Read a variety of manuscripts across all genres and give verbal feedback on their film potential. Keep track of industry news and book reviews.
Walt Disney Studios
Track outgoing loans, transfers, sales, donations and prepare all department related contracts and documents; ensuring that all props and costume loans, transfers, sales and donations are managed according to Physical Production Asset Management policies and procedures.
Managing executive’s calendar, including scheduling and confirming calls and meetings. Maintaining all organizational documents, logs and binders, including monitoring status of incoming/outgoing script submissions.
Liaise with other Disney executives, producers, writers, and assistants internally and externally. Read project drafts, submissions, and samples, providing feedback as part of the creative development process.
Assist with various stages of Development, Prep, Production, and Post Production. Work on various Research and Development projects including crafting set lists, script comparisons, pulling images, acquiring location packages from films commissions, etc.
Understand your executives’ priorities, manage calendars, respond to and send out meeting requests, and ensure schedules are kept up to date and accurate, resolve meeting conflicts and handle reschedules to accommodate more urgent and time sensitive request.
Support Talent Acquisition team to run more efficiently through supporting workflow, resources, and overseeing logistics like offer processing and hand offs for onboarding.
Work directly with and assist the Production Executive to coordinate all features associated with the Production Executive’s office from strategic planning, and pre-production through the wrap of physical production.
Independently and efficiently lead all aspects of physical production, for each assigned project from pre-production through delivery, setting direction and standards, while keeping senior executives abreast of plans and strategies.
Work directly with and assist the Production Executive to coordinate all features associated with the Production Executive’s office from strategic planning, and pre-production through the wrap of physical production.
Review submissions (screenplays, manuscripts, published books, and other materials) to assess them as potential projects for the Studio.
This is a list of 2024 TV mandates for streamers & networks.
Coordinate and confirm all calendar matters, including internal and external meetings, establishing conference/zoom calls, and coordinating meetings over multiple time zones.
Manage calendar for executive including scheduling and confirming meetings both internally and externally. Maintaining organizational documents and monitoring status of incoming script submissions.
Work directly with Line Producers, Production Supervisors, and Production Coordinators to obtain day-to-day updates during prep and shoot. Coordinate weekly meetings with each production, create and distribute agendas, and keep minutes.
Work directly with and assist the Production Executive to coordinate all features associated with the Production Executive’s office from strategic planning, and pre-production through the wrap of Physical Production.
Your main duty will be providing coverage on books and scripts but you will also have the opportunity to listen in on various meetings, contribute in brainstorming sessions, and learn from movie producer.
Work directly with and assist the production executive to coordinate all Features associated with the production executive’s office from strategic planning, and pre-production through the wrap of Physical Production.
Read a variety of manuscripts across all genres and give verbal feedback on their Film potential.
Looking for someone who loves to read and watch movies. Must have strong personal, phone, and scheduling skills, and a desire to write notes.
Responsibilities include administrative duties such as rolling calls, scheduling, maintaining grids, and reading incoming material.
The Executive Assistant position in Creative Affairs is an administrative support and project role covering phones, scheduling, expenses and other admin duties for the Senior Vice President, Production.
Participates with the creative development executives to assist in the identification of the best story, with the best writers and directors, within established service levels on both animation and live action projects.
Based on the Disneyland attraction ‘The Tiki Room.’
The book tells the story about a 15-year-old boy afflicted with schizophrenia who imagines himself on a pirate ship voyaging through the Pacific Ocean.
Logline: A handsome prince falls in love with a commoner, so her fairy godmother turns her in to a perfect princess. But when the spell works a little too well, the prince embarks on a quest to reverse it, not realizing that he’s endangering the entire fairy tale universe.
