoing production of series.
The Vice President of Development is responsible for the day-to-day development and productions of the TV studio’s annual slate.
Responsibilities will include scheduling, rolling calls, managing submissions, heavy reading, coverage, and giving development input.
Have the ability to guide all creative aspects of the development process – vetting and screening pitches/submissions, identifying talent and mining IP.
The Assistant will provide support to an Agent in CAA’s Television Scripted Department representing directors, producers, writers and showrunners within the International space.
Assisting talent managers at our LA and NY offices. Coordinating talents’ schedules and appointments
Support the EP through multiple stages of both animation and live action production, including during prep, shoot, and post.
Keep submission logs as necessary, which track: project name, date received, auspices, logline, and sender/submitting Agent and prepare submission logs for submission before creative.
The Assistant will also work closely with various departments across the agency (such as Accounting and Business Affairs). The ideal candidate will have a passion for scripted television and artist representation in the entertainment business.
Maintains and establishes new relationships with the creative community (writers, producers, and performers), agents and managers with the end goal of identifying outside material and talent.
Maintain all internal information grids and stay up to date on the entertainment landscape & entertainment/media business news.
The Creative Executive for Paramount Pictures will be responsible for supporting senior executives across areas of development and production.
Executive will be responsible for supervising the development and early production of Kids content (Pre-school, Kids and Family) across the CN/HBO MAX Kids and Family group.
The ideal candidate comes from a development background, with experience creating pitch materials and generating new ideas.
WHAT IS IT? Do you know what the most valuable item is in Hollywood? A great script? — No. A…