Update and maintain calendars; schedule team meetings and phone calls (including sending out and managing calendar invites with internal and external attendees).
Oversees the episodes of primetime on-air series programs, including the reading and evaluation of weekly material regarding concept, character development, character definition, story structure, humor, and dialogue.
Oversees every aspect of assigned primetime series on network, cable and streaming services. This includes the reading and evaluation of weekly material regarding concept, character development, character definition, story structure, humor and dialogue.
Participate in screening Films and reviewing scripts in and out of festival periods, providing constructive feedback on project potential. Assistant is responsible for presenting a thorough and clear recommendation for consideration.
Cutting film/series clips, logging interviews and assisting with any other production needs.
Serves as a conduit between the HBO Max Non-Fiction & Family and other departments by acting as a resource for information and maintains the flow of information between various departments both internally and externally as requested by executives.
Maintains calendar, schedules appointments, meetings and notes call, etc. Writes script coverage and tracks all submissions.
Launch an IP group targeting both domestic and international sources for USG (i.e., books, articles, life rights, podcasts, formats, etc.) as well as identifying IP that aligns with talents creative requests.
Reviews and prioritizes pitch requests and materials for review. Follow up with creators and artists to coordinate meetings, pitches, review notes, etc.
Maintains calendar, schedules appointments, meetings and notes call, etc. Writes script coverage and tracks all submissions.
Review and coordinate all production related paperwork (including call sheets, production reports, crew lists, wrap reports, etc.).
Generate clear and cogent verbal and written feedback on all story materials related to Film and TV series through all phases of development and production on assigned projects.
Duties include scheduling, rolling calls, travel coordination, expense reports, talent lists, and script coverage.
Assists with the set up of new production office space and coordinating various aspects of prep until production management is hired.
Develop new concepts for live action series that are aligned with companywide storytelling strategy and transmedia efforts.
Evaluates and tracks submissions, reads drafts of projects in development, manages delivery of incoming scripts and cuts, and tracks shooting schedules.
Reviewing new submissions, scripts and revisions, and providing comprehensive feedback as necessary.
Organizes creative meetings, brainstorm sessions and makes sure all presentation materials are ready for project pitches and website meetings.
In this the role, the person will represent the Network and direct the development of new drama series and pilots. They will ensure that our shows are of the highest possible quality with the time and resources available.
Reviews scripts for designated television programs that are in production as assigned to by the VP, TV.
Lead the creation, development, and production of original series for Nickelodeon and 3rd party platforms.
Answering phones, scheduling meetings, booking travel, greeting guests, handling invoices/expenses & other office-related duties in addition to covering creative responsibilities.
Responsibilities include reading and providing feedback on submissions and projects in development, as well as scheduling, phones, and general admin.
Provide organizational and administrative support to two VPs.
Ideal skills include: Having relationships with writers, writer/directors, agents, managers and executives. At least two years industry experience at either an agency, studio, management company, production company or financier.