Duties include managing office schedule, coordinating development of projects, heavy email correspondence with talent and key partners.
Responsibilities include providing administrative support to scripted and unscripted development executives, scheduling a high volume of meetings and pitches for the department.
Responsibilities include standard admin support for the two executives, reading/evaluating submissions, providing creative input across the development slate, etc.
Responsibilities include but are not limited to: administrative duties such as rolling calls, scheduling, and coordinating travel, as well as office management duties.
Read incoming submissions, books, drafts, etc. and provide notes on all projects.
Typical assistant duties include phones, scheduling, submissions, research, coverage, and project tracking.
Duties include submissions, scheduling, rolling calls, and developing client material.
The ideal candidate is someone that is interested in being a producer or working in development & production.
Duties include but are not limited to heavy scheduling, calls, submissions, project tracking, grids, and reading.
Script readers help us decide which scripts to advance through our competition and provide valuable feedback to the writers who submit to us.
Candidates must be able to balance administrative duties, such as rolling calls and scheduling, with heavy creative work – reading incoming submissions, books, drafts, etc.
Aid in preparing & proofreading presentations, pitch decks, creative documents & correspondence.
Maintains a strong organizational and filing system, requiring a thorough knowledge of all ongoing projects and activities and their associated materials.
Responsibilities include reading/evaluating scripts, books and article submissions, pitching material to executives, compiling film festival grids/look books, and researching.
Tracking and reading submissions and writing samples and offering written thoughts in a timely manner.
Responsibilities include reading and evaluating scripts, books, and various other submissions.
Track incoming material and staffing submissions. Update grids with staff lists and production calendars. Watch cuts and read incoming scripts to write loglines and share notes.
Requires a strong degree of client contact, scheduling, submissions, research, reading, and project tracking.
Read submissions, solicit and find new material in interesting places, stay current with writers in both TV and features with an emphasis on Drama streaming.
Liaise with filmmakers and talent on Lionsgate related projects and general business. Participate in weekend read meetings as well as read and track material.
Serves as a conduit between the HBO Max Non-Fiction & Family and other departments by acting as a resource for information and maintains the flow of information between various departments both internally and externally as requested by executives.
Duties such as scheduling, rolling calls, taking notes, booking travel, etc. Assistant will also be integral part of development team.
The Development Coordinator will work to review incoming scripts and track projects in development and production.
Maintains calendar, schedules appointments, meetings and notes call, etc. Writes script coverage and tracks all submissions.
Daily tasks from scheduling and rolling calls, to administration, maintaining correspondences and reviewing submissions.
Typical assistant duties include phones, scheduling, submissions, research, coverage, and project tracking.
Position requires/includes heavy phones, client appointments, heavy computer skills, and preparing daily submissions.
Busy desk with a high volume of emailing, scheduling, coordinating client auditions and submissions, and rolling calls.
The job entails all the typical administrative responsibilities as well as providing creative input on projects, covering submissions, tracking the industry, etc.
Sources and assesses creative submissions and identifies concepts that work well with the 20th Century Studios’ vision.