

To conceive and develop strong original ideas for BBC Production, exploring opportunities that deliver a diverse range of proposals of quality and distinction, focusing on scalable, returnable domestic and global formats.
To conceive and develop strong original ideas for BBC Production, exploring opportunities that deliver a diverse range of proposals of quality and distinction, focusing on scalable, returnable domestic and global formats.
Write script, book and article coverage on an ongoing basis to actively track incoming submissions. Identify new material and partners for the studio including but not limited to writers, filmmakers and talent, as well as sourcing IP and tracking specs with the agencies.
This position works on the development of original holiday movies overseeing projects from start to finish. Takes pitches and seeks out programming that is appropriate for Hallmark Channel and Hallmark Movie and Mysteries scripted needs for both movies.
Evaluate the quality of scripts and offer Creative feedback. Seek out and assess pilot proposals, scripts, and pitches. Work with writers to develop stories and scripts.
Creating decks for pitches and Creative brainstorming. Track and meticulously maintain grids of data and execute excellent follow-up and follow through.
Work closely with Network Originals team to support a growing pipeline of movies for our network and Streaming partners.
Regular intern activities: script coverage and notes on internal and external projects, research, creating presentations/pitches, and giving editing notes.
Regular intern activities: various pre-production tasks, identifying potential locations to be scouted, casting assistance, creating presentations/pitches, research, organization of directing materials, putting together visual references for HODs, budgeting and scheduling, and helping out on set.
Regular intern activities: Film and Television research, creating client pitches, watching self-tapes, submitting talent for projects on relevant sites, giving editing notes or possible video editing, and sending pitch emails.
Work with show creators to build worlds, flesh out characters, develop story engine, and establish design.
Responsibilities include scheduling, managing intern program, tracking, reading incoming scripts, research, and providing Creative feedback on pitches & scripts.
Field pitches, identify trends, and help establish the strategic development goals.
This individual will work closely with the CEO and other members of the team to help source ideas for Television shows, documentaries, Films, and podcasts.
Identify and develop Tentpole programming for Prime Video Series, Original Movies and IMDb TV.
Responsibilities include scheduling and managing meetings for executive, creating top line to-dos from all departments/projects and tracking them, being proactive about prepping exec for meetings, pitches, interviews, etc.
Responsibilities include heavy scheduling, rolling calls, research, note-taking, setting pitches, coordinating travel, and overseeing updates to the company development/client reports.
Serve as first point of contact with clients, agents and executives. Provide significant script coverage for client pitches.
Provide creative feedback (written and oral) during the pitch/script development process and during the ongoing production.
Provide administrative support to the development team, including scheduling for all department executives, managing department calendar, and coordinating company-wide schedules for optimum department efficiency.
Support the SVP in managing the Scripted Development slate and track day-to-day creative progress on projects.
Take pitches from outside producers and writers; review and discuss all submitted material for development; follow up and respond to solicited materials.
Reading script submissions and providing written summaries and recommendations for Development Executives.
Coordinate any/all of the following meetings: Storyboard Handouts, Design meetings, pitches, Leica Screenings, Art Approvals and any additional production specific requests.
Scheduling and phones, heavy development work, screenplay coverage and notes, designing decks for pitches, and submission logging.
Generates ideas for new show concepts and characters. Hear and respond to pitches; evaluate new project submissions to assess their value as it relates to the creative direction
Serve as first point of contact with clients, agents and executives. Provide significant script coverage for client pitches.
Strong understanding of long form narrative storytelling, and two plus years of creative experience at a studio, network, Production Company, or publisher.
The ideal candidate has extensive experience in both development and production, and the ability to identify strong material and talent and give creative guidance and feedback to top level writers and directors on outlines, scripts, and cuts.
You have the ability to identify exceptional material and give creative guidance and feedback to top level talent on concepts, IP, pitches and scripts.
Field pitches, identify trends, and help establish the strategic development goals for the Drama department.