Fellowship winners will be mentored and will have the opportunity to participate in workshops on the process of development– including pitching, hearing from writers and other industry professionals on the craft, and discussing the business of writing.
screenwriting
Critical reading and script analysis. Creative discussions and brainstorming sessions. Writing and editorial work on various projects.
Teach mid-level undergraduate and graduate courses in feature film development, writing and rewriting the feature screenplay.
Scheduling and managing calendars, the assembly and distribution of curriculum, creating meeting agendas, identifying and executing action items, securing guest speakers, event management, logistics, evaluation and follow up.
Teaching assignments may include a range of courses in the BA and BFA programs, including Filmmaking I, Story Analysis and screenwriting, directing Workshop, Advanced screenwriting, Writing the Narrative Series, Multi-camera Narrative production, and BFA Thesis, among others.
Applicants should have experience acquiring and developing IP, sourcing and supervising writers, developing first-class screenplays, as well as tracking and packaging valuable directors and actors.
The trainee serves as administrative support by assisting in the distribution of scripts and maintaining a database of scripts and coverage.
Craft story ideas and dialogue writing across multiple game modes. Collaborate with other departments to develop ideas and resolve gameplay problems through Narrative design.
The intern’s primary project will be to help create and conduct a first-of-its-kind outreach campaign to promote awareness of two of Humanitas’s signature programs, the New Voices Fellowship and College Screenwriting Awards.
As feature screenwriters or television writers, we may be struggling to build a career during an unprecedented era, but I’d like to remind you of one thing: The era is unprecedented for the rest of the world too.
