Serve as first point of contact with clients, agents and executives. Track current and potential clients. Assist with special projects, research, and compiling information as needed.
Responsibilities include scheduling, general office management, as well as assisting development team with projects including ideation and sales materials, etc.
Duties include reading scripts, books, and project drafts; tracking incoming and outgoing submissions; sharing ideas, and more.
Work with development team to break and advance story on our projects. Brainstorm and develop new concepts for potential Illumination projects.
Track and evaluate all incoming IP and provide written recommendations for development in the live action scripted space (including series, theatrical and ancillary revenue streams).
Responsibilities include, but are not limited to: scheduling a high volume of meetings and calls for two executives; interfacing and scheduling for clients; performing and organizing script coverage; tracking writers and directors; managing and tracking submissions of Finance/producing projects.
Responsibilities include rolling calls, managing multiple schedules, setting meetings, covering scripts, interfacing with agents, lawyers, studio executives and producers.
Acts as direct liaison with filmmakers. Reads and provides feedback for any and all incoming submissions.
Provide organizational and administrative support to the President and other execs as needed, anticipating needs of the executive(s) and always being two steps ahead.
Responsibilities will change as the company continues to grow, but in addition to Executive Assistant functions, this person will be tasked with development duties such as idea generation, research and deck building, as well as generalist work across the company.
Assist the CEO in all administrative duties in addition to the coordination of project related accountabilities across all departments.
Creative thinking, developing new ideas and adapting Rolling Stone IP for Podcast, Film and TV development.
This individual will be responsible for managing heavy phones, rolling calls, setting appointments and meetings, updating calendars, and booking travel, as well as coordinating alongside the creative team as needed.
Prepare and coordinate meeting logistics with a focus on productivity, agenda setting and set-up of necessary pre-read materials includes meeting set-up, pre-preparation, note taking, distribution and follow-through on action items.
Duties include: high-volume calendar management, covering incoming material and providing creative feedback on all submissions and in-development projects, note taking, maintaining all internal databases (e.g. writer lists, master projects lists, submission grids), ad hoc research projects.
Typical duties: rolling calls, scheduling, helping make grids and other administrative jobs. Script coverage and research is also a high priority.
The position will involve running personal errands, managing schedule and travel, handling home & office matters, and assisting with any daily tasks.
Responsibilities include rolling calls, managing multiple schedules, setting meetings, covering scripts, interfacing with agents, lawyers, studio executives and producers.
Duties include scheduling, rolling calls, and research along with some personal stuff.
Responsible for the ongoing oversight and outcome of large-scale projects and its processes, managing the complete development life cycle for multiple projects, including resource allocation and scheduling, as well as quality, stakeholder, and risk management.
The ideal candidate loves to solve problems, creates a friendly and inclusive atmosphere, is self-motivated and able to anticipate and manage shifting priorities with ease.
Responsibilities include heavy reading and script coverage in addition to research projects.
Generate weekly and multi-weekly reports informing executives of source material in the marketplace and apprising various executives specifically of titles selected to match their development needs.
Be involved in the development of potential and existing U.S. projects – read scripts, books, plays, and new drafts of existing projects, partake in discussions, write coverage or compile notes as needed.
Interns will provide script coverage on competitive projects and complete research projects related to our development slate.
Roll calls and maintain phone sheet. Maintaining organizational documents and monitoring status of incoming script submissions
Write concise coverage of scripts, help assess a wide range of material, and provide constructive feedback to Manager for representation consideration and development of producing projects in Film and Television.
Reading scripts/ script coverage. Review ongoing/current projects and provide notes/feedback.
Writing coverage for Film and Television scripts, books, and plays. Researching IP of potential interest for Adaptation (books, articles, podcasts).
The ideal candidate will be a quick reader, strong writer, have an innate ability to prioritize, and have a good sense of the industry and its main players.
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