Must be able to balance admin duties, such as rolling calls, scheduling, and managing interns, with heavy creative work – reading screenplays, books, and project drafts.
Responsibilities included rolling calls, managing schedules, evaluating incoming scripts, tracking projects and maintaining a grid of company’s development slate.
Ideal candidates must be able to work well under pressure, have meticulous attention to detail, possess strong interpersonal skills, and be a proficient multi-tasker.
Evaluate and organize pitches received externally. Prepare/oversee the development of pitches and decks for business opportunities
Regular duties include scheduling, travel, rolling calls, and assessing all incoming material.
Main job responsibilities will include rolling calls, coordinating schedules, script coverage, managing grids.
Provide overall production support and assistance to Creative Director and producer.
Requirements: excellent phone skills, quick problem solving, be well organized, and have a great memory/ attention to detail. A team player with a positive attitude and interest in management.
The ideal candidate must be able to work well under pressure, meet tight deadlines, have meticulous attention to detail, and possess strong interpersonal skills.
All majors are welcome, but a strong interest in feature film and TV development is required.
Maintains a strong organizational and filing system, requiring thorough knowledge of all ongoing projects and activities and their associated materials.
This is a high volume, fast-paced desk, so the perfect candidate will have superior organizational and communication skills and is highly motivated.
Tasks include scheduling, calls, submissions, tracking, systems organization, creative notes, project lists, reading, research and more.
Administrative duties including handling heavy phones, calendar management, scheduling travel, booking reports, preparing expense reports, and general office management tasks. Serve as first point of contact with clients and executives.
Assisting Talent Managers at our LA and NY offices and coordinating talent schedules & appointments.
Ideal candidates should have at least one year desk experience in the entertainment industry, be able to balance literary and talent department duties, and have an eagerness to learn the management business and tv/film development.
Typical duties: reading, coverage, fielding and rolling calls, handling email, heavy scheduling, and travel arrangements.
We are a growing Production Company with a first look deal at a major studio with several Film and TV projects at various stages of development.
Must be able to work independently with little or no supervision, as well as with others, and must be diplomatic, exceedingly well organized, and flexible and enjoy the challenges of supporting two busy leaders.
Primary duties include mostly script/film/book coverage for features and TV, as well as research and help with daily tasks.
The ideal candidate is highly organized, detail oriented, resourceful, thick-skinned, able to multitask and remain calm under pressure in a fast-paced work environment.
Reviews scripts for designated television programs that are in production as assigned to by the VP, TV.
Helps brainstorm and create large, overarching storylines that flow between content. Suggests easter eggs and finds ways to build stronger connective tissue across the line.
This role scouts and supports top writers by introducing their work to entertainment industry professionals, supporting department executives on strategies and initiatives to help writers break into the industry.
Lead the creation, development, and production of original series for Nickelodeon and 3rd party platforms.
Heavy scheduling, tracking, rolling calls, etc.
Ideal candidate works well in a fast-paced environment and is able to handle heavy phones, scheduling and emails.
Silver Bitela Agency is out with THE KID WHO MISSED THE BUS by Matt McCoy. Danny Boy loves hockey, but he loves women too.
The Vice President of Development is responsible for the day-to-day development and productions of the TV studio’s annual slate.
The ideal candidate would bring a daily passion for tv/film (especially Science Fiction, Fantasy, Horror, etc.) and a hunger to learn both the business and the creative process.