writing

The day-to-day manager will be responsible for working with the client’s management team in order to execute the vision for her career.

Works closely with coordinating producers, Senior Producers, Segment producers and other Production Assistants on a daily basis to support content created for daily studio Programming

Must have experience developing and selling projects, writing outlines, as well as constructing decks and sizzle reels.

Reading scripts and learning to write professional screenplay coverage. Learning and implementing project management for Films in every stage of development.

Work with writers to develop story and scripts to help transition each podcast to TV series. Develop innovative story approaches and thematic arcs to help transition podcasts into TV/Film.

The producer will be responsible for pitching story ideas, booking guests, writing scripts, and editing.

General clerical and administrative duties including letter drafting, filing, handling phones, managing calendars, scheduling, expenses, and office management.

Using tools such as Studio System, the assistant will learn key clients and their relationships with the executives, so they may schedule or reject meetings as necessary.

Reading scripts, researching story ideas as directed and support writing schedules. Give feedback on scripts and write up outlines of various drafts.

Administrative duties include managing a high volume of calls, emails, scheduling, expenses, travel, etc.

Responsibilities include organizing and managing calendar of multiple projects, booking travel, interfacing with a variety of people, and assisting with projects for a Production Company.

Apart from analyzing scripts, you will also help with various research projects, reviewing our IP library, compiling industry data, and learning what it means to work in the industry.

The creation of development materials including concepts, treatments, scripts, designs, Animation tests, series bibles, pitch decks, and budget etc.

Craft story ideas and dialogue writing across multiple game modes. Collaborate with other departments to develop ideas and resolve gameplay problems through Narrative design.

Cultivating ideas into standout Television Series and brands for Kids. Managing the creation of all development materials including concepts, treatments, scripts, designs, animation tests, series bibles, pitch decks, and budget etc.

Ideal candidate is driven, punctual, pays excellent attention to detail, has strong writing and analytical skills, enjoys reading and has a friendly disposition.

Responsibilities include busy phones and scheduling, script evaluation, project tracking, intern hiring/supervision and general office management.

Weekly tracking of active Open writing assignments/directing assignments for features at Studios & Production Companies.

Responsibilities include full commissions as well as co-productions ensuring timely, efficient, on-brand delivery of new and returning long form Series at the maximum level of quality permitted by budgeted regional production assumptions.

Excellent reading/writing/verbal skills are essential and the ability to multi-task re: managing schedules, call logs, casting submissions, and bookings.

Network and studio coverage – speaking directly to executives to gather information on open writing, directing, staffing jobs and pitching clients for them.

Must be good with technology, editing/graphic design skills are a plus.

Candidate must have experience with scheduling, graphic design, creating decks, one sheets and sales materials, writing, format development and be able to work well with a team.

Responsibilities include research, writing, character development, visual pitch creation, casting lists, and data organization.

Interns can gain experience in casting, writing, voice-over production, and performance capture.