TV

Acting as the first point of contact for the agent to help manage their workload, escalating where necessary. Logging and tracking incoming materials from clients for projects in both development and pitching stages.

Communicates effectively with Producers, Showrunners, talent, and talent agents in the execution of their duties as the Company’s representative on 20th Television produced pilots and series.

Establishes a good working relationship with the SPA creative team, Show Directors, Line Producer, Key Leads and including but not limited to BA, Legal, Finance, Recruiting, Facilities, P&O, Technology, Operations and Post.

Works closely with Coordinating Producers, Senior Producers, Segment Producers and other Production Assistants on a daily basis to support content created for daily studio programming.

Responsible for managing phones, setting appointments and meetings, updating calendars, booking travel, gathering and managing documents for show deliverables, managing equipment, setting up run throughs and smaller production shoots.

Conduct in-depth research within the News UK archives to unearth material with significant potential for development into series or films.

Generate headshots, cut-outs and delivery-ready motion/still graphics for shows. Assist Creative Producer with the daily production of frequent requests from other NFL departments.

Schedule and organize crews in relation to needs of creative, under the direction of the Coordinating Producer and Logistics Manager as assigned.

Heavy calendar management for the President, including scheduling conference calls and meetings and closely monitoring calendars to resolve scheduling conflicts.

Reading and analyzing incoming material and new drafts for projects currently in development. Scheduling meetings with key players in the industry.

Conceptualize and write funny, creative, culturally relevant original copy for talent and filmmakers for creative content group’s projects, which include, but are not limited to media promos, vignettes, digital content, marketing reels, and award materials.

Administrative tasks, including phones and scheduling, and the creative development of new projects.

Extensive knowledge of working writers is a must.

Candidate should be a proactive, self-starter and have aspirations to work in Development.

Administrative duties including handling heavy phones, calendar management, scheduling travel, booking reports, preparing expense reports, and general office management tasks.

Scheduling, reading, covering scripts and films, and discovering new writers & directors.

Manage submissions, coordinate responses, and delegate reads internally.

Duties include phones, office errands, administrative support, and some creative support including coverage.

Schedule and organize crews in relation to needs of creative, under the direction of the Coordinating Producer and Logistics Manager as assigned.

Reading scripts and watching cuts and giving creative notes, building, and maintaining relationships in the creative community, and overseeing execution and production of series, etc.

Responsibilities include reading books and scripts, completing research assignments, coordinating meetings, rolling calls, taking notes and other admin tasks as needed.

This is a list of various 2023/2024 TV mandates for streamers and networks.

This is an extremely high-volume desk.

Coordinate complex daily schedule. Organize screenings, set visits, daily correspondence, and meetings. Work closely with the development team, manage submission logs, read scripts, and provide coverage.

Responsible for the scheduling of post-production facilities, production and technical crew.

Heavy volume of calls and emails, organizing meetings and calendars, creating presentations/slides, helping coordinate production slates and providing overall support.

Handle scheduling, phones, expenses and other administrative duties.

Logical Talent Management is out with GOOD RICH by Colin McLaughlin. A crisis of faith leads an egotistical billionaire to recruit the employees of his ineffective vanity non-profit company to help him….

Responsibilities include rolling calls, coordinating schedules, facilitating timely action items for the team in a fast-paced and high-volume environment, managing coverage, and analyzing incoming material.

Experience developing, packaging, and producing Film/TV based on original ideas and major IP.