Duties include heavy research and telephone reporting, pre-interviews, and coordinating logistics for field production.
Seeding, building, and maintaining grids, extracting relevant trends and sales data as related to Television writing and directing opportunities.
Co-ordinate with Management, Publicists, Marketing Team, Record Label, TV and Film agents, and Social Impact partners to come up with creative content ideas.
Duties include booking extensive travel and handling logistical details with contacts globally, and traveling to live shows & TV/Film shooting locations.
Duties such as scheduling, rolling calls, taking notes, booking travel, etc. Assistant will also be integral part of development team.
The Development Coordinator will work to review incoming scripts and track projects in development and production.
Typical assistant duties include phones, scheduling, submissions, research, coverage, and project tracking.
The job entails all the typical administrative responsibilities as well as providing creative input on projects, covering submissions, tracking the industry, etc.
Primary duties will include mostly script/film/book coverage for Features and TV, as well as research and help with various tasks.
Writes script coverage, tracks all submissions (reels, shorts, films, documentaries, episodics) and workflow amongst key departments.
You will be responsible for creating and implementing our digital marketing strategy to increase online presence, which also includes a focus on Music, Film, and TV projects.
Responsibilities include logging visitors; connecting/conferencing calls and office management.
Be a voracious reader and provide research, creative input and books for consideration for development.
Read scripts, review dailies, summarize notes from development meetings/calls
It’s an undeniably interesting and challenging desk and there are so many fun and cool projects on the slate.
The position will also be a crucial member of the creative team, evaluating scripts and developing projects.
Reviews and prioritizes pitch requests and materials for review. Follow up with creators and artists to coordinate meetings, pitches, review notes, etc.
Requirements include excellent phone skills, quick problem solving, very organized, and have a great memory/ attention to detail.
Duties include heavy scheduling, rolling calls, phone sheet maintenance, tracking submissions, invoicing, accounting, reading and evaluating scripts, etc.
Ideal candidates will have a basic knowledge of running an office, as well as an interest in and aptitude for evaluating material.
Responsibilities include reading and evaluating scripts, books, and various other submissions, pitching material to executives, and research.
The position will report to the Head of IP & Literary Acquisitions, and will also support various functions of the team including reading, management of coverage readers, and other tasks.
Rolling and connecting calls, maintaining phone sheet, scheduling, expense reports, travel, creative tasks such as reading and coverage, and assisting with personal tasks.
Administrative duties include: managing a schedule, coordinating meetings with both internal and external parties, and handling phones.
The assistant will be expected to read, write notes and participate in creative development.
Assistant will work closely with the development team i.e. coordinating/assisting with preparing pitches, researching and evaluating materials/IP and tracking projects in development.
Typical assistant duties include phones, scheduling, submissions, research, coverage, and project tracking.
Duties include errands, administrative tasks, script/book coverage and assistant editing work.
Schedule meetings, pitches and calls for agents and clients. Interface with high-profile clients, prospective clients, managers and network executives.
Previous industry experience required (at least 1 year).