Project analysis. Create lists of directors, writers, and actors for projects in development. Send out appointments and self-tapes to clients.
reader
Reading manuscripts and book proposals for all genres, for both UK and US authors, and producing concise reading reports for the International Rights department, with a specific aim to give feedback about their international scope.
Track and document development slate submissions for executive. Support executive in tracking incoming materials for current series including scripts, cuts, calendars and delivery dates.
Track and evaluate finished films and literary material for acquisitions, film/TV development, research, and writing sample purposes.
Responsibilities include reading books and scripts, completing research assignments, coordinating meetings, rolling calls, taking notes and other admin tasks as needed.
Put together summaries and coverage on novels/scripts/pilots/etc.
Responsibilities: phones, grids, scheduling, submissions, travel, scouting, client interaction.
Manage significant volume of calendar of appointments, meetings, and handle logistics of meetings. Proactively participate in reading Creative submissions and providing feedback on material.
Duties include: project and office management, scheduling, rolling calls, travel coordination, processing expense reports, travel and more.
Duties that include phones, script coverage, heavy scheduling and more.
Duties include: high-volume calendar management, covering incoming material and providing creative feedback on all submissions and in-development projects, note taking, maintaining all internal databases (e.g. writer lists, master projects lists, submission grids), ad hoc research projects.
Generate weekly and multi-weekly reports informing executives of source material in the marketplace and apprising various executives specifically of titles selected to match their development needs.
The ideal candidate is a voracious reader and consumer of Film/Television with a fun, proactive, and positive attitude.
The ideal candidate will be a quick reader, strong writer, have an innate ability to prioritize, and have a good sense of the industry and its main players.
Identifying and sourcing key talent for various development projects including writers, Studios, artists, and directors.
Manage submissions, maintain development grids, track projects, read material (scripts and books), provide notes on active projects, correspond with Literary Agents, research IP, oversee the intern program, and other administrative duties.
At least a year of assistant experience and must be an avid books reader.
In addition to traditional assistant duties like scheduling, rolling calls, taking notes, they are looking for someone who is highly organized, a voracious reader & a genuine lover of TV/Film.
Ideal candidate is an avid reader, can juggle administrative duties, is tenacious and thinks on their feet.
Standard Assistant duties. Coordinate and organize the company’s internal information flow. New client research and development.
Duties that include phones, scheduling, maintaining grids, invoicing/processing payments, and reading & analyzing material.
Duties include scheduling, rolling calls, maintaining tracking grids and to-do lists, They are looking for someone who is highly organized, a voracious reader and genuine lover of Television.
In addition to the traditional intern duties like office administration tasks and script coverage, they are looking for someone who is highly organized, a voracious reader and genuine lover of Television.
Candidate must be incredibly organized, a self-starter, a solid writer, and a voracious reader with extensive knowledge of pop culture trends, showrunners, writers and directors.
Seeking a self-starter who is articulate, organized, a voracious reader and constant consumer of Film/TV.
The role requires assisting all internal communications, supporting the creative development and ideation process, managing project management systems, and more.
