Scheduling and administrative work plus development tasks – script coverage; creating development materials; taking notes on casting calls, pitched, general meetings, etc.
Reading script submissions and providing written summaries and recommendations for development executives.
Scheduling and coordinating recurring in-house staff meetings, generals, informationals, pitches, and production meetings, table reads, etc.
Position will act as a right-hand and gatekeeper, managing scheduling, travel arrangements, personal appointments/reservations, and professional meetings/pitches.
Serve as first point of contact with clients, agents and executives. Provide significant script coverage for client pitches.
Work with development team to break and advance story on our projects. Brainstorm and develop new concepts for potential Illumination projects.
Duties include answering phones and maintaining schedules; filing; processing expense reports; scheduling meetings and appointments; updating information on producers; tracking all submissions and pitches.
Provide organizational and administrative support to the President and other execs as needed, anticipating needs of the executive(s) and always being two steps ahead.
Tracking, reading, and doing coverage on incoming material. Seeking out new writers/directors/IP for the department to pursue.
Duties include track/update development grids; field external pitches; evaluate submissions; meetings notes; create paper materials; logline wizard; copy writer and deck master, etc.
Analyze and breakdown scripts to identify strengths and weakness. Make recommendations of the commercial impact and quality of screenplays/scripts to be optioned and those that are in development.
Help source and assess screenplays, books, articles, life rights, concepts, sizzles, and short form content – as well as other forms of IP – to build out and sustain a robust feature pipeline.
Work with the Director and Writer in story development to brainstorm and foster story concepts from the outline or script to be assigned to storyboard artists.
This individual will be responsible for managing heavy phones, rolling calls, setting appointments and meetings, updating calendars, and booking travel, as well as coordinating alongside the creative team as needed.
Finds writers for series development, series staffing and Streaming development projects. Works closely with writers to develop pitches, write outlines and give story and script notes.
Liaise with Feature Animation at Netflix which will include executives from cross-functional teams such as Creative, production, Finance, Business Affairs, and Legal Affairs as well as the Film’s Creator, Executive Producers, and production crew to manage, guide, and problem-solve throughout all phases of production.
Works closely with internal production teams and producers on a daily basis. Pulls, sources and locates footage within NFL library.
Interns will learn basic administrative skills like scheduling, rolling calls, setting pitches, updating the company development slate, and tracking outgoing/incoming submissions.
The ideal candidate loves to solve problems, creates a friendly and inclusive atmosphere, is self-motivated and able to anticipate and manage shifting priorities with ease.
Oversee development, some current and casting for Comedy and Adult Animation Series. Field pitches, identify trends, and help establish the strategic development goals for the department.
Preparing decks for internal and external Creative presentations, including editing clips and mocking up Creative materials. Reviewing pitches, books and scripts and providing coverage, as requested.
Interface with high-profile clients, prospective clients, managers and network executives with utmost professionalism. Research ratings, information on unscripted shows, podcasts, showrunners and directors.
Duties include answering phones and maintaining daily schedules; filing; processing expense reports; scheduling meetings and appointments; updating information on producers; tracking all submissions and pitches; entering due dates for cuts; and maintaining production paperwork.
Responsibilities include script coverage, tracking writers/directors, sitting in on pitches, as well as other tasks as they arise.
Managing writers to develop treatments, scripts, and pitches. This includes developing existing and internal concepts into elevated Films and Series.
Work closely with the President and VP to build and support a growing slate across Film and Television. Write coverage, outgoing submission letters, and notes on outlines, scripts, dailies, and cuts.
Proactively solicit new material for Television adaptation and development e.g., scripts, books, articles, new media.
Includes handling phones, calendar, filing, drafting correspondence, meeting coordination, and travel arrangements.
Here is a list of some of the feature-length film mandates for 2022.
Regular intern activities include script coverage and notes on internal & external projects, research, creating presentations/pitches, and giving editing notes.
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