Category Archives: 2 – FILM NEWS
King has recently made a name for himself as Paddington 2 shattered Rotten Tomatoes records, becoming the sites most critically acclaimed movie of all time.
Pearson is taking over an earlier draft written by Craig Mazin, who rewrote the original by Paul Wernick and Everett David Reese.
The writers of Horrible Bosses and directors of the Vacation remake talk about trying to mix genres and how they cast some of the more unlikely roles like the one played by Jesse Plemons.
The writer of Skull: Kong Island will do rewrites on Rodriguez’s own original script with distributor Studio 8 hoping to turn it into a franchise.
The animated take on Jack London’s classic tale of fiction and the psychological thriller starring Andrea Riseborough are both expected to be released this year.
As T’Challa’s brainiac sister and his rival-turned-ally, these two actors practically steal the movie from their more famous co-stars. Get to know them beyond their characters, who are both slated to return in Avengers: Infinity War.
While most of the men who’ve held the highest office in the land don’t have their own film, almost all of them had interesting lives. So to celebrate this Presidents’ Day, Sabrina Cognata takes a look at which presidents are sorely lacking their own film and who should play them.
“He’s got the charisma. He’s got the right kind of cold intelligence. And, man… he’s got the eyes. There is a casually terrifying distance in the way Pattinson can look at someone, something he uses repeatedly in Good Time, that leaves you wondering if you’re safe or not,” writes Drew McWeeny.
Marvel’s game-changing movie made more in its opening weekend than both Avengers: Age of Ultron and Captain America: Civil War, and it set a new Monday record by grossing $40.2 million.
DeKalb Elementary, The Eleven O’Clock, My Nephew Emmett, The Silent Child and Watu Woke (All of Us) are all good, but which one is likely to win the Oscar in this extremely tough category?
The Oscar-nominated superstar hasn’t made a studio film since 2013’s animated The Croods, so is there a way for Cage to climb his way back to the top of the ladder?
Ali Soozandeh’s first film to get a U.S. theatrical release deals with a number of interlocking stories dealing with the antiquated religious beliefs in Iran that hold women back, while male dominance and sexism thrives.
Eisenberg will play legendary French mime Marcel Marceau who helped the French Resistance rescue thousands of French children by taking them to safety in Switzerland.
Both Aardman’s animated Early Man and Pure Flix’s Samson bombed badly going up against the dominant Marvel Studios movie.
Adapted from the Hugo-winning short story by Lawrence Watt-Evans by Steve Desmond and Michael Sherman (ORB) , the premise involves a diner where travelers from parallel universes converge.
The guys also discuss the new directors on the Call of Duty movie and WB’s new Willy Wonka movie, as well as the absurdity of comparing The Cloverfield Paradox to fellow Netflix movie Bright.
24‘s Freddie Prine Jr. and Undateable‘s David Fynn have been tapped as male leads in CBS’ multi-camera comedy pilot I Mom So Hard.
“If we’re using Jodie Foster’s metaphor, and Black Panther is part of the theme park that Hollywood has become, then it’s one of the best rides — the kind that leaves you wanting more,” writes Neil Turitz.
“Considering how much of the film is about the power built into any sexual exchange, it’s interesting to see how Francis Lawrence avoids the easy ‘male gaze’ traps of the genre. The film doesn’t feel like it’s objectifying its star, who clearly shares a certain trust with her director,” writes Drew McWeeny.
The Keira Knightley period drama Collette and Hilary Swank’s What They Had, both which premiered at Sundance, seem to be getting aligned for possible awards pushes.
That Thursday opening puts it ahead of Marvel’s Captain America: Civil War, which introduced Chadwick Boseman as the Black Panther two years ago and could see it grossing more than $200 million over the holiday weekend.
In the film from Adam Rifkin, the 81-year-old Reynolds plays an aging Hollywood star invited to receive a Lifetime Achievement award from a small film festival in Nashville.