Duties include scheduling, phones, expenses, travel, receiving clients in professional/friendly manner, office management, and script coverage.
Responsibilities include coverage, research, participation in meetings, and assisting with talent lists, pitch materials, and various opportunities to help on set.
Write concise coverage of scripts, help assess a wide range of material, and provide constructive feedback to Manager for representation consideration and development of producing projects in Film and Television.
Reading scripts/ script coverage. Review ongoing/current projects and provide notes/feedback.
Track episode deliverables and input data into scheduling system. Screen episodes to find themed Content.
The Production Coordinator works within and among production departments to lead projects by facilitating discussions, communicating the strategy, coordinating deadlines and tracking project progress.
Duties include answering phones and maintaining daily schedules; filing; processing expense reports; scheduling meetings and appointments; updating information on producers; tracking all submissions and pitches; entering due dates for cuts; and maintaining production paperwork.
Responsibilities include script coverage, tracking writers/directors, sitting in on pitches, as well as other tasks as they arise.
Serve as lead problem solver with TV studio and outside producers on all production issues from prep through production and post. Liaise with each network/cable/Streaming partner on all notes for scripts, outlines, and written materials.
Story Driven is out with NICE RESTAURANT by Doro Nguyen. When Liu Fang is smuggled into the US, she finds out that she’s put in charge of a restaurant front and she needs to….
Duties include script reading and research, scheduling, etc. Should also be eager to read and provide feedback on material varying from project drafts to incoming submissions.
Managing writers to develop treatments, scripts, and pitches. This includes developing existing and internal concepts into elevated Films and Series.
This position would entail a heavy amount of reading and writing coverage for both production consideration as well as samples for consideration on current projects.
Responsibilities include: scheduling, rolling calls, booking travel, managing calendars, script coverage, etc.
Duties include heavy administrative work: scheduling, calls, managing grids and project documents, note taking, assessing incoming material/coverage, etc.
Candidates should have one or more years of industry desk experience along with unscripted TV knowledge/passion specifically in documentaries.
Working simultaneously on multiple projects, this position requires a flexible multitasker that will field both studio and filmmaker demands.
Responsibilities include project research and script coverage.
Jackson Agency is out with PARAMORE NO MORE by Rena Carter. A twisted assortment of personalities clash interpersonally at Paramore No More, the US arm of a secret Chinese-based company that gets revenge for….
Art/Work Entertainment is out with FORGERS by Brenden Gallagher. After the patriarch of a civil war souvenir shop dies, his children take over only to discover that the family business was not entirely….
Basilisk Entertainment is out with NEOGENESIS by Vaughn Roste. In the year 2507, the first interstellar ship arrives at its destination – but its peace-loving colonists discover that the planet is….
Ideal candidate is detail-oriented and familiar with the process of casting A-list talent.
The first part of the career entails assistant duties including rolling calls, sending self-tape requests, scheduling meetings, uploading and cutting together tapes, coordinating client schedules, including various other tasks.
Structure, negotiate and execute mid to large-sized deals for inbound Film/TV rights needed for projects on the platform, as well as negotiate deals at Networks/Streamers/Buyers when we sell our Audio to 3rd party financiers.
Full range of administrative support for department including handling phones, calendar, filing, drafting correspondence, and meeting coordination. Also support production needs for any assigned shows.
Responsibilities include including phone management, communications, providing creative feedback, logistical planning, scheduling, and coordination of travel.
Work closely with the President and VP to build and support a growing slate across Film and Television. Write coverage, outgoing submission letters, and notes on outlines, scripts, dailies, and cuts.
Oversee planning and production, from pre-production through final delivery. Work closely with production executives and Finance to establish schedule and budget for each production.
Researching potential collaborations, liaising between external partners and internal issue experts (ie. education, health media, policy, etc.), and reviewing scripts for relevant sections to our work.
The ideal candidate is a self-starter with a desire to be promoted internally to Literary Manager, and is skilled at giving notes, industry networking, and interacting with writers.
