writers

Have a working knowledge of industry players, have an already established network, focus leaning towards Features, and have working clients.

This is a great desk to an amazing manager, with a robust list of actors, writers and directors and high visibility within the company, who will undoubtedly champion his Assistant.

Provide support to Creative team on various Creative development projects including: writing coverage on prospective ideas; taking and compiling notes during meetings; tracking and summarizing market trends/broadcaster line-ups.

This role will help develop existing projects, identify new source material from IP, and field pitches, review submissions, etc.

Partner with senior executives to develop current story ideas and create new projects. Actively participate in internal brainstorms and be able to creatively lead these meetings.

Manage the process and flow of content submission – log, track, and evaluate all incoming material (including pitches, scripts, books, etc.)

Manage an active slate of development projects and actively support SVP live-action Series & Film in maintaining a pipeline of compelling, engaging and producible content.

Reading script submissions and providing written summaries and recommendations for development executives.

Manage administrative duties which include handling heavy phones, calendar management, scheduling travel, booking reports, preparing expense reports, and additional office related tasks.

Serve as first point of contact with clients, agents and executives. Provide significant script coverage for client pitches.

A passion for the development and packaging processes for features is essential as well as a strong desire to do extensive reading and networking.

Attends and participates in Creative meetings.  Coordinates and follows up on resulting ideas and projects. Solicits, analyzes and evaluates material for development and production.

Duties include scheduling, rolling calls, submissions, tracking, working with high-level talent, script reading and research, etc.

Job entails scheduling client appointments, coordinating development for Film and Television, talent submissions, heavy focus on development, and creating Writer and Executive lists.

Responsibilities include rolling calls, managing calendars, interfacing and scheduling for clients, managing submissions, reading scripts, etc.

Reads scripts and provides coverage at the Executive’s discretion. Types and organizes story notes, production notes, post-production notes and various other development material.

Writing long form Narrative Fiction such as web-novels, TV, scripted podcasts, novels, etc.

Work with development team to break and advance story on our projects. Brainstorm and develop new concepts for potential Illumination projects.

Responsibilities include, but are not limited to: scheduling a high volume of meetings and calls for two executives; interfacing and scheduling for clients; performing and organizing script coverage; tracking writers and directors; managing and tracking submissions of Finance/producing projects.

Acts as direct liaison with filmmakers. Reads and provides feedback for any and all incoming submissions.

Tracking, reading, and doing coverage on incoming material. Seeking out new writers/directors/IP for the department to pursue.

Analyze and breakdown scripts to identify strengths and weakness. Make recommendations of the commercial impact and quality of screenplays/scripts to be optioned and those that are in development.

Duties include heavy calls, scheduling meetings, digital filing, creating booking slips, tracking client payments, data gathering/entry, expense tracking, reading and giving feedback on scripts, and office administrative work.

Maintains scripts and phone logs, as well as various files, records, indexes, reports, schedules, and matrixes.

Creative thinking, developing new ideas and adapting Rolling Stone IP for Podcast, Film and TV development.

Managing and rolling a high volume of phone calls. Scheduling and calendar management. Read, summarize, and analyze books and scripts and provide coverage.

Reviews and responds to Creative script, IP and Book submissions.  Generates and distributes coverage and synopses.

Creative intern with a sense of humor to read and evaluate scripts and write coverage on a rolling basis.

Duties that include phones, script coverage, heavy scheduling and more.

Duties will include administrative support including scheduling, calendaring and managing phone calls/messaging needs. Additional duties will include assistance with meeting/coordinating events, managing notes, research, story grids and show covers.