Draft, review and track distributor contracts. Create invoices for international film distributors and assist with legal delivery.
Requires a strong degree of client contact, heavy phones, scheduling, and ability to multi task under pressure.
The Development Coordinator will work to review incoming scripts and track projects in development and production.
Maintains calendar, schedules appointments, meetings and notes call, etc. Writes script coverage and tracks all submissions.
Arrange and take notes during production meetings and distribute meeting minutes as applicable. Schedule talent for time in the studio as well as any follow-up time for corrections or adjustments.
Oversee and manage budgets from initial estimates to post-production. Responsible for production and delivery calendars, timelines, and budgets.
Responsibilities include answering phones, ensuring client calendars are kept up to date with holds and bookings, creating deal memos and client invoices.
Provide administrative support to Producing Team. Read and synthesize outlines and scripts.
Primary duties will include mostly script/film/book coverage for Features and TV, as well as research and help with various tasks.
Sources and assesses creative submissions and identifies concepts that work well with the 20th Century Studios’ vision.
Responsibilities include heavy scheduling, client and administrative support, reading scripts, and rolling calls.
Responsibilities include logging visitors; connecting/conferencing calls and office management.
Coordinate production schedule requests with executive team, ancillary production departments and corporate departments as needed. Negotiate with other productions and departments for studio screening and conference room bookings as needed.
Candidates should also be highly organized with excellent communication skills. Humor, sociable and positive energy a must.
Duties will include but are not limited to heavy scheduling, script coverage and rolling calls.
Maintains calendar, schedules appointments, meetings and notes call, etc. Writes script coverage and tracks all submissions.
The ideal candidate will need to have stellar organizational skills, thrive in a fast-paced environment, be great at multitasking, and have a love for Comedy.
Collaborate with key creatives (producers, directors, writers) on development projects, taking initiative to move projects forward. Provide clear and supportive feedback to creative teams at all stages of development and production.
Manage and track incoming writing and directing submissions. Send scripts and books to reader for coverage or provide coverage when necessary.
Part-time weekend (work from home) transcriber needed for an A-list Director/Writer/Producer.
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The ideal candidate is extremely organized, proactive and resourceful with a passion for discovering new voices.
Duties include script/book coverage, assisting with opening, closing and maintaining office space, covering desk for reception/assistants, and assisting in research.
Duties include reading and evaluating scripts, finding new talent and emerging voices, creating lists of directors, writers, and actors.
Conduct phone duties, which include but not limited to: fielding incoming calls, transferring calls, taking messages, scheduling conference calls, arranging meetings etc.
Works with SVP & General Manager, Head of Scripted Content, and Scripted team to support scripted content strategy with a focus on diverse, distinctive voices, talent, and IP.
Working closely with creative and showrunners, identifying and assessing creative materials and partners as well as managing relationships with internal / external staff and crew, reviewing and vetting creative materials and ensuring premium quality content is produced.
Provides overall general assistance to the Production Coordinator, Production Supervisor and crew within a specific department(s).
Maintain organizational system for tracking project materials, incoming submissions and other tasks/requests to ensure timely response and accurate record keeping.
You’ll split time between two offices, directly assisting the CEO/producer and a Talent Manager, interacting with clients, gaining exposure to Film development and production.
