Provide regular support to the writing team under direction of the Associate Producer. Write various script synopses and participate in story tracking and continuity.
The ideal candidate will have a passion for scripted television and artist representation in the entertainment business as well as interest in international business development.
Generate ideas, develop projects and search for valuable IP (books, comics, graphic novels, podcasts, etc).
Duties include reading and evaluating scripts, finding new talent and emerging voices, creating lists of directors, writers, and actors.
Serve as first point of contact with clients, agents and executives. Provide significant script coverage for client pitches.
Works with SVP & General Manager, Head of Scripted Content, and Scripted team to support scripted content strategy with a focus on diverse, distinctive voices, talent, and IP.
Liaising with agents, studio executives, writers, and executive producers as well as internal departments.
Duties include coverage, reading, research, help with pitch decks and lists.
Applicants should have a well-developed knowledge of and experience tracking writers, directors & talent and identifying & developing IP.
Responsibilities will include covering scripts, tracking potential clients, and reviewing Film and Television roles for our acting clients.
When requested, reads written materials (scripts, books, etc.) and provides feedback to executives.
Attend story pitches and launches. Act as story representative during department meetings when needed. Determine assignments and exploration exercises for the story artists while waiting on script pages.
The ideal candidate will have a strong work ethic interpersonally skills, and attention to detail.
Watermark, print, collate, and distribute scripts as they are approved by creative to Marvel Studios corporate, post production, production, and cast.
Serve as first point of contact with clients, agents and executives. Provide significant script coverage for client pitches.
This is a great opportunity for someone with at least one year of agency experience who wants to dive into development in TV (scripted and non-scripted), Film and Theatre.
We want to find the right person who is hard-working, detail-oriented, ambitious and wants to learn the job of representation.
Identifies up and coming talent, not necessarily established talent thru traditional and nontraditional research methods; inclusive of new and emerging technologies.
Coordinates/arranges travel and hotel accommodations, both international and domestic. Types correspondence, reports, labels, contracts, etc.
Oversee existing development deals by providing creative feedback during the pitch/script development process, and seek out new talent (i.e. writers, animators, producers, agents, and creators) for development.
Searching for someone who is incredibly organized with heavy scheduling, creative, enthusiastic, hardworking, and passionate about management and producing.
Duties include: phone and calendar management, updating status report & spreadsheets, keeping office stocked & organized, reading material & providing notes, and occasional personal needs.
The ideal candidate must have a track record of building productive external relationships with writers, creators, agents and producers as well as representing series internally with key stakeholders to instigate efficient work flows and influential discussions.
The Assistant will provide support to an Agent in CAA’s Motion Pictures Literary Department representing directors, producers and writers.
Assist the department manager in monitoring current productions, including tracking production progress, script revisions, paperwork distribution; becoming familiar with the procedures, processes & terminology of the Production Office and Set.
In this the role, the person will represent the Network and direct the development of new drama series and pilots. They will ensure that our shows are of the highest possible quality with the time and resources available.
Must be able to work independently with little or no supervision, as well as with others, and must be diplomatic, exceedingly well organized, and flexible and enjoy the challenges of supporting two busy leaders.
This role scouts and supports top writers by introducing their work to entertainment industry professionals, supporting department executives on strategies and initiatives to help writers break into the industry.
Review submitted scripts and prepare notes/coverage for the Creative Executives to review. Compile research reports for projects in development.
Lead the creation, development, and production of original series for Nickelodeon and 3rd party platforms.
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