Reading script submissions and providing written summaries and recommendations for development executives.
Scheduling and coordinating recurring in-house staff meetings, generals, informationals, pitches, and production meetings, table reads, etc.
Typical assistant duties include phones, scheduling, submissions, coverage and support as needed on projects and slate.
Duties include scheduling, rolling calls, submissions, tracking, working with high-level talent, script reading and research, etc.
Job entails scheduling client appointments, coordinating development for Film and Television, talent submissions, heavy focus on development, and creating Writer and Executive lists.
Responsibilities include rolling calls, managing calendars, interfacing and scheduling for clients, managing submissions, reading scripts, etc.
Position includes client appointments, submissions, scheduling, and campaign management.
Reads scripts and provides coverage at the Executive’s discretion. Types and organizes story notes, production notes, post-production notes and various other development material.
Script coverage and material evaluation for current shows, development projects, and incoming submissions and specs.
Duties include reading scripts, books, and project drafts; tracking incoming and outgoing submissions; sharing ideas, and more.
Manage significant volume of calendar of appointments, meetings, and handle logistics of meetings. Proactively participate in reading Creative submissions and providing feedback on material.
Responsibilities include: scheduling a high volume of meetings for two executives; interfacing and scheduling for clients; script coverage; tracking talent; managing submissions; IP tracking.
Responsibilities include, but are not limited to: scheduling a high volume of meetings and calls for two executives; interfacing and scheduling for clients; performing and organizing script coverage; tracking writers and directors; managing and tracking submissions of Finance/producing projects.
Duties include answering phones and maintaining schedules; filing; processing expense reports; scheduling meetings and appointments; updating information on producers; tracking all submissions and pitches.
Acts as direct liaison with filmmakers. Reads and provides feedback for any and all incoming submissions.
Duties include track/update development grids; field external pitches; evaluate submissions; meetings notes; create paper materials; logline wizard; copy writer and deck master, etc.
Job entails day-to-day administrative work with the opportunity for more, including supervised client coverage, strategy, submissions and client relations.
Position requires/includes light phones, client appointments, heavy computer skills, and preparing daily submissions.
Reading and reviewing a high volume of IP (books, comics, audio content, etc.,) in a timely manner, comprehensively evaluating its adaptation potential, and sharing such evaluation in writing, or verbally.
Help source and assess screenplays, books, articles, life rights, concepts, sizzles, and short form content – as well as other forms of IP – to build out and sustain a robust feature pipeline.
Managing and rolling a high volume of phone calls. Scheduling and calendar management. Read, summarize, and analyze books and scripts and provide coverage.
Reviews and responds to Creative script, IP and Book submissions. Generates and distributes coverage and synopses.
Duties include project-related work, such as compiling actors lists, presentations, compiling notes on scripts in active development, reviewing budgets, etc.
Responsibilities include scheduling, phone logs, drafting/sending submissions, coverage, etc.
Duties include: some light scheduling, covering incoming material and providing creative feedback on submissions, maintaining all internal databases, office maintenance and more.
Duties include regular administrative work such as rolling calls, scheduling, keeping track of project submissions, etc.
Duties include: phones, scheduling, submissions, research, coverage, project tracking, as well as discovering new talent.
Job entails day-to-day administrative work with the opportunity for more, including supervised client coverage, strategy, submissions and client relations.
Responsibilities include calendar management, helping clients out with day-to-day needs, sending submissions, etc.
Job entails day-to-day administrative work with the opportunity for more, including supervised client coverage, strategy, submissions and client relations.
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