Interface with high-profile clients, prospective clients, managers and network executives with utmost professionalism. Research ratings, information on unscripted shows, podcasts, showrunners and directors.
Write concise coverage of scripts, help assess a wide range of material, and provide constructive feedback to Manager for representation consideration and development of producing projects in Film and Television.
Reading scripts/ script coverage. Review ongoing/current projects and provide notes/feedback.
Writing coverage for Film and Television scripts, books, and plays. Researching IP of potential interest for Adaptation (books, articles, podcasts).
Responsibilities include script coverage, tracking writers/directors, sitting in on pitches, as well as other tasks as they arise.
The ideal candidate will be a quick reader, strong writer, have an innate ability to prioritize, and have a good sense of the industry and its main players.
Duties include script coverage and analysis, research, as well as attending meetings with executives.
Should be voracious Readers, and constant consumers of Film and Television with a comprehensive understanding of the industry and its participants.
Partner with the development team and studio leadership to oversee, guide and problem-solve all phases of development from reviewing prospective productions through network sales and pilot production.
Managing writers to develop treatments, scripts, and pitches. This includes developing existing and internal concepts into elevated Films and Series.
The ideal applicants have experience and relationships within the Animation industry, strong convictions about the future of Animation, and are scrappy, passionate, Creative, excited about trying things in new ways, and curious about a wide range of genres, mediums, and ways to build immersive new story worlds.
Work with the development team to manage submission logs, read and distribute scripts, provide coverage, revise/update Creative decks/reels to ensure accuracy, and conduct occasional research/list generation of talent and directors.
Responsibilities include: Answering phones, ensuring client calendars are kept up to date with holds and bookings, creating deal memos and client invoices, following up on outstanding payments, etc.
Responsibilities include project research and script coverage.
Take notes in meetings with high-level showrunners, help with Keynote and/or Photoshop design projects, and update & organize submissions and development grids.
Identifying and sourcing key talent for various development projects including writers, Studios, artists, and directors.
Applicants should have strong Physical Production experience including budgeting, scheduling, and cost reporting and should be familiar with multiple modes of Documentary production.
Structure, negotiate and execute mid to large-sized deals for inbound Film/TV rights needed for projects on the platform, as well as negotiate deals at Networks/Streamers/Buyers when we sell our Audio to 3rd party financiers.
Maintain tracking grid and send out submissions of Writer and Director materials.
The Assistant, Development will support the Director of Development in the day-to-day operations of the development department, which is responsible for Animated theatrical feature films and Disney + streaming content that results in the Walt Disney Animation Studios’ upcoming release slate.
Create a slate of Films across genres while growing MVE’s buyer relationship both in the US and abroad. Bring and build connections with the creative community to further grow MVE’s slate of Film and expand its roster of writers and directors.
Create series and/or movie budgets, schedules, achievements, and assumptions.
Work closely with the President and VP to build and support a growing slate across Film and Television. Write coverage, outgoing submission letters, and notes on outlines, scripts, dailies, and cuts.
Manage creative content workflow for the Marvel Studios Franchise Creative Content Team.
Applicants must have experience as an assistant at a network, streamer, agency, or Production Company; and a passion for the Nonfiction space is highly recommended.
Gathering information on open writing assignments, directing assignments, staffing and other opportunities for clients. Servicing an existing roster of Film and Television writers and directors.
Reading scripts and learning to write professional screenplay coverage. Learning and implementing project management for Films in every stage of development.
Primary duties will include mostly script/Film/Book coverage for Features and TV, as well as research and help with various tasks.
Duties include managing schedules, rolling calls, overseeing submissions, analyzing screenplays/films/books, maintaining lists of directors, writers, and actors, as well as general office duties and coordinating travel.
Facilitate functionality of department by accurately maintaining company databases, tracking documents, submissions logs, and tracking individual project development to support a growing pipeline of movies for our indie and robust streaming slate.
