Responsibilities include script coverage, virtual film festival coverage, and tracking writers/directors, among other duties.
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Responsibilities include script coverage, virtual film festival coverage, and tracking writers/directors, among other duties.
Daily tasks include scheduling, booking travel, covering scripts, research, and note taking.
Key responsibilities include managing slate of projects, seeking out new projects in both Television and Film; working with talent to develop projects and searching out & developing relationships with new talent.
Generates ideas for new show concepts and characters. Hear and respond to pitches; evaluate new project submissions to assess their value as it relates to the creative direction
Work with writers to develop ideas and concepts that are viable for the slate and to sell concepts and materials to various linear network and streaming partners.
Lead the development team, liaising with production and distribution teams to ensure alignment with corporate strategies, overseeing the development budget, and working with writers.
Maintains scripts, phone logs, various files, records. Coordinates information for Writer/Director lists.
Strong understanding of long form narrative storytelling, and two plus years of creative experience at a studio, network, Production Company, or publisher.
We are seeking a candidate with a strong passion and knowledge of Film, a clear focus on creative development, and the right “team-oriented” approach.
Provides detailed notes on concepts, outlines and scripts, and delivers clear creative, direction on all Film cuts and post elements, including VFX and scoring.
Responsibilities will include covering scripts, tracking potential clients, and reviewing film and television roles for our acting clients.
The ideal candidate has extensive experience in both development and production, and the ability to identify strong material and talent and give creative guidance and feedback to top level writers and directors on outlines, scripts, and cuts.
Candidate must be incredibly organized, a self-starter, a solid writer, and a voracious reader with extensive knowledge of pop culture trends, showrunners, writers and directors.
Generate creative notes for projects in active development as well as Current Series.
Applicants should have a well-developed knowledge of and experience tracking writers, directors and talent.
Duties include managing schedules, rolling calls, overseeing submissions, analyzing screenplays/films/books, maintaining lists of directors, writers, and actors.
Responsible for reading scripts and other materials and providing feedback, note taking for meetings, tracking industry trends, and identifying opportunities for project partners, writers, and talent attachments.
Network and studio coverage – speaking directly to executives to gather information on open writing, directing, staffing jobs and pitching clients for them.
High-end literary/Talent Agency experience and basic knowledge of writers, directors, etc. Administrative duties apply.
Agents represent a diverse roster of Film & Television writers/directors.
Responsibilities include but not limited to phones, scheduling meetings and appointments, making office supply arrangements, greeting visitors & vendors and more.
We are looking for a candidate that will perform an array of administrative, project management, and development duties.
Working alongside the Executive Director and Program Manager, the Program & Events Coordinator helps to support Humanitas’s mission to celebrate and empower Film and Television writers by facilitating Humanitas’s programs
Administrative support and project role covering phones, scheduling, expenses and other admin duties for the Senior Vice President, Production.
Read and evaluate submissions and submit coverage as well as reading script drafts and taking notes.
Typical assistant responsibilities include but not limited to phones, heavy scheduling, submissions, research, and creative feedback.
Field pitches, identify trends, and help establish the strategic development goals for the Drama department.
Serve as the in-house production coordinator for all phases of pre-production through post-production, including start paperwork management, writers’ room and office set up, and additional support.
Talent submissions on platforms. Coordinating talents’ schedules and appointments. Script coverage.
The duties are primarily clerical and technical. Production Assistants collate scripts printed for the newscasts, and deliver them to the studio and control room.
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