The role includes coordinating, scheduling, note-taking, rolling calls, deal/payment tracking, etc. Read scripts, evaluate talent, find material.
Track submissions and maintain a list of emails which need responses from the executives. Reviewing new submissions, scripts and revisions, and providing comprehensive feedback as necessary.
Write script, book and article coverage on an ongoing basis to actively track incoming submissions. Identify new material and partners for the studio including but not limited to writers, filmmakers and talent, as well as sourcing IP and tracking specs with the agencies.
In addition to providing administrative support to the VP of Development & Production, the role will require reading incoming material and handling various production and company-related responsibilities.
Oversees every aspect of assigned primetime Series on network, cable and Streaming services. This includes the reading and evaluation of weekly scripts regarding concept, character development, character definition, story structure, humor and dialogue.
Heavy phones, rolling calls, tracking client appointments, script coverage, submissions, heavy scheduling, must be detailed, and have excellent organizational and computer skills.
Responsibilities include rolling calls, scheduling, evaluating submissions, providing project notes, evaluating cuts, project tracking, and assisting on set as needed.
Maintain availability grid and send out submissions for all bookings and personal appearances.
Responsibilities include rolling calls, scheduling, evaluating submissions, project tracking, and maintaining grids.
Responsibilities may include supporting the Head of Development, day-to-day development and administrative needs, and overseeing and growing LILLY’S LIBRARY.
Responsibilities include scheduling calls/meetings for sales team, drafting and negotiating contracts, assisting with festival submissions, and coordinating delivery of assets to distributors.
Work closely with Network Originals team to support a growing pipeline of movies for our network and Streaming partners.
Job responsibilities include standard Assistant duties, team coordinating, and script coverage.
Responsibilities include: scheduling, maintaining phone logs, submissions, research, and script coverage.
Need someone who is fast, can multi-task, pay attention to details, communicate effectively, and keep a calm demeanor under pressure.
Responsibilities include rolling calls, scheduling and calendar management, organizing incoming and outgoing submissions, maintaining grids, reading, etc.
Responsibilities include breakdown submissions, scheduling, and other assistant duties.
Daily responsibilities include rolling calls, facilitating auditions, compiling submissions, updating grids, scheduling, coordinating client travel, and day-to-day interaction with clients.
Provide the administrative support, phone, email, correspondence, script and submissions review, client management, maintenance of all electronic and physical files and general organization.
Liaise with filmmakers and talent on Lionsgate related projects and general business. Participate in weekend read meetings as well as read and track material.
Typical responsibilities include but are not limited to rolling calls, setting and confirming both zoom and in-person meetings for manager and clients, and managing talent and literary submissions.
Typical assistant duties include phones, scheduling, submissions, coverage, and project tracking.
Daily duties include rolling calls, tracking client appointments, making submissions, scheduling, script coverage, and more.
The Executive Assistant is responsible for supporting all day-to-day business activity, both administrative and creative/development of the SVP.
Job responsibilities include scheduling, calls, note-taking, tracking submissions, reading, providing notes on projects in development, etc.
Duties include submissions, setting meetings, tracking intel, logging client bookings, and overall admin support.
Take and organize notes for writers of the company’s projects. Read, vet, and report back on incoming material (including writing coverage).
Work with Topic Studios executives and producers to develop and/or vet budgets and production plans for Fiction and Nonfiction TV shows, Films, podcasts, and Documentary features that are in development, pre-production, and under consideration as potential investment.
Organize contact lists of writers, producers, creative executives and any related correspondence as needed. Read and watch material and provide feedback as necessary.
The ideal candidate should have a passion for reading and evaluating new material, as well as professional phone and communication skills.