The ideal candidate is a detail-oriented individual who has a strong interest in pop culture and would like to pursue a career in Documentary and/or Unscripted Series.
Candidate must have comprehensive knowledge and experience working with top-tier talent as well as understanding of creators in other mediums including literary authors, Comic Book/Graphic Novel creators and video game developers.
The Motion Picture Literary Coordinator is a crucial position which requires an individual to work well within a team and be prepared for a fast-paced and detail-oriented environment.
Between July 1st and July 31st, we tracked 22 new feature specs hitting the market, with only 4 having some type of attachment. Surprisingly, this is only a 4.3% decrease in specs from June. June saw a monstrous uptick in specs from the rest of the year, so it looks like we’re holding steady for the summer. Still, July didn’t beat out the record high for the year but came quite close to it.
The Production Coordinator will provide administrative support to the Executive Producer, assist senior producers in selecting and coordinating interns, update and maintain American Masters’ database and series one-sheets, maintain an inventory of supplies, log all proposals received and organize American Masters’ tape closet and press files.
Work with internal departments and development labels to build budgets and production plans for reality formats that are in development or greenlit (including schedules, detailed line by line budget, cash flow and overall approach to physical production)
Responsibilities will include scheduling, rolling calls, standard office administration, and more.
Looking for someone who is good with multitasking, giving out appointments, sending out self-tapes, submissions and script coverage.
Responsibilities include giving appointments, creating pitches, and general client correspondence.
Candidate must have previous experience as a Production Assistant and/or Development Assistant.
Responsibilities include rolling calls, scheduling, interfacing with clients, negotiating Engagement Letters, project evaluation and coverage.
Responsibilities will include covering scripts, tracking potential clients, and reviewing Film and Television roles for our acting clients.
Responsible for providing essential support to all areas under the oversight of production, including but not limited to scheduling and calendars, budgets and cost reporting, production and office operations, travel, Post Production, asset management and record keeping.
Using tools such as Studio System, the assistant will learn key clients and their relationships with the executives, so they may schedule or reject meetings as necessary.