The Contract Administrator will collect, analyze, summarize, track, report data and handle contract administration of all types of development and production agreements in a timely and accurate manner.
Looking for recent college grads and aspiring writer, director & producers who are wanting to learn.
Attend writer’s meetings and prepare follow-up notes. Transcribe notes into correct format for submission to network. Proofread, revise and re-work premises, outlines and scripts.
Liaise with filmmakers and talent on Lionsgate related projects and general business. Participate in weekend read meetings as well as read and track material.
Oversee the development of creative concepts for all projects briefed into the creative studio, including brand and content campaigns.
Responsibilities include rolling calls, managing multiple schedules, setting meetings, covering scripts, interfacing with agents, lawyers, studio executives and producers.
Assist with creative quality and help shape content through all stages of the production process to the model established during development.
Answer phones and take clear, concise messages, pick up voicemails. Set and track business and personal appointments/meetings for the CEO.
Responsibilities include coverage, writer lists/grids, and identifying material.
Duties will include covering phones, scheduling, research, managing grids, keeping internal documents, auditing studio and network calls, and interfacing with agencies and management companies.
Candidates will gain first-hand experience and mentorship in connection with legal aspects of scripted and unscripted Film and Television production.
Responsibilities include major tasks along with rolling calls, scheduling, script coverage/notes.
Ideal candidates should possess superior organizational and communication skills, be detail-oriented, resourceful, have the ability to multi-task and shift priorities in response to varying demands, and be highly motivated to pursue a career in the entertainment industry as an Agent.
Job responsibilities include scheduling, calls, note-taking, tracking submissions, reading, providing notes on projects in development, etc.
Responsibilities include arranging travel and schedules for high profile clients, reading scripts/providing feedback, and client & administrative support.
Provide script coverage & feedback of overall creative material. Compose and generate letters and memos, back-up proof reading and editing on documents prepared by supervisor, be a notetaker in meetings.
Provide creative feedback (written and oral) during the pitch/script development process and during the ongoing production.
Job responsibilities include standard assistant duties, team coordinating, and tracking and reporting of important dates and other department administrative needs.
Provide administrative support to the development team, including scheduling for all department executives, managing department calendar, and coordinating company-wide schedules for optimum department efficiency.
Take and organize notes for writers of the company’s projects. Read, vet, and report back on incoming material (including writing coverage).
Manage all tracking as production iterates; includes keeping detailed notes as we update and organize scripts, audio, and design documents.
Support the SVP in managing the Scripted Development slate and track day-to-day creative progress on projects.
The ideal candidate must have the ability to manage multiple tasks simultaneously in a fast-paced environment and effectively balance changing demands, a dynamic schedule, and function well under pressure.
Prepares materials for internal and external meetings –agendas, prep sheets with information on credits, coverage on writing samples, etc.
The role includes heavy scheduling, rolling calls, reading, and a creative sensibility.
Responsibilities include but aren’t limited to managing phones, scheduling, expense reports, arranging travel, reading submissions and providing creative feedback.
Possess the ability to handle archival research, material acquisition, some outreach and preliminary cut reviews, etc.
Take notes during meetings and distribute in a timely manner. Assist in the preparation of screenings and shipments.
Assist in and contribute ideas for departmental unity and team spirit. Provide additional support to other Productions Resource Associates.
Take pitches from outside producers and writers; review and discuss all submitted material for development; follow up and respond to solicited materials.