Duties include managing calendar, travel, and personal affairs; assisting with overall company organization; assisting current Film/TV/commercial projects; and reading, organizing and providing coverage.
Candidates must have robust interest in reading and books—and candidates must be comfortable summarizing and pitching IP.
Duties include answering phones, managing calendars, arranging meetings, script coverage and making sure clients are well taken care of.
Traits of ideal candidates include organization, attention to detail, and strong creative instincts.
Handles daily incoming general calls, mail, faxes and e-mails regarding statements, cue sheets, membership, applications, publisher information and anything that pertains to Film/TV royalties.
Reading and providing coverage for incoming submissions and project drafts.
Managing producers’ calendar with client meetings and calls, transcriptions and asset organization.
Job responsibilities include standard assistant duties, team coordinating, and tracking and reporting of important dates and other department administrative needs.
Standard assistant duties (phones, scheduling, script notes, etc.) in addition to booking travel, personal errands, and liaising with accounting, legal and tech support.
Duties will include but are not limited to scheduling, travel, script coverage, rolling calls, and general administrative tasks.
Responsibilities include phones, scheduling, databases, and meeting minutes.
Candidate will handle phones, schedules, personal tasks, and review scripts for client consideration.
Experience with script coverage and administrative tasks is preferred along with proficiency in Adobe Photoshop, Keynote, and Excel.
Note-taking, pitching in story meetings and identifying new material for scripted TV development.
Duties involve aiding the executive assistants in the department with clerical work, errands, meeting preparation, and additional duties as assigned.
Read and evaluate scripts, find new talent and emerging voices. Create lists of directors, writers, and actors for projects in development.
Ideal candidates should have at least one year desk experience in the entertainment industry, and be able to balance literary and talent department duties.
Duties include scheduling, rolling calls, phone sheet maintenance, invoicing, reading/evaluating scripts, identifying new talent/content, etc.
Organize, coordinate and assist with all aspects of a busy producer’s workload.
Candidates must have precise, detailed-oriented organizational skills, as well as excellent verbal communication and writing abilities.
The role offers a unique opportunity to learn across a large slate of projects and work with a variety of domestic and international partners.
Managing the calendars, phone sheets, and expenses of three MRC executives. Keeping all show production & post documents organized, mainly through the use of Scenechronize.
Logical Talent Management is out with ADOLESCENCE by Zachary Zebrowitz. A teenager is thrown into a four-year saga of love, loss, joy, anger, and pain.
This position will direct, oversee and manage marketing initiatives in order to grow the listening audience for our expanding slate of GZM shows.
Responsible for overseeing the budgeting and Physical Production by third party studios of Hulu’s rapidly expanding slate of Original Drama/Comedy scripted pilots and series, unscripted documentaries and series, low budget films, and specials.
Work with BRON management on smooth operation of writing materials. Prepare scripts for recording sessions; provide a cast list and line counts.
Take writing notes in any creative meetings and organize them into one tracking list per episode for pickups and ADR and distribute them to the teams. Work with BRON management on smooth operation of writing materials.
The role offers a unique opportunity to gain experience in all areas of Film and TV: production, development and business affairs, with potential for professional development and growth.
Duties include phones, rolling calls, scheduling, and script coverage.
This role helps oversee all aspects of the studio so there is opportunity to explore feature Film/TV development.