Provide overall general administrative support including scheduling meetings/phone calls, preparing T&E, booking travel/cars, and ordering office supplies for the VP, Unscripted Programming.
The right person for this role is a highly self-directed and enthusiastic problem solver, with an ability to inspire and effect change through influence and collaboration.
Managing the calendars, phone sheets, and expenses of three MRC executives. Keeping all show production & post documents organized, mainly through the use of Scenechronize.
Support both executives with core administrative tasks (scheduling, travel, expenses, planning team events, etc.) as well as assist with the preparation of presentations, viewership data, and information about partners.
Looking for someone with a great work ethic, a love of reading, and an eagerness to learn.
The Creative Executive role helps shepherd the early development process for Animated feature Films and Disney+ streaming content.
This position will be supporting two executives (VP and Executive Director of Content Development, Drama) with very busy calendars, managing call sheets, making travel arrangements, processing expense reports, liaising between departments, etc.
Field pitches, identify trends, and help establish the strategic development goals for the Drama department.
Work with producers and Production Companies to maintain adherence and accountability for aspects of editorial, budgetary, and production standards as well as contractual requirements for programming.
Field pitches, identify trends, and help establish the strategic development goals for the Drama Department.
Update and maintain calendars; schedule team meetings and phone calls (including sending out and managing calendar invites with internal and external attendees).
Oversees the episodes of primetime on-air series programs, including the reading and evaluation of weekly material regarding concept, character development, character definition, story structure, humor, and dialogue.
Oversees every aspect of assigned primetime series on network, cable and streaming services. This includes the reading and evaluation of weekly material regarding concept, character development, character definition, story structure, humor and dialogue.
Participate in screening Films and reviewing scripts in and out of festival periods, providing constructive feedback on project potential. Assistant is responsible for presenting a thorough and clear recommendation for consideration.
Cutting film/series clips, logging interviews and assisting with any other production needs.
Serves as a conduit between the HBO Max Non-Fiction & Family and other departments by acting as a resource for information and maintains the flow of information between various departments both internally and externally as requested by executives.
Maintains calendar, schedules appointments, meetings and notes call, etc. Writes script coverage and tracks all submissions.
Launch an IP group targeting both domestic and international sources for USG (i.e., books, articles, life rights, podcasts, formats, etc.) as well as identifying IP that aligns with talents creative requests.
Reviews and prioritizes pitch requests and materials for review. Follow up with creators and artists to coordinate meetings, pitches, review notes, etc.
Maintains calendar, schedules appointments, meetings and notes call, etc. Writes script coverage and tracks all submissions.
Review and coordinate all production related paperwork (including call sheets, production reports, crew lists, wrap reports, etc.).
Generate clear and cogent verbal and written feedback on all story materials related to Film and TV series through all phases of development and production on assigned projects.
Duties include scheduling, rolling calls, travel coordination, expense reports, talent lists, and script coverage.
Assists with the set up of new production office space and coordinating various aspects of prep until production management is hired.
Develop new concepts for live action series that are aligned with companywide storytelling strategy and transmedia efforts.
Evaluates and tracks submissions, reads drafts of projects in development, manages delivery of incoming scripts and cuts, and tracks shooting schedules.
Reviewing new submissions, scripts and revisions, and providing comprehensive feedback as necessary.
Organizes creative meetings, brainstorm sessions and makes sure all presentation materials are ready for project pitches and website meetings.
In this the role, the person will represent the Network and direct the development of new drama series and pilots. They will ensure that our shows are of the highest possible quality with the time and resources available.
Reviews scripts for designated television programs that are in production as assigned to by the VP, TV.